Tiffany And Co Boca Raton
Tiffany & Co. diamond ring Vanneri Collection 18 Karat Gold VVS Diamonds 2002
By Tiffany & Co.
Located in Boca Raton, FL
Tiffany and Co. diamond ring from Vannerie Collection made in 2002. Stunning ring made with VVS
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21st Century and Contemporary Italian Dome Rings
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Corralled Horse (Artists Proof), 1940s Framed American Modernist Horse Etching
By Ethel Magafan
Located in Denver, CO
; Norfolk Museum, Virginia; Boca Raton Museum of Art, Florida; Columbia Museum of Art, South Carolina
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Pair of Nude Studies, Crayon on Paper, Richard Giglio
Located in Southampton, NY
Tiffany & Co. and Bonwit Teller. Giglio also spent many years covering the couture collections in Paris
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Late 20th Century American Drawings
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Paper, Crayon
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Lone Horse ( Artist Proof), 1940s American Modernist Portrait of Horse Print
By Ethel Magafan
Located in Denver, CO
Washington, DC; Delaware Art Museum, Wilmington; Norfolk Museum, Virginia; Boca Raton Museum of Art, Florida
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H 28.5 in W 36.5 in D 1.5 in
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Located in Denver, CO
; Norfolk Museum, Virginia; Boca Raton Museum of Art, Florida; Columbia Museum of Art, South Carolina
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Mountain Lake (Abstract Colorado Landscape in Green, Gold, Red, Purple, Orange)
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Located in Denver, CO
Washington, DC; Delaware Art Museum, Wilmington; Norfolk Museum, Virginia; Boca Raton Museum of Art, Florida
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H 20.25 in W 25.5 in D 1.25 in
Two Horses, 1960s Framed Semi Abstract Tempera Painting Figural Horses Landscape
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Located in Denver, CO
Art Museum, Wilmington; Norfolk Museum, Virginia; Boca Raton Museum of Art, Florida; Columbia Museum
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H 10.5 in W 20.5 in D 1 in
End of the Meadow, 1970s Abstract Colorado Mountain Landscape Tempera Painting
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Located in Denver, CO
Washington, DC; Delaware Art Museum, Wilmington; Norfolk Museum, Virginia; Boca Raton Museum of Art, Florida
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H 30 in W 41.5 in D 2.25 in
Quiet Water (Landscape with Pond)
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Located in Denver, CO
; Norfolk Museum, Virginia; Boca Raton Museum of Art, Florida; Columbia Museum of Art, South Carolina
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Morning Clouds, 1970s Semi Abstract Mountain Landscape Tempera Painting
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Ethel Magafan for sale on 1stDibs
Ethel Magafan Born Illinois, 1916
Died New York, 1993
Jenne and Ethel Magafan were identical twins, born in Chicago to a Greek immigrant father and a Polish mother. Due to health concerns about their father, the family moved to Colorado, living first in Colorado Springs and then in Denver. He was a proud supporter of their artistic ambitions but died suddenly 1932, a heavy blow to both of them. They attended East High School in Denver, where they found a mentor in their art teacher Helen Perry. She had studied at the Art Institute of Chicago but had later abandoned a career as an artist, making her all the more determined to help the Magafan twins succeed artistically.
While still in high school, the twins impressed artist Frank Mechau, and Helen Perry paid for their lessons with him. He subsequently invited them to apprentice with him at his Redstone studio. In 1936, Jenne won the Carter Memorial Art Scholarship and shared it with her sister so that they both could attend the Broadmoor Art Academy in Colorado Springs. Once they ran out of money, Mechau, now teaching there, hired them as assistants. Through their involvement at the Academy, the twins entered into careers as muralists, working at first with Mechau and then with Peppino Mangravite.
From 1937 to 1943, Ethel was commissioned to paint her first of seven government sponsored murals. Located in the US Post Office in Auburn, Nebraska, this commission made Ethel (at age 26) the youngest artist in America to receive such an honor. Denver Art Museum director Donald J. Bear once commented that “[Ethel and Jenne's] study of local detail makes them appear as little Bruegels of ranch genre – natural and unforced.”
As mural painting commissions diminished, Ethel began to do more easel painting for which she used a palette knife and tempera paints to great effect. After settling in California for five years, the twins permanently relocated to Woodstock, New York in 1945, where the sisters lived apart for the first time. Ethel developed an increasing focus within her work, particularly for horses and abstract landscapes. She met fellow artist Bruce Currie at an artist’s party, and the two were married in 1946.
The twins and their husbands went to Greece and Italy for a year when Jenne’s husband and Ethel were granted Fulbright Scholarships. Upon their return, Jenne died suddenly of a cerebral hemorrhage — a loss that Ethel would mourn deeply. With her sister gone, her landscapes became much more abstract, as she sought out the feeling of the scene rather than an exact representation. During the mid-fifties, she began to make annual trips to Colorado. Her stature within the art world was solidified in 1971 when the United States
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