Burlap Still-life Sculptures

Mary Giles (1944-2018) received her BS in Art Education from Mankato State University in Minnesota. After receiving her degree she began exploring various textile processes. She honed her fiber techniques through workshops with such fiber artists as Fern Jacobs, Lissa Hunter, Diane Itter, Jane Sauer...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

This abstract geometric wall sculpture was done by fiber artist, Jin-Sook So (b. 1950, Korea). So’s work is informed by her time spent in Korea, Sweden and Japan. She uses transpar...

ABOUT “There’s no color in my work,” says Shlafer, “I either burn it, bleach it, or leave it alone.” Shlafer’s sculptures are designed with rudimentary material such as pine, oak, and spruce salvaged as driftwood on the Eastern end of Long Island. The artist started this body of work during the pandemic after he stumbled upon the charming discoveries while traveling on foot by the coastline. Always a wayfarer at heart, he drew inspiration from his youth of traveling on a motorcycle through Southern Africa and seeing indigenous art made from ordinary earth objects within local villages. “Wishbone 1” a 5 Foot sculpture, charred white oak with a tinted aqua resin base that reflects an omen of resilience and hardiness in light of the hardships of the past pandemic year, In another “Tune” a bleached spruce fence post narrowed into a tuning fork shape with a slate base. It welcomes a ceremonial vibe. “At the end of the day, that’s the energy we all crave,” says Shlafer, “who doesn’t respond to that?” “Mushroom #3” a charred white oak sculpture that is versatile in design so it can act as an end table or a stool. It is masterfully crafted and brings to mind the redwood stools...

Please allow a two month turnaround time for this piece to be made. About Cast Paper In David's words: “One thread running through my work is a connection to nature. Casting natur...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

ABOUT This Charred white oak mushroom acts as a stool or end table. “There’s no color in my work,” says Shlafer, “I either burn it, bleach it, or leave it alone.” Shlafer’s sculptures are designed with rudimentary material such as pine, oak, and spruce salvaged as driftwood on the Eastern end of Long Island. The artist started this body of work during the pandemic after he stumbled upon the charming discoveries while traveling on foot by the coastline. Always a wayfarer at heart, he drew inspiration from his youth of traveling on a motorcycle through Southern Africa and seeing indigenous art made from ordinary earth objects within local villages. “Wishbone 1” a 5 Foot sculpture, charred white oak with a tinted aqua resin base that reflects an omen of resilience and hardiness in light of the hardships of the past pandemic year, In another “Tune” a bleached spruce fence post narrowed into a tuning fork shape with a slate base. It welcomes a ceremonial vibe. “At the end of the day, that’s the energy we all crave,” says Shlafer, “who doesn’t respond to that?” “Mushroom #3” a charred white oak sculpture that is versatile in design so it can act as an end table or a stool. It is masterfully crafted and brings to mind the redwood...

"Desert Boots" is an original needlepoint embroidery and vintage object artwork measuring approx. 5"h x 9.5"w x 11"d made by Ulla-Stina Wikander. Ulla-St...

BRILLO (RED BLUE WHITE) Acrylic on canvas with leather and brass fittings over wood. 17 x 17 x 14" (43.18 x 43.18 x 35.56 cm.) 2019 The series Lutz refers to as "Luxury Sculptures" are based on the forms of Louis Vuitton trunks in combination with the box sculptures of Andy Warhol. Lutz began this series in 2008. The works aim to create a feedback loop. Where Warhol elevated consumer products like Brillo and Heinz Ketchup...

This solid accent portrays a primordial form. Tucker Robbins, inspired to bring his designs back to basics, worked with the Ifugao (Mountains of the Phi...

medium: reclaimed button-down shirts, wire, flower frog ARTIST STATEMENT "Flowers have been a large part of my work for years, but they took on new meaning for me in 2020. As our backyards and gardens became a common respite from the fear, isolation, and boredom of the early days of the pandemic, I thought about the ubiquity of flowers in our lives. We use them to celebrate when life is good, as well as to sooth ourselves when it is not. Their ambiguity is what allows them to be such a versatile symbol. As the world became more uncertain, I craved beauty, both in my life and in my work. Fairly quickly the floral motifs that have been a mainstay of my wall installations began to dominate my sculptures and appear in my paint-chip mosaic work. Most of my flowers are created using second-hand shirts sourced from thrift shops. As I shop for materials, I focus on searching for certain colors, textures, and patterns, but I also think about the people who once cherished these items of clothing. I think about how the shirts end up here. Did the size or style no longer fit the owner? Or maybe it was part of the final Goodwill run after a loved one passed. I like to think that an article of clothing can have a memory, retaining the essence of the person who wore it and that once transformed, a little bit of that spirit becomes part of the artwork. Over the years, since I started making flowers from shirts, I’ve had many people tell me that a petal or a leaf is made from the same material as a shirt that they once had. I often wonder if objects can circle back and reunite with their previous owner. I realize that the odds are slim, but they’re not zero. If you have donated a shirt to charity in New Orleans in the last couple of years, then there is a chance that a little bit of it is hanging on the gallery wall right now." BIOGRAPHY CARLTON SCOTT STURGILL was born in Cincinnati, Ohio in 1971 and is a graduate of the University of Cincinnati (B.A. 2002) and Chelsea College of Art and Design (M.A. Fine Art 2005) in London, United Kingdom. His multidisciplinary body of work includes painting, sculpture, collage, and installation and incorporates a wide variety of materials, with a particular emphasis on repurposed everyday objects. His site-specific floral installations created using second-hand button-down shirts have been displayed in settings as diverse as the Drifter...

RED BLACK BRILLO Acrylic on canvas with leather and brass fittings over wood. 17 x 17 x 14" (43.18 x 43.18 x 35.56 cm.) 2019 The sculpture was recently featured in the Elle Decor Art Issue and one of the artist's most iconic works. The series Lutz refers to as "Luxury Sculptures" are based on the forms of Louis Vuitton trunks in combination with the box sculptures of Andy Warhol. Lutz began this series in 2008. The works aim to create a feedback loop. Where Warhol elevated consumer products like Brillo and Heinz Ketchup...