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Lithographs Ellison

'Pulitzer Fountain, Evening" — 1940s American Modernism, New York City
By Ellison Hoover
Located in Myrtle Beach, SC
Ellison Hoover, 'Pulitzer Fountain, Evening', lithograph, circa 1940, edition c. 40. Signed in
Category

Mid-20th Century American Modern Landscape Prints

Materials

Lithograph

Arc de Triomphe in Snow (Napoleon's Triumphal Arch)
By Ellison Hoover
Located in Storrs, CT
Arc de Triomphe in Snow (Napoleon's Triumphal Arch). c. 1930. Lithograph printed in grey ink. 11 1
Category

1930s American Modern Landscape Prints

Materials

Lithograph

Uxbridge original vintage poster by Edward McKnight Kauffer
By Edward McKnight Kauffer
Located in London, GB
) in 1947 .In 1952 he designed the book jacket for Ralph Ellison's novel Invisible Man - arguably
Category

1910s Prints and Multiples

Materials

Lithograph

London Underground Summertime original vintage poster by Edward McKnight Kauffer
By Edward McKnight Kauffer
Located in London, GB
jacket for Ralph Ellison's novel Invisible Man - arguably Kauffer's most famous work.
Category

1920s Landscape Prints

Materials

Lithograph

People Also Browsed

Fievet, Original Navy Poster, Fraissinet Cyprien Cruise Line, Ship, Africa, 1960
Located in SAINT-OUEN-SUR-SEINE, FR
Poster of the Compagnie de Navigation Fraissinet et Cyprien Fabre created around 1960 by Maurice Fievet to promote maritime tourism to Africa. Artist : Maurice Fievet Title : Compag...
Category

20th Century French Mid-Century Modern Posters

Materials

Paper

Old Hoadley House
By John Taylor Arms
Located in New Orleans, LA
This image was in the personal collection of the artist. The Wheeler-Beecher House, sometimes referred to as the Hoadley House, is located on Amity Road in Bethany, CT. Built at the ...
Category

1910s American Modern Landscape Prints

Materials

Etching

Still Night (Brooklyn brownstones on 7th Avenue off Flatbush Avenue)
By Frederick Mershimer
Located in New Orleans, LA
In "Still Night", Frederick Mershimer depicts a row of brownstone houses on Seventh Avenue near Flatbush Avenue between Park and Stirling Places. Mershimer remembers that as he was ...
Category

1980s American Modern Landscape Prints

Materials

Mezzotint

Late Night (Where Berkeley Place meets Seventh Avenue in Brooklyn's Park Slope)
By Frederick Mershimer
Located in New Orleans, LA
In "Late Night", Frederick Mershimer created a winter scene where Berkeley Place meets Seventh Avenue in Brooklyn's Park Slope. This image, the seventh in the artist's Winter Series,...
Category

1990s Contemporary Landscape Prints

Materials

Mezzotint, Aquatint

Original Vintage Australian Airline Travel Poster for Qantas - At Your Command!
By Mandson
Located in London, GB
Original vintage travel advertising poster for Qantas super service at your command! Australia's international airline Qantas Empire Airways Ltd in association with British Overseas ...
Category

Vintage 1950s Australian Posters

Materials

Paper

'Threshing' — 1940s American Regionalism
By Thomas Hart Benton
Located in Myrtle Beach, SC
Thomas Hart Benton, 'Threshing', lithograph, 1941, edition 250, Fath 48. Signed in pencil. Signed in the stone, lower left. A fine, richly-inked impression, on off-white, wove paper,...
Category

1940s American Realist Figurative Prints

Materials

Lithograph

"Central Park Nocturne" Impressionist Oil Painting Figures in Central Park NYC
By Johann Berthelsen, 1883-1972
Located in New York, NY
A stunning jewel and pertinent example of Berthelsen's charming New York City scenes. Here we find a Central Park pathway at night and the Manhattan buildings depicted in the far bac...
Category

Mid-20th Century American Impressionist Landscape Paintings

Materials

Canvas, Oil, Board

New England Winter: The Old Homestead.
By Gustave Adolph Hoffman
Located in Storrs, CT
New England Winter: The Old Homestead. 1896. Etching and aquatint printed in grey-green. 7 3/4 x 11 3/4 (sheet 10 x 13 1/16). A rich impression in printed on grey-green ink on white ...
Category

