Alberto Burri Art
Italian, 1915-1995
Alberto Burri was born in a small town in Umbria, Italy, called Città di Castello. At the age of 25 he graduated with a degree in medicine from Università degli Studi di Perugia. He served as a physician in World War II, where his unit was captured in Tunisia in May 1943 and imprisoned in a prisoner-of-war camp in Texas. Following his release, Burri abandoned medicine and never practiced again. Instead, he took up painting.
Burri set up his first studio in Rome following his repatriation to Italy in 1946. His first solo exhibition was at the Galleria La Margherita in 1947. Burri exhibited with the Rome Art Club and was influenced by the growing Futurist use of multi-material art among his Italian contemporaries.
Growing in popularity for his experimental use of pigment and resin - as well as his incorporation of burlap bags and household linens to make his famous Sacchi (sacks) and Bianchi (whites) – Burri began to exhibit in the United States from 1953. His fist exhibition in the USA was at the Allan Frumkin Gallery, Chicago, and the Stable Gallery in New York.
Burri’s incorporation of raw material into his art pushed the boundaries between painting and sculpture. His ingenuity only increased over time, and there seemed to be no distinction between artistic materials and simply materials that he harnessed and moulded into art. He developed unprecedented techniques such as painting with combustion to make torched wood veneer works (Legni). steel (Ferri) and overlays of melted and charred plastic (Combustoioni Plastiche).
From 1963-1991 Burri spent the winters in Los Angeles with his wife, American dancer Minsa Craig. Here, Burri ventured into Minimalism, painting black and white fields of induced craquelure that make up his famed Cretti monochromatic collection. His Grande Cretto (1985-89) is of course at the heart of this moment as a Land art work built over the ruins of Gibellina, the Sicilian town destroyed by the Belice earthquake sequence.
In 1978, Burri designed his own museum in his birth town’s Palazzo Albizzini, which opened in 1981, with works from his last series, the Cellotex, on permanent display from 1990. Since Burri’s death in 1995, in Nice, France, Burri has been the subject of many retrospectives, most notably Alberto Burri: The Trauma of Painting at the Solomon R. Guggenheim Museum (2015-2016). His work is held at the Tate, Museum of Modern Art (MoMA), San Francisco Museum of Modern Art and has been included at the Venice Biennale International Exhibitions and the Biennale de Lyon.(Biography provided by Shapero Modern)
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Untitled (Calvesi 50)
By Alberto Burri
Located in New York, NY
Untitled (Calvesi 50), 1973-76
Screenprint in colors, on wove paper
16 3/4 x 13 5/8 in. (42.5 x 34.6 cm)
Edition: 44/90
Signed and numbered in pencil, lower margin
Category
1970s Abstract Geometric Alberto Burri Art
Materials
Paper, Screen
Untitled (Calvesi 48)
By Alberto Burri
Located in New York, NY
Untitled (Calvesi 48), 1973-76
Screenprint in colors, on wove paper
16 3/4 x 13 5/8 in. (42.5 x 34.6 cm)
Edition: 44/90
Signed and numbered in pencil, lower margin
Category
1970s Abstract Geometric Alberto Burri Art
Materials
Paper, Screen
Sestante 14 1989, Serigrafia di Alberto Burri
By Alberto Burri
Located in Milan, IT
Serigrafia a colori su carta. Firmata a matita in basso a destra, numerata n. IV/XV in basso a sinistra.
E' corredata di autentica su foto della Casa d'arte "Il borghetto" di Milano...
Category
1980s Contemporary Alberto Burri Art
Materials
Screen
Bianchi e Neri II (Acetates) - Plate B - By Alberto Burri - 1969
By Alberto Burri
Located in Roma, IT
Bianchi e Neri II (Acetates) - Plate B is a print realized using different techniques, and hand-signed in pencil on the lower right margin by Alberto Burri . Hand-numbered in pencil on the lower left.
Edition 17/90. The whole edition includes 90 prints plus 15 out of commerce Artist's Proofs in Roman Numerals.
Very good condition.
