Snoopy Tom Everhart

You are likely to find exactly the piece of snoopy tom everhart you’re looking for on 1stDibs, as there is a broad range for sale. There are many Pop Art and contemporary versions of these works for sale. Finding the perfect item from our selection of snoopy tom everhart may mean sifting through those created during different time periods — you can find an early version that dates to the 20th Century and a newer variation that were made as recently as the 21st Century. If you’re looking to add a choice in our collection of snoopy tom everhart to create new energy in an otherwise neutral space in your home, you can find a work on 1stDibs that features elements of beige, blue, orange and more. Artworks like these of any era or style can make for thoughtful decor in any space, but a selection from our variety of those made in lithograph, mixed media and paper can add an especially memorable touch.

The price for an artwork of this kind can differ depending upon size, time period and other attributes — a piece of snoopy tom everhart in our inventory may begin at $1,400 and can go as high as $3,800, while the average can fetch as much as $2,400.

TOM EVERHART was born on May 21, 1952 in Washington, D.C. He began his under graduate studies at the Yale University of Art and Architecture in 1970. In 1972 he participated in an independent study program under Earl Hoffman at St. Mary’s College. He returned to the Yale School of Art and Architecture in 1974 where he completed his graduate work in 1976, followed by post-graduate studies at the Musee de l’Orangerie, in Paris. He taught Life Drawing and Painting, briefly from 1979 to 1980, at Antioch College. In 1980, Tom Everhart was introduced to cartoonist Charles M. Schulz at Schulz’s studios in Santa Rosa, California. A few weeks prior to their meeting, Everhart, having absolutely no education in cartooning, found himself involved in a freelance project that required him to draw and present Peanuts renderings to Schulz’s studios. Preparing as he would the drawings and studies for his large-scale skeleton / nature related paintings; he blew up some of the cartoonist’s strips on a twenty-five foot wall in his studio which eliminated the perimeter lines of the cartoon box, leaving only the marks of the cartoonist. Schulz’s painterly pen stroke, now larger than life, translated into painterly brush strokes and was now a language that overwhelmingly connected to Everhart’s own form of expression and communication. Completely impressed with Schulz’s line, he was able to reproduce the line art almost exactly, which in turn impressed Schulz at their meeting. It was directly at this time that Everhart confirmed his obsession with Schulz’s line art style and their ongoing relationship of friendship and education of his line style. A few years later, while still painting full-time on his previous body of work in his studio, Everhart began drawing special projects for Schulz and United Media, both in New York and Tokyo. These authentic Schulz-style drawings included covers and interiors of magazines, art for the White House, and the majority of the Met Life campaign. When Everhart was not painting, he was now considered to be the only fine artist authorized and educated by Schulz to draw the actual Schulz line. The paintings using Charles Schulz’s comic strip, Peanuts, as subject matter began and replaced the skeleton and nature related paintings in 1988. The inspiration came to Everhart in Johns Hopkins Hospital, where he was undergoing several operations for stage 4 colon / liver cancer in the summer of 1988. Everhart recalls lying in a hospital bed surrounded by enough flowers to open a florist shop, piles of art books and a stack of Peanuts comic strips sent to him by Schulz. The light streaming in from the window almost projected the new images of his future Schulz inspired paintings on the wall. All the images in Everhart’s work are in some respect derived from Schulz’s Peanuts comic strip.