Kenjiro Kitade

Functional Series, Ceramic Baseball Bat: ‘Kanabo’

2019

The main theme of Kitade's artwork is focused on questioning. The sources of the ideas are picked up from his own life experiences, starting from personal experiences and expanding ...

The main theme of Kitade’s artwork is focused on questioning. The sources of the ideas are picked up from his own life experiences, starting from personal experiences and expanding ...

Eiferman invite’s you to immerse yourself in a world where transformed shapes, lines, and colors are all crafted out of nature's detritus. The inspiration for her drawings come from ...

Eiferman invite’s you to immerse yourself in a world where transformed shapes, lines, and colors are all crafted out of nature's detritus. The inspiration for her drawings come from ...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

'My Emotional Baggage Carts are vessels to dispose of racial trauma. The act of making, weaves the sting of macro and microaggressions into the cart, freeing me from these constraints. Each recovered shopping cart is unique, but they all are woven with upcycled materials like rope, paracord, grocery bags, rope lights, beads, fabric, and bottle caps. The cart is with a protective zip tie blanket to trap trauma and prevent its escape. For me, my Emotional Baggage Carts are a release, for you, they are an opportunity to look within and recognize any emotional baggage you, yourself may be carrying and release it.' Theda Sandiford...

Set of Visceral Blush I and II, by Magda von Hanau Clay Sculpture with Glass Glaze “This body of work refers to the memory of the flesh. While working on my visceral series, I aim...

Nero II, 2023 by Magda von Hanau From the Visceral series Clay underglaze and glass glaze. Dimensions: 13 in H x 15 in W x 14 in D Weight 15 lbs “This body of work refers to the mem...

"JAMÓN JAMÓN VI (Language of Flowers)", 2019, in slipcast glazed, pit smoke fired ceramic by artist Andrew Cornell Robinson, is one of a series...

"JAMÓN JAMÓN VIII", 2019, in slipcast glazed ceramic by artist Andrew Cornell Robinson, is one of a series of sculptural objects that include c...

mixed-media signed by artist

Bonnie Seeman grew up in Miami, Florida with a propensity towards anatomy illustration and the dazzling colors and rich foliage of the Miami landscape. Developing her technique with porcelain and glass, Seeman channeled her inspirations; resulting in vessels that are both beautiful and macabre. Combinations of muscular and skeletal anatomy and plant forms are the makeup of these sculptural utilitarian vessels. Instead of dwelling on dying, Seeman’s palpable forms culminate in an acute awareness and awe toward life, renewal, nature, and vitality. Shortly after completing her master’s degree in Fine Arts, Seeman was recognized by Galeria OMR in Mexico City, a gallery known for its cutting-edge artists. In effect, Seeman’s porcelain was taken out of the craft context and placed in exhibitions such as ARCO in Madrid, FIAC in Paris, and Art Basel. She shows extensively throughout the United States and was recipient of the Louis Comfort Tiffany Foundation 2005 Biennial Competition Award. Selected Collections Metropolitan Museum of Art, New York, NY Sadberk Hanim Museum, Koc Family Collection, Istanbul, Turkey World Ceramic Exposition Foundation, Icheon, Korea Racine Art Museum, Racine, WI The Carnegie Museum of Art, Pittsburg, PA Corsaw Collection of Functional Ceramics, The Scein-Joseph International Museum of Ceramic Art, New York State College of Ceramics at Alfred University, Alfred, NY Minnesota Museum of American Art, Minneapolis, MN Mint Museum of Craft and Design, Alan Chassanoff Collection, Charlotte, NC Lamar Dodd Art Center, La Grange College, La Grange, GA Albertson College, Caldwell, ID Lowe Art Museum, Palley Collection, University of Miami...