The work is part of the "Black and white" folder that Alberto Burri realised in 1969, using an elaborate mix of techniques, such as lithography, chalcography and acetate collage. This six etching portfolio...
Category
1960s Abstract Alberto Burri Art
Materials
Mixed Media
Bianchi e Neri II (Acetates) - Plate D - By Alberto Burri - 1970
By Alberto Burri
Located in Roma, IT
Bianchi e Neri II (Acetates) - Plate D is a print realized using different techniques, and hand-signed in pencil on the lower right margin by Alberto Burri . Hand-numbered in pencil on the lower left.
Edition of 90 prints plus 15 artist's proofs numbered in Roman numerals, out of commerce.
This beautiful plate is embossed on zinc plate and lithographed. After this process, Burri made a collage of acetates on Fabriano Rosaspina paper. With the embossing stamp of the publisher Stamperia 2RC (Rome) on the lower left corner. Printed and published by Stamperia 2RC, Rome, in 1970.
In excellent conditions.
This artwork is a sheet of the "Black and white II ", a series that Alberto Burri realized in 1970, using an elaborate mix of techniques , such as lithography, chalcography, and acetate collage. This six-etching portfolio...
Category
1970s Abstract Alberto Burri Art
Materials
Mixed Media
Postcard by Alberto Burri - 1950s
By Alberto Burri
Located in Roma, IT
This is an Autograph Poscard Signed by Alberto Burri to Nesto Jacometti. May 2nd 1950
On the front, a reproduction of “Le Portrait de Genyere F.G.” with the monogram B.A.
Perfec...
Category
1950s Alberto Burri Art
Materials
Paper
Blacks and Whites I ( Acetates) - Plate F - Lithograph Embossing with 1969
By Alberto Burri
Located in Roma, IT
Hand Signed. Edition 34/90 prints plus 15 out of commerce Artist's Proofs in Roman Numerals.
Publisher : 2RC Gallery
The work is part of the "Black and white" folder that Alberto Bu...
Category
1960s Contemporary Alberto Burri Art
Materials
Mixed Media
Bianchi e neri II (Acetates) - Plate F
By Alberto Burri
Located in Roma, IT
Bianchi e Neri II (Acetates) - Plate F is a fashionable contemporary artwork, hand-signed in pencil on the lower right margin by Alberto Burri. Hand-numbered in pencil on the lower l...
Category
1970s Alberto Burri Art
Materials
Mixed Media
Untitled (Calvesi 46)
By Alberto Burri
Located in New York, NY
1973-1976
Screenprint in colors, on wove paper
16 3/4 x 13 5/8 in. (42.5 x 34.6 cm)
Edition of 90
Signed, dated, and numbered in pencil, lower margin
Category
1970s Color-Field Alberto Burri Art
Materials
Paper, Screen
Untitled (Calvesi 46)
By Alberto Burri
Located in New York, NY
1973-1976
Screenprint in colors, on wove paper
Sheet: 16 3/4 x 13 5/8 in. (42.5 x 34.6 cm)
Edition of 90
Signed and numbered in pencil, lower margin
Category
1970s Abstract Alberto Burri Art
Materials
Screen
Untitled (Calvesi 50)
By Alberto Burri
Located in New York, NY
Screenprint in colors, on wove paper
Sheet: 16 3/4 x 13 5/8 in. (42.6 x 34.5 cm)
Edition of 90
Signed and numbered in pencil on lower margin
Published by 2RC, Rome
Category
1970s Abstract Alberto Burri Art
Materials
Screen
Untitled (Calvesi 49)
By Alberto Burri
Located in New York, NY
Screenprint in colors, on wove paper
Sheet: 16 3/4 x 13 5/8 in. (42.6 x 34.5 cm)
Frame: 17 7/8 x 14 3/4 x 1 1/2 in. (45.4 x 37.5 x 3.8 cm)
Edition of 90
Signed and numbered '44/90' i...
