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Picasso Falcon

Abstract (Edition 95/100)
By Bram Van Velde
Located in Missouri, MO
paintings from the 1950s are similar to the contemporary work of Matisse, Picasso and the abstract
Category

20th Century Abstract Abstract Prints

Materials

Lithograph

Abstract (Edition 75/100)
By Bram Van Velde
Located in Missouri, MO
paintings from the 1950s are similar to the contemporary work of Matisse, Picasso and the abstract
Category

20th Century Abstract Abstract Prints

Materials

Lithograph

Abstract (Edition 48/100)
By Bram Van Velde
Located in Missouri, MO
. His paintings from the 1950s are similar to the contemporary work of Matisse, Picasso and the abstract
Category

20th Century Abstract Abstract Prints

Materials

Lithograph

Abstract (Edition 24/75)
By Bram Van Velde
Located in Missouri, MO
. His paintings from the 1950s are similar to the contemporary work of Matisse, Picasso and the abstract
Category

20th Century Abstract Abstract Prints

Materials

Lithograph

Marina Núñez del Prado, Head, Patinated Bronze Sculpture, 1930s
By Marina Núñez del Prado
Located in New York, NY
homeland. She later moved to Peru in 1972, where she lived with her husband, Jorge Falcón, a writer native
Category

Vintage 1930s Bolivian Art Deco Figurative Sculptures

Materials

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Joan Miró Lithographs
Joan Miró Lithographs
H 18.5 in W 14.5 in D 0.5 in
No title
By Bram Van Velde
Located in Paris, FR
Lithograph, 1978 Edition : 73/100 Catalog : Mason 301 48.00 cm. x 34.00 cm. 18.9 in. x 13.39 in. (paper) 39.00 cm. x 28.00 cm. 15.35 in. x 11.02 in. (image) Handsigned by the artis...
Category

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Materials

Lithograph

No title
H 1,911.03 in W 13.39 in
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Veni, Domine Jesu - Lithograph - 1964
Veni, Domine Jesu - Lithograph - 1964
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Recent Sales

Rare Abstract Signed and Numbered Lithograph by Bram Van Velde
By Bram Van Velde
Located in Los Angeles, CA
1950s are similar to the contemporary work of Matisse, Picasso and the abstract expressionist Adolph
Category

Vintage 1960s French Modern Prints

Materials

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Bram Van Velde for sale on 1stDibs

Bram van Velde is a Dutch painter born October 19, 1895 in Zoeterwoude, near Leiden Netherlands). He entered in 1907 as an apprentice in a painting and interior decoration company in The Hague, he is encouraged in his art by Eduard H. Kramers and his son Wijnand, collectors and amateurs sensitive to his talent. In 1922, Kramers encouraged van Velde to travel, perhaps to improve himself and pay him a small income. The latter goes to Munich, then settles north of Bremen, Worpswede, where since the 1890s there is a colony of expressionist artists. He leaves Worpswede to settle in Paris. His career took off, and in February 1927 he went to Bremen to exhibit his works. He followed in April on the Jury-Freie Kunstschau of Berlin, and is admitted, along with his brother Geer, to the Salon des Independants in Paris. It was in 1939 that the artist created his own plastic language, with the first of three great gouaches that would establish the autonomy of his art. He stopped painting in 1941, he "no longer has the strength to continue his work," according to what he wrote around 1945, only to resume in the autumn of 1945. In 1958 Franz Meyer organized the first museum exhibition at the Kunsthalle Bern. Since 1961, the pace of exhibitions is accelerating, its standard of living suffers. Van Velde oscillates between Paris and Geneva, where he began painting before settling there in 1967. France named him Knight of the Order of Arts and Letters in 1964, Holland awarded him the Order of Orange-Nassau in 1969. In 1973, he painted in La Chapelle-sur-Carouge some great gouaches who are like a last "wild" display of color in his work. He died on December 28, 1981 in Grimaud and is buried in the cemetery of Arles.