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Carricks Chair

Zephyr - Carricks Corner
By William Tillyer
Located in London, GB
chair in an interior. Man in and against nature.
Category

2010s Landscape Prints

Materials

Archival Ink, Giclée

Zephyr -Carricks Corner, 2019, Giclee Print
By William Tillyer
Located in Atlanta, GA
through to a Marcel Breuer chair in an interior. Man in and against nature.
Category

2010s Abstract Abstract Prints

Materials

Giclée

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William Tillyer for sale on 1stDibs

William Tillyer is a celebrated British painter and watercolourist, whose work has been shown frequently in London and New York since the 1970s. Tillyer was born in Middlesbrough, and studied painting at Middlesbrough College of Art. He then went on to study at the Slade in London. He began to make radically experimental work which raised questions about the relationship of art to the world, and of man to nature. The 1970s saw Tillyer return to printmaking with renewed vigour, using a variety of techniques from etching to five-tone screenprinting, to create lattices that Pat Gilmour, Head of the Print Department at Tate, described as "a cool and unpeopled world...in which to reflect the surrounding flux of nature." He has been invited to work internationally, including Cadiz, Spain; Tobago, Republic of Trinidad and Tobago; Cill Rialaig Project, Co. Kerry, Ireland; Melbourne, Australia, and was a visiting professor at Brown University, USA; Bath Academy of Art; and the Chelsea School of Art. Tillyer has exhibited internationally, and his work can be found in the collections of major institutions including the Arts Council of Great Britain; the Brooklyn Art Museum, New York; Fort Worth Art Museum, Texas; Middlesbrough Art Gallery; MOMA, New York; The Art Gallery of Western Australia, Perth; Tate Gallery, London; and the Victoria & Albert Museum.

Finding the Right prints-works-on-paper for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.