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More than a mere tastemaker, Karl Lagerfeld devoted himself to the continual pursuit of chic. “My life and my job,” the designer once said, “is to forget myself.” During his five-decade career designing shoes, handbags, evening dresses and other items for Chanel, Fendi, Chloé and many others, Lagerfeld was a quintessential chameleon, ever evolving to embody the times.

An outsize, instantly recognizable personality — his ponytail powdered like an 18th-century viscount, his eyes perpetually shielded by dark glasses, wearing fistfuls of chunky silver jewels — Lagerfeld was, above all, an avatar of style.

Born in Hamburg (in 1933, ’35, or ’38 by varying accounts), Karl Lagerfeld packed his bags for Paris in 1954. His design for a coat won him the International Wool Secretariat and landed him a job with the celebrated couturier Pierre Balmain. He went on to become the designer of Jean Patou, eventually realizing that his seemingly endless ideas could fuel a career as a designer-for-hire. As such, Lagerfeld lent his vision to everyone from Loewe and Max Mara to Krizia and Charles Jourdan, nimbly moving among a diverse range of styles. It was an unprecedented way of working in the days when freelance was still a dirty word.

During the late ’60s and ’70s, he refashioned Chloé to reflect the free spirit of the day and, beginning in 1965, joined forces with the Fendi family, taking it from sleepy furrier to fashion’s haute-est stratum. Because of his track record for reviving and reimagining brands that had grown stagnant, in 1983 Lagerfeld was handed the reins at Chanel, which had been gathering dust since its founder’s heyday.

From Lagerfeld's first Chanel collection, he injected the venerable house with a frisson of modernity. He riffed on its iconography — tweed skirt suits, pearls, camellias — accenting a lexicon of Chanel-isms with tastes of the moment. Despite producing eight collections a year for Chanel, as well as four to five for Fendi, Lagerfeld never faltered in proposing new ideas each time he put pencil to paper.

Lagerfeld’s collections for Chanel, in particular, displayed his knack for synthesizing old and new, high and low. From Watteau (Spring/Summer 1985 couture) and Serge Roche (Spring/Summer 1990 ready-to-wear) to hip-hop fly girls (Fall/Winter 1991 ready-to-wear), surfers (Spring/Summer 2003 ready-to-wear) and ancient Egypt (Pre-Fall 2019), Lagerfeld used each season’s inspiration to conceive Chanel’s signatures anew.

Browse a collection of sophisticated designs by Karl Lagerfeld on 1stDibs, including handbags and evening gowns for Chanel, vintage cocktail dresses for Chloé and more.

A pair of vintage designer sunglasses can be a game-changing finishing touch to your ensemble.

No matter your age or general fashion sensibility, wearing sunglasses may already be part of your regular outdoor routine owing to their practicality. Most sunglasses protect the eyes from harmful UV (ultraviolet) rays — and not merely on sunny days. Glasses that utilize color-enhancing lenses, which feature specific coatings or filter tints, can limit the amount of light coming through, while polarized lenses substantially reduce glare.

So while their usefulness is well known, let’s face it, a good pair of sunglasses can be stylish too.

People have been making a statement with iconic eyewear for a while — sunglasses garnered popularity with the Hollywood set in the early 1900s, when it wasn’t uncommon for a hip actress to be photographed in a pair of her sharpest shades.

Today, we’re still talking about the sunglasses that Audrey Hepburn — the original trendsetter — donned in the opening scene of 1961’s Breakfast at Tiffany’s. She emerges from the flagship store of the legendary luxury house referenced in the film’s title in a pair of glamorous dark tortoiseshell frames designed by London eyewear firm Oliver Goldsmith Sunglasses. The brand was a keeper for Hepburn — in 1967, she famously wore a pair of Goldsmith’s Yuhu wraparound frames in the poster for Stanley Donen’s film Two for the Road.

Indeed, celebrities have long held sway in the sunglasses realm — perhaps you’ve opted for vintage Ray-Ban sunglasses because you’re enamored with Marilyn Monroe’s celebrated Wayfarers or you’ve taken to classic Aviators because actor Jon Hamm wore them in the nostalgic TV smash hit Mad Men. Good frames are a surefire way to take your style to the next level.

When shopping for the right pair of sunglasses, consider the color and shape of the frames (as well as the shape of your face), how dark or light the lenses are — or tint, if you’re leaning toward a chic gradient lens. Take your time, spring for more than one pair because different moods call for different shades and, while you’re at it, make sure you know how to spot a pair of fake Ray-Ban sunglasses before you make that purchase.

On 1stDibs, our collection of vintage designer sunglasses features classics from Gucci, Cartier, Chanel and other brands as well as a wide range that can be sorted by color — find sleek black sunglasses, brown pairs and a whole lot of other eye-catching options, whether it’s sunny outside or not.