Billy Baldwin On Sale

Billy Baldwin had the unusual distinction of being the first man to break the glass ceiling of interior decoration, which before WWII was ruled by a coterie of ladies. 

The look that Baldwin championed in the mid-century was entirely American: classical in foundation, but modern in spirit, free of ostentation and unconcerned with trends. “Be faithful to your own taste,” he used to tell clients, “because nothing you really like is ever out of style.”

By the 1960s, just about every American taste-making blue blood was Baldwin's client, including Jackie Onassis, Pamela Harriman, Nan Kempner, Bunny Mellon and Babe Paley. If you ever wondered who was responsible for Diana Vreeland’s unforgettable “garden in hell” crimson drawing room, it was Billy B, as his friends called him.

“I always say I love color better than people,” he once remarked. He also loved cotton, calling it “his life,” detested damask and satin, and claimed to have “made a lady out of wicker.” His quips were legendary.

Unlike most decorators of his era, Baldwin believed that every project should feature furnishings already belonging to the client, so that the client’s personality would manifest in the room’s atmosphere. That atmosphere would emerge out of Baldwin’s selection of other furnishings — both old and new, American, European and Asian — and his choice of colors, mix of patterns and keen sense of proportion and scale. If good antiques were beyond a client’s budget, he advised buying top contemporary pieces, rather than reproductions. What was important was quality, as well as comfort. A resolute anti-snob, Baldwin detested pretentious people. He believed decorating was a collaborative adventure embarked on with the client.

Embracing of new materials, including fake leather and plastic, in the mid-1950s, Baldwin covered the walls of Cole Porter’s tony Waldorf Astoria suite in tortoise shell vinyl. For that project, possibly his masterwork, he also designed floor-to-ceiling brass étagères, as he felt it “would be extravagant to do built-in bookcases for an apartment in a hotel.” His enthusiasm for chintz slipcovers prompted Porter to threaten, “Don’t you dare slipcover these pianos!” When the hotel suite was published, the étagères began showing up everywhere. Baldwin was not pleased. “If I find that something I am doing is becoming a trend, I run from it like the plague,” he declared.

For the New York City apartment of William and Babe Paley in the St. Regis hotel, Baldwin covered the damaged walls in a shirred geometric fabric, which started another trend. Among other much-copied design signatures were low slipper chairs, swing arm brass lamps, dark-hued rooms, rattan-wrapped Parson’s tables and arresting orchestrations of brilliantly patterned cotton prints.

When he turned 70, Baldwin retired and a few years later decamped to Nantucket where he had often summered, and which he loved in part for its strong, clear New England light. When he died at 80, he had influenced a generation of American decorators and shaped the tastes of Americans on a mass-scale, even those who never knew his name.

Browse a wide range of Billy Baldwin furniture on 1stDibs.

With entire areas of our homes reserved for “sitting rooms,” the value of quality antique and vintage seating cannot be overstated.

Fortunately, the design of side chairs, armchairs and other lounge furniture — since what were, quite literally, the early perches of our ancestors — has evolved considerably.

Among the earliest standard seating furniture were stools. Egyptian stools, for example, designed for one person with no seat back, were x-shaped and typically folded to be tucked away. These rudimentary chairs informed the design of Greek and Roman stools, all of which were a long way from Sori Yanagi's Butterfly stool or Alvar Aalto's Stool 60. In the 18th century and earlier, seats with backs and armrests were largely reserved for high nobility.

The seating of today is more inclusive but the style and placement of chairs can still make a statement. Antique desk chairs and armchairs designed in the style of Louis XV, which eventually included painted furniture and were often made of rare woods, feature prominently curved legs as well as Chinese themes and varied ornaments. Much like the thrones of fairy tales and the regency, elegant lounges crafted in the Louis XV style convey wealth and prestige. In the kitchen, the dining chair placed at the head of the table is typically reserved for the head of the household or a revered guest.

Of course, with luxurious vintage or antique furnishings, every chair can seem like the best seat in the house. Whether your preference is stretching out on a plush sofa, such as the Serpentine, designed by Vladimir Kagan, or cozying up in a vintage wingback chair, there is likely to be a comfy classic or contemporary gem for you on 1stDibs.

With respect to the latest obsessions in design, cane seating has been cropping up everywhere, from sleek armchairs to lounge chairs, while bouclé fabric, a staple of modern furniture design, can be seen in mid-century modern, Scandinavian modern and Hollywood Regency furniture styles.

Admirers of the sophisticated craftsmanship and dark woods frequently associated with mid-century modern seating can find timeless furnishings in our expansive collection of lounge chairs, dining chairs and other items — whether they’re vintage editions or alluring official reproductions of iconic designs from the likes of Hans Wegner or from Charles and Ray Eames. Shop our inventory of Egg chairs, designed in 1958 by Arne Jacobsen, the Florence Knoll lounge chair and more.

No matter your style, the collection of unique chairs, sofas and other seating on 1stDibs is surely worthy of a standing ovation.