Black Chiquita Stool

Kenneth Cobonpue is a multi-award winning furniture designer and manufacturer from Cebu, Philippines. His passage to design began in 1987 while studying industrial design at Pratt Institute in New York.

While completing his studies, Cobonpue apprenticed for a leather and wood workshop near Florence, Italy. He went on to study furniture marketing and production at the Export-Akademie Baden-Württemberg in Reutlingen, Germany, under a private and state scholarship program, and subsequently worked in Bielefeld and Munich.

Cobonpue returned home to Cebu in 1996 to manage Interior Crafts of the Islands, Inc., a furniture design and manufacturing company founded by his mother, Betty Cobonpue, in 1972. Discovering that modern design could have a new face using natural fibers and materials, Cobonpue created pieces of functional art, offering an alternative to the Western definition of modern design. Today, the KENNETHCOBONPUE brand has become known globally for its unique designs and extensive roster of clientele, which includes Hollywood celebrities and royalty.

With his masterful way of integrating nature, traditional craft and innovative technologies in his work, designer and creative director Cobonpue has earned international awards and recognition for his creative, organic and expressive pieces. Working closely with some of the world’s leading designers — from household names to emerging talents — Cobonpue has been pushing the envelope for design in the Philippines and sharing his vision with a global audience.

Awards to Cobonpue’s credit include five Japan Good Design Awards, the grand prize at the Singapore International Design Competition, the DFA Design for Asia Award from the Hong Kong Design Centre, the American Society of Interior Design Top Pick selection and the French Coup de Coeur award. Several of Cobonpue’s designs were selected for several editions of the International Design Yearbook published in London and New York. Phaidon’s book, & Fork, underscores Cobonpue’s position as a leader of a new movement incorporating new technologies in crafts. In 2007, TIME magazine called him “rattan’s first virtuoso.” Cobonpue was named the Designer of the Year in the first edition of Maison&Objet Asia held in March 2014 in Singapore.

Cobonpue reveals new work each year in the design shows from Milan to New York, and he speaks regularly about Southeast Asian design all over the world. He has also appeared in European television and in countless international magazines and newspapers around the world. Various Cobonpue designs have also appeared in full-length feature films and television, such as Oceans 13 and CSI.

Find a collection of Kenneth Cobonpue furniture today on 1stDibs.

(Biography provided by Galerie Philia)

The late 19th and early 20th centuries saw sweeping social change and major scientific advances — both of which contributed to a new aesthetic: modernism. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface [and] avoidance of ornament.”

Early practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.

Followers of both groups produced sleek, spare designs — many of which became icons of daily life in the 20th century. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chair — crafted with his romantic partner, designer Lilly Reich — and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections.

It’s difficult to overstate the influence that modernism continues to wield over designers and architects — and equally difficult to overstate how revolutionary it was when it first appeared a century ago. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. Don’t overlook them.

Antique and vintage ottomans and poufs add comfort and style to any living room, game room, home office or minimalist lounge space. An ottoman is a short seat or footstool that is also often used to store items. A pouf is similar, but it’s typically more petite than an ottoman, usually without the storage space inside.

When one thinks of the Ottoman Empire, it’s easy to overlook the iconic seat named for the region. The ottoman — originally an upholstered seat or small bench without a back or arms — was a family’s main seating furniture, a way to merge floor seating with cushions and mats. It wasn’t until they were brought to Europe from Turkey, during the 18th century, that it became popular to join ottomans with other pieces of furniture, such as at the base of a chair. Eventually, these footrests were transformed into storage furnishings to organize quilts and blankets or other textiles. Furniture makers crafted their ottomans with lids that revealed a hidden cupboard, which rendered them both comfortable and practical.

Poufs, which appeared in France during the 1840s, are also of the low-platform seating variety. These versatile furnishings have been made available in all manner of shapes and sizes over time, and depending upon their firmness can be used as a side table should an occasion call for an extra one. However, your average ottoman is almost always firmer than a pouf, and even if the plush pouf in your living room feels sturdy, it’s probably not the best surface for your early-evening cocktail.

Both ottomans and poufs can help create an inviting and warm atmosphere in your living space. For the smaller rooms that are characterized by a casual feel, a shaggy or woven wool pouf might be a better choice, as it’s likely to be more compact and floor-cushion-like than an ottoman. The latter are often larger and more table-like and are comparatively a good fit for a more formal room such as a library or a study. Today, you might find that an ottoman works well in your bedroom, where there isn’t room for a sofa, or perhaps it can serve as a reliable perch in front of your vintage vanity table.

Whatever your seating needs are, find a collection of antique, new and vintage ottomans and poufs in varying styles on 1stDibs that include neoclassical, Industrial and mid-century modern. From the bright colors and bold patterns deployed by Milan-born designer Lorenza Bozzoli to the classy leather furnishings created at family-run Brooklyn, New York, atelier Moses Nadel, there is an endless range of these lovable low stools that merge seamlessly with most decor.