Torbecchia Cabinet

When discussing Italian architect Giovanni Michelucci, it is difficult to decide which is the more impressive achievement: his more than half-century track record of notable projects, which includes designing and restoring some of Tuscany’s most famous landmarks, or his nearly century-long life. While he is often remembered for passing away just two days before his centennial birthday, in the same breath he is memorialized for his exceptional contributions to Tuscan architecture, including Florence’s Santa Maria Novella Train Station, Palazzo delle Poste and restored rooms inside the legendary Uffizi Gallery. 

Michelucci’s practice began in childhood, at his family’s artistic metal workshop. There, he rubbed elbows with many passing artists and architects before pursuing design academically at Florence’s Istituto Superiore di Architettura. Michelucci graduated in 1911 and embarked on a long teaching career. By the early 1920s, he was instructing at the Istituto d’Arte of Rome and later at the Istituto Superiore di Architettura, from 1928 until 1936. He served as dean of the school’s architectural faculty twice during the 1940s and founded the magazine La Nuova Città between the two appointments. He left Florence in 1948 to become a professor at the School of Engineering in Bologna, where he remained until his retirement.

Other significant architectural projects dot Michelucci ‘s career, like the Santa Maria Novella church and church of St. John the Baptist. Often working in collaboration with the Grouppo Tuscano, a collective of young architects, Michelucci beat out more than 100 other bidders on multiple contracts to bring his modernist, rationalist approach to Italy’s architectural landscape.

In his hometown of Pistoia, as well as Fiesole, Michelucci formed the Fondazione Giovanni Michelucci, which undertook social projects targeted at prisons, hospitals and asylums within the cities. He dedicated the rest of his life toward using architecture to address social challenges — a cause the foundation continues to support today.

On 1stDibs, find a collection of Giovanni Michelucci lighting, case pieces and tables. 

Of all the antique and vintage case pieces and storage cabinets that have become popular in modern interiors over the years, dressers, credenzas and cabinets have long been home staples, perfect for routine storage or protection of personal items. 

In the mid-19th century, cabinetmakers would mimic styles originating in the Louis XIV, Louis XV and Louis XVI eras for their dressers, bookshelves and other structures, and, later, simpler, streamlined wood designs allowed these “case pieces” or “case goods” — any furnishing that is unupholstered and has some semblance of a storage component — to blend into the background of any interior. 

Mid-century modern furniture enthusiasts will cite the tall modular wall units crafted in teak and other sought-after woods of the era by the likes of George Nelson, Poul Cadovius and Finn Juhl. For these highly customizable furnishings, designers of the day delivered an alternative to big, heavy bookcases by considering the use of space — and, in particular, walls — in new and innovative ways. Mid-century modern credenzas, which, long and low, evolved from tables that were built as early as the 14th century in Italy, typically have no legs or very short legs and have grown in popularity as an alluring storage option over time. 

Although the name immediately invokes images of clothing, dressers were initially created in Europe for a much different purpose. This furnishing was initially a flat-surfaced, low-profile side table equipped with a few drawers — a common fixture used to dress and prepare meats in English kitchens throughout the Tudor period. The drawers served as perfect utensil storage. It wasn’t until the design made its way to North America that it became enlarged and equipped with enough space to hold clothing and cosmetics. The very history of storage case pieces is a testament to their versatility and well-earned place in any room. 

In the spirit of positioning your case goods center stage, decluttering can now be design-minded.

A contemporary case piece with open shelving and painted wood details can prove functional as a storage unit as easily as it can a room divider. Whether you’re seeking a playful sideboard made of colored glass and metals, an antique Italian hand-carved storage cabinet or a glass-door vitrine to store and show off your collectibles, there are options for you on 1stDibs.