Graff Butterfly Pendant

The British jeweler Sir Laurence Graff (b. 1938) became utterly mesmerized by diamonds when he undertook his first apprenticeship at age 15 in London’s Hatton Garden jewelry district. It wasn't long before he established his now-celebrated eponymous brand, which produces engagement rings, necklaces, rings, earrings, stand-alone jewels, watches and more — all entirely in-house.

Graff had enrolled in classes at Central School of Arts and Crafts, and while he initially showed promise and was highly regarded, the shop owner, Mr. Schindler — who had his apprentice scrubbing floors and toilets — soon changed his tune, deeming him subpar. Undeterred, Graff learned to repair rings and designed small jewels at a humble workbench in his bedroom. He opened a 24-hour ring-repair service with a business partner and, in 1960, founded his luxury house. Two retail locations followed in London in 1962. Graff would go on to become one of the finest diamantaires in the world and was appointed an OBE in 2013 by Queen Elizabeth for his services to the jewelry industry.

Graff is known for handling some of the most famous diamonds in the world, including the Windsor Yellows, the Paragon, the Lesotho Promise and the Wittelsbach-Graff. He also purchased the 302.37-carat Graff Lesedi La Rona, which, at the time, was the largest diamond ever graded by the Gemological Institute of America. The GIA certified the diamond — then the second-largest gem-quality rough diamond on record — as being of highest color and highest clarity. Lucara Diamond Corporation workers discovered the 1,109-carat rough diamond in 2015 at the Karowe mine in Botswana, and after Graff purchased the diamond in 2017, his gemologists and craftsmen spent more than 18 months polishing its final facets.

While many jewels, such as the Graff Lesedi La Rona, remain in Graff’s collection, he does sell extremely high-quality stand-alone jewels. Gems in his showrooms can reportedly fetch hundreds of thousands of dollars on average. Although these stones are perhaps slightly out of the budget of a typical Graff jewelry client, the house does work with more reasonably priced, but no less exceptional gems for its collections.

Naturally, diamonds feature prominently in Graff jewelry, which is known for being more avant-garde than traditional, although Graff does create classic engagement rings, too. The jeweler’s ready-to-wear collections integrate naturalistic motifs like butterflies, bows and sunbursts, as well as striking silhouettes like the crisscrossed Kiss, the clustered Threads and the swirling Inspired by Twombly line, which pays homage to the work of American painter and sculptor Cy Twombly. And while diamonds are the main focus for Graff, his jewelry occasionally features other precious and semiprecious stones.

Browse Graff watches, rings, earrings and other accessories on 1stDibs.

Whether you’re layering multiple jewelry pieces or opting for a single strand, vintage pendant necklaces are versatile accessories that can elevate your casual wear as easily as they can add a creative flourish to your formal attire.

The earliest jewelry was less about accessorizing than it was about wearers arming themselves with amulets. In Ancient Egypt, some amulets featured a loop so that they could be strung around one’s neck. While rubies have long been one of the few gemstones that can give diamonds a run for their money, members of some ancient civilizations valued the stones from the get-go, donning ruby pendants as well as other stones with the belief that these adornments would bring protection, healing powers or strength. Today, we still wear our charm bracelets and charm pendants around our necks for good luck.

Later, pendant necklaces, like most fine jewelry, were worn strictly by royalty or the upper class and conferred wealth and prestige. This changed over time, thankfully, as wearing jewelry became more widespread, a democratized means of personal expression.

During the 18th and 19th centuries, pendant necklaces evolved from their status as spiritual amulets, but the jewels still carried deep personal significance. Victorian pendants, in particular, were part of the “mourning jewelry” tradition. Wearers would embed their pendants with locks of hair from a deceased loved one as a way of grieving in the wake of a loss. In the case of cameo jewelry, some pendants were even decorated with miniature hand-carved portraits in a detailed raised relief. Today, portraiture is still a characteristic of many of the hand-carved pendant necklaces offered by Italian jewelry house Scala Gioielli.

Luxury fine jewelry brands such as Cartier, BVLGARI and David Yurman offer their own unique interpretations of the cherished accessory, embellishing platinum or gold pendant necklaces with diamonds, sapphires and other stones.

On 1stDibs, find an extraordinary range of vintage pendant necklaces and other necklaces today.