Category
1970s Abstract Alberto Burri Art
Materials
Screen
Untitled (Calvesi 48)
By Alberto Burri
Located in New York, NY
Screenprint in colors, on wove paper
Sheet: 16 3/4 x 13 5/8 in. (42.6 x 34.5 cm)
Edition of 90
Signed and numbered in pencil on lower margin
Published by 2RC, Rome
Category
1970s Abstract Alberto Burri Art
Materials
Screen
Untitled (Calvesi 47)
By Alberto Burri
Located in New York, NY
Screenprint in colors, on wove paper
Sheet: 16 3/4 x 13 5/8 in. (42.6 x 34.5 cm)
Frame: 17 7/8 x 14 3/4 x 1 1/2 in. (45.4 x 37.5 x 3.8 cm)
Edition of 90
Signed and numbered '44/90' i...
Category
1970s Abstract Alberto Burri Art
Materials
Screen
Untitled (Calvesi 46)
By Alberto Burri
Located in New York, NY
Screenprint in colors, on wove paper
Sheet: 16 3/4 x 13 5/8 in. (42.6 x 34.5 cm)
Edition of 90
Signed and numbered in pencil on lower margin
Published by 2RC, Rome
Category
1970s Abstract Alberto Burri Art
Materials
Screen
Untitled (Calvesi 45)
By Alberto Burri
Located in New York, NY
Screenprint in colors, on wove paper
Sheet: 16 3/4 x 13 5/8 in. (42.6 x 34.5 cm)
Frame: 17 7/8 x 14 3/4 x 1 1/2 in. (45.4 x 37.5 x 3.8 cm)
Edition of 90
Signed and numbered '44/90' i...
Category
1970s Abstract Alberto Burri Art
Materials
Screen
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Jupiter 4
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Located in San Francisco, CA
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Title: Jupiter 4
Year: 1980
Medium: Screen Print
Sight size: 19.5 x 25.5 inches.
Sheet size: 22.5 x 28.5 inches.
Signature: Signed lower right
Edition: 295 This one: 116/295
Condition: Excellent
Unframed
This exceptional geometric abstract serigraph is by the noted Venezuelan artist Rafael Bogarin (1946- ). This is Jupiter 4. I have others from the series, also for sale. The print has never been framed and is in excellent condition. It measures 22.5" x 28.5".
Rafael Bogarin is an established contemporary Venezuelan artist known for his abstract serigraphs. Bogarin was born in 1946, in El Tigre, where he grew up making his own toys and learning to draw. He studied in Caracas at the Cristobal Rojas School of Fine Arts, specializing in lithography and etching.
From 1970 to 1992, Bogarin, like so many artists, lived in New York. As he explored various techniques, he became an expert in serigraphs, earning himself acclaim in Latin America as a pioneer. In South America he traveled the continent giving classes and learning about native cultures. When he returned to the land of his youth, he was inspired to create the concept of the entire world in the Museo Vial in El Tigre in 1982. Later he made others along the route between Colombia and Venezuela. Recently he has been creating and realizing ideas like the Museo de Murales a Cielo Abierto (Museum of Murals to the Open Sky).
Detailed biographical information (source: artist's website):
Rafael Bogarín was born in El Tigre, Anzoátegui state, Venezuela, on January 20, 1946. He studied at the Cristóbal Rojas School, which he finished in 1966; Among his teachers are Luis Guevara Moreno, Pedro León Zapata, Luisa Palacios and Luis Chacón. Upon returning from school he founded the Zapato Roto group with other artists, with the aim of taking art to the streets. In 1966 he directed the outdoor exhibitions of the Venezuelan American Center, and two years later he participated in the XXVIII Official Salon, where he received the Rome Prize.
During that time he ordered elements such as nuts and serrated blades in relation to discs engraved with burin and other techniques, and made the final impression in planes of one color. In 1970 he received a scholarship and traveled to New York; He studies at the Pratt Graphic Center and the Blackburn Printmaking Workshop. In 1973 he founded, together with Manuel Kohn, the Bogarín Printmaking Workshop, a workplace for Venezuelan artists living in the United States; This workshop, of which he has been master printer, allowed continuity to his artistic work. Bogarín investigates the possibilities of super eight cinema and makes films with quality similar to commercial formats; From these experiences emerge The Lonely World (1975) and New World Symphony (1976). In 1977 he deepened his study of color with The New Color, a portfolio where he produced superimposed colors through transparencies and glazes.