Late 19th Century American Modern Landscape Prints

Materials

Etching, Aquatint

'Laguna Cove' — 1930s American Modernism
By Paul Landacre
Located in Myrtle Beach, SC
Paul Landacre, 'Laguna Cove', wood engraving, 1935; edition 60 (16 printed), 2nd edition 150 (6 printed), Woodcut Society 200, Wien 247. Signed and titled in pencil. A brilliant, bla...
Category

1930s American Modern Landscape Prints

Materials

Woodcut

'Hill' — 1930s American Modernism
By Paul Landacre
Located in Myrtle Beach, SC
Paul Landacre, 'Hill', wood engraving, 1936, edition 60 (only 54 printed); only 2 impressions printed in a second edition of 150. Signed, titled, and numbered '49/60' in pencil. Wien...
Category

1930s American Modern Landscape Prints

Materials

Woodcut

Under the Bridge
By Lawrence Wilbur
Located in Storrs, CT
Under the Bridge. 1985. Etching and drypoint. 9 1/2 x 12 1/8 (sheet 20 1/16 x 22). Edition 27, #13. Printed on cream wove paper, on the full sheet with deckle edges. A rich impress...
Category

20th Century American Modern Figurative Prints

Materials

Drypoint, Etching

Under the Bridge
Under the Bridge
H 9.5 in W 12.13 in D 0.5 in
Pink Morning (New York in White) by Christophe Jacrot - urban photography, snow
By Christophe Jacrot
Located in Paris, FR
This work represents a beautiful view of New York's rooftops under the snow and pink-tinted sky. It is a celebration of love, tenderness and passion between two beings. It could ther...
Category

2010s Contemporary Landscape Photography

Materials

C Print, Rag Paper

Irving Guyer, Christmas Trees on Second Street (NYC)
By Irving Guyer
Located in New York, NY
Philadelphia-born Irving Guyer attended the Art Students League and worked in New York City before moving to California. This print is signed and titled in pencil and has the stamp o...
Category

1930s American Modern Figurative Prints

Materials

Etching, Drypoint

From Knoedler's Window MCMXXXV
By John Taylor Arms
Located in Storrs, CT
From Knoedler's Window MCMXXV. 1935. Etching and Aquatint. Fletcher catalog 293 stateiv/v. Image: 5 1/16 x 4 15/16 (sheet 12/7/8 x 9 1/8). Edition 271 in this state (total edition 3...
Category

1920s American Modern Landscape Prints

Materials

Aquatint, Etching

"Manhattan Bridge" NYC American Scene Modernism Watercolor WPA Urban Realism
By Reginald Marsh
Located in New York, NY
Reginald Marsh "Manhattan Bridge" NYC American Scene Modernism Watercolor WPA Urban Realism, 20 x 14 inches. Watercolor and pencil on paper, 1938. Signed lower right. Housed in a stu...
Category

1930s American Modern Landscape Drawings and Watercolors

Materials

Paper, Watercolor, Pencil

Old Brownstones -- New York
By Lawrence Wilbur
Located in Storrs, CT
Old Brownstones-- New York. c. 1985. Etching and drypoint. 8 7/ 8 x 12 1/3 (sheet 16 5/8 x 16 1/4). Fourth state. Printed on cream wove paper, on the full sheet with deckle edges. ...
Category

20th Century American Modern Figurative Prints

Materials

Drypoint, Etching

Recent Sales

Washington Arch in Snow
By Ellison Hoover
Located in Myrtle Beach, SC
Lithograph, circa 1940, edition c. 40. Signed in pencil. A fine, atmospheric impression, on cream
Category

Mid-20th Century Modern Landscape Prints

Materials

Lithograph

Washington Arch in Snow
By Ellison Hoover
Located in Storrs, CT
Washington Arch in Snow. c. 1930. Lithograph. 14 5/8 x 9 1/2 (sheet 15 15/16 x 12). Illustrated
Category

1930s American Modern Landscape Prints

Materials

Lithograph

Little Church Around the Corner
By Ellison Hoover
Located in Storrs, CT
Little Church Around the Corner. c. 1930. Lithograph. 10 5/8 in. x 8 3/8 (sheet 15 x 12). Edition c
Category

1930s American Modern Landscape Prints

Materials

Lithograph

RECOLLECTION POND
By Romare Bearden
Located in Santa Monica, CA
ROMARE BEARDEN (1911 – 1988) RECOLLECTION POND (Gelburd/Rosenberg GG#28) Color lithograph (off
Category

1970s American Modern Landscape Prints

Materials

Lithograph

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Finding the Right prints-works-on-paper for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.