His teaching experience includes courses at the Rafael Monasterios School of Plastic Arts in Maracay (1969-1970), Ceagraf (1979), as well as workshops in various cities around the world. In 1980 he made an exhibition of silkscreen prints in cities in Italy, El Salvador, Colombia, Mexico and the United States. That year he resumed his interest in outdoor exhibitions with a museum project with murals by 30 artists for El Tigre (Venezuela); The Rafael Bogarín Road Museum was inaugurated in 1982 and brought together 30 murals on 2 x 4 meter fences, by artists such as Mario Toral, Édgar Sánchez and Paul Davis. He carried out the project to recover the architectural spaces of El Tigre (Venezuela), through murals, sculptures, plazas and humanized spaces.
In 2006 he painted the largest painted flag in the world in El Tigre, Venezuela. Bogarín has exhibited his work on all 5 continents and currently lives and works in Panama City in his private workshop and in the Articruz workshop.
Individual exhibitions
Ø 1966. Gallery of the Medical College. Caracas Venezuela.
Ø 1966. Venezuelan American Center. Caracas Venezuela.
Ø 1970. Protobello Gallery. Caracas Venezuela.
Ø 1977. First National Bank of Louisville. Luosville, Kentucky, USA.
Ø 1978. Venezuela Gallery. New York City, USA.
Ø 1979. Julián Marchena Room, Museum of Costa Rica. San Jose Costa Rica.
Ø 1979. La Otra Banda Gallery. Merida, Venezuela.
Ø 1980. Galeter Center. Adro, Italy.
Ø 1980. Gallery of Modern Art. Santo Domingo Dominican Republic.
Ø 1980. Jewish Community Center. Monmouth, New Jersey, USA.
Ø 1980. Frank Fedele Fine Arts. New York City, USA.
Ø 1980. El Túnel Gallery. Guatemala, Guatemala.
Ø 1981. Garcés – Velásquez Gallery. Bogota Colombia.
Ø 1982. Siete Siete Gallery. Caracas Venezuela.
Ø 1984. Acquavella Gallery. Caracas Venezuela.
Ø 1985. Cultural Center. Santa Cruz, Bolivia.
Ø 1992. Sotage Gallery, Puerto La Cruz, Venezuela.
Ø 2017. Arteconsult Gallery. Panama City, Panama.
Awards
Ø 1969. Rome Prize. XXIX Official Salon of Venezuelan Art, Museum of Fine Arts. Caracas Venezuela.
Ø 1971. Honorable mention. First Young Artists' Salon. Maracay, Venezuela.
Ø 1984. First prize, Salón Aragua. Maracay, Venezuela.
Murals
Ø 1974. Venezuelan Consulate. New York City, USA.
Ø 1982. Creator of the First Road Museum in the World. El Tigre, Venezuela.
Ø 1983. Road Museum. Roldanillo, Colombia.
Ø 1984. Bicentennial Road Museum. Cucuta, Colombia.
Ø 2000. Ceramic mural. Dairy, Venezuela.
Group exhibitions
Ø 1963 to 1966. Spiral Gallery. Caracas Venezuela.
Ø 1966. El Pez Dorado Gallery. Caracas Venezuela.
Ø 1966. “Zapato Roto” Festival. Caracas Venezuela.
Ø 1967. D´Empaire Hall. Maracaibo Venezuela.
Ø 1970. Drawings and engravings room. Central University of Venezuela. Caracas Venezuela.
Ø 1966 and 1971. Arturo Michelena Hall. Valencia, Venezuela.
Ø 1966 to 1968. Annual Venezuelan Art Salon. Museum of Fine Arts. Caracas Venezuela.
Ø 1968. Luis Ángel Arango Library. Bogota Colombia.
Ø 1969. Tertulia Room. Cali, Colombia.
Ø 1969. Lunn Gallery. Washington, DC, USA.
Ø 1969. Gallery of Visual Arts. Maracay, Venezuela.
Ø 1970. Venezuelan Cultural Week. Miami and Jamaica.
Ø 1972. Two Rivers Gallery. Binghampton, New York City, USA.
Ø 1972. Moos Gallery. Montreal, Canada.
Ø 1973. Spoleto Festival. Italy.
Ø 1974. Young Artists, Union Carbide Building. New York City, USA.
Ø 1975. Government of Caracas. Caracas Venezuela.
Ø 1975. Graphic VII, Mendoza Gallery. Caracas Venezuela.
Ø 1976. Brooke Alexander Gallery. New York City, USA.
Ø 1977. Denise Rene Gallery. New York City, USA.
Ø 1978. Sam Flax...
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L.A. Pink
By Jean-Marie Haessle
Located in San Francisco, CA
Artist: Jean-Marie Haessle - French/American (1939-)
Title: L.A. Pink
Year: 1980
Medium: Screen Print
Sight size: 19.5 x 26 inches.
Sheet size: 23 x 29 inches.
Signature: Signed lower right
Edition: 295 This one: 230/295
Condition: Very good
Unframed
This bold abstract geometric print is by the well-known French/American artist, Jean-Marie Haessle (1939- ). It is in very good, never-framed condition with no flaws to note.
Jean Marie Haessle was born in Buhl, Haut-Rhin, France. After living for a few years in Paris, he moved to New York City in 1967 where he still works and lives in his studio on Spring Street in Soho. Over the years, he had numerous shows in the US, New York, Miami, Texas and California, France and Italy (see the resume). In the mid-80’s he worked for a period in France (Paris, Lyon, and Cannes). In the late 90’s he worked in Mexico (San Miguel de Allende) where he had a one person show in 1997 in the Museo de Art in Queretaro. He had a survey exhibition of the last 30 years of his work at the Korean University Museum, Seoul, Korea in spring 2014 and a major one person show in the Namu Modern &Contemporary gallery in Seoul in September of the same year. In September 2016 he had a sold out show at the Wada Garou gallery in Tokyo, Japan. In recent years, he had numerous shows in Korea, Seoul and Busan as well as in Japan, Tokyo, Kyoto, and Osaka.
One-Person Exhibitions
2021 Mizuma, Kips Gallery New York, USA
2020 Shijimi Gallery and Wada Garou, Tokyo, Japan
Mizuma, Kips Gallery New York, USA
Keumsan Gallery, Seoul, Korea
2019 Mizuma, Kips & Wada Art, New York, USA
2018 Wada Garou, Tokyo, Japan
Superior Gallery, Gangnam Seoul Korea
2017 Foley Gallery, New York, USA
KOUDOURAN, Kyoto, Japan
2016 Wada Garou Gallery, Tokyo, Japan
2015 Soohoh Gallery, Korea
Kips Gallery New York, USA
2014 Paintings 1983 – 2013, Korea University Museum, Seoul, Korea
NaMu Modern & Contemporary, Seoul, Korea
2013 Wada Garou Gallery Tokyo, Japan
Keumsan Gallery, Seoul, Korea
2012 Hillwood Art Museum, LIU Post, NU USA
Gallery Wooduk. Seoul Korea
SOOHOH Gallery, Seoul, Korea
bcs Gallery, Long Island City, NY, USA
2011 Chantal Bamberger Galerie, Strasbourg, France
Whitelabs Gallery, Milan, Italy
Kips Gallery New York, NY USA
2010 David Richard Contemporary, Santa Fe NM, USA
Gallery AKA Space, Seoul Korea
Gallery One Tokyo, Japan
2009 Kips Gallery New York, NY USA
La Minoterie Penze, France
2008 Galerie Claire Gastaud, Clermont-Ferrand, France
Kips Gallery, New York, NY USA
2007 Kips Gallery, New York, NY USA
2000 Gallery Yvonamor Palix, Mexico DF Mexico
1997 Galerie Gastaud & Caillard, Paris France
Galerie Prebet, Roanne France
Galerie de la Tour, Altkirch France
Ecole des Beaux Arts de Metz, Metz France
Kunsthous Santa Fe, San Miguel de Allende Mexico
Museo de Art, Queretaro Mexico
Museo Regional de Tlaxcala, Tlaxcala Mexico
1996 Kim Foster Gallery, New York NY USA
Galerie Gastaud, Clermont-Ferrand France
1995 Kim Foster Gallery, New York NY USA
Galerie Gastaud & Caillard, Paris France
Center Europeen d'action Artistiques Contemporaines, Strasbourg France
Galerie Athisma, Lyon France
1994 Chateau du Grand Jardin, Joinville France
1993 Galerie Catherine Fletcher, Paris France
1991 Galerie Gastaud, Clermont-Ferrand France
Galerie Athisma, Lyon France
1989 FCI Institut, New York NY USA
Galerie Jade, Colmar France
Galerie Laurentienne, Bordeaux France
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Located in New York, NY
Gary Hume
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Sheet: 28 x 23 inches; 71 x 59 cm
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Title: City 358
Year: circa 1972
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Previously Available Items
Alberto Burri ( 1915 – 1995 ) – COMBUSTIONI – hand-signed etching and aquatint
By Alberto Burri
Located in Varese, IT
A rare edition work from “COMBUSTIONI” series,
dating back to the mid-60s.
Comes from a folder of 6 etchings and aquatints on Fabriano paper edited in 1965 by 2RC and Marlborough Gal...
Category
1960s Abstract Alberto Burri Art
Materials
Etching, Paper
H 31.11 in W 25.01 in D 2.37 in
Alberto Burri ( 1915 – 1995 ) – COMBUSTIONI – hand-signed etching and aquatint
By Alberto Burri
Located in Varese, IT
A rare edition work from “COMBUSTIONI” series,
dating back to the mid-60s.
Comes from a folder of 6 etchings and aquatints on Fabriano paper edited in 1965 by 2RC and Marlborough Gallery in Rome
limited edition in 80 copies in cardinal numbers and XI in roman numbers
Current copy numbered as: 68/80 lower left
Hand signed in pencil by artist lower right
framed size: 79 x 63,5 cm
paper size: 64 x 48 cm
Very good conditions
Framed to museum standards in a handmade frame ,
the background is made ph neutral for proper preservation of the work over the years , to avoid oxidation.
A photocopy of the reference catalog publication will also be included ,
We offer professional packaging and tracked and insured shipping with DHL courier ,
Shipping costs are included
Bibliography: Burri Grafica – Opera Completa – Silvana Editoriale
Exhibition history: Santa Barbara 1977-1978; Rom, Firenze 1979; New York 1980...
Category
1960s Abstract Alberto Burri Art
Materials
Handmade Paper, Etching, Aquatint
H 31.7 in W 24.81 in D 2.37 in
Alberto Burri - COMBUSTIONI - hand-signed etching and aquatint 6/80 1965 2RC
By Alberto Burri
Located in Varese, IT
A rare edition work from “COMBUSTIONI” series, dating back to the mid-60s.
Comes from a folder of 6 etchings and aquatints on Fabriano paper
limited edition in 80 exemplars in cardin...
Category
1960s Abstract Alberto Burri Art
Materials
Paper, Etching, Aquatint
Bianchi e neri II (Acetates) - Plate B
By Alberto Burri
Located in Roma, IT
Bianchi e Neri II (Acetates) - Plate B is a minimal original print, hand-signed in pencil on the lower right margin by Alberto Burri. Hand-numbered in pencil on the lower left.
Edit...
Category
1970s Alberto Burri Art
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Bianchi e Neri I (Acetates) - Plate D - Alberto Burri - 1969
By Alberto Burri
Located in Roma, IT
Bianchi e Neri I (Acetates)- Plate D is a wonderful Contemporary artwork hand-signed in pencil on the lower margin. Edition of 90 prints plus 15 out of commerce. Hand-numbered in pe...
Category
1960s Contemporary Alberto Burri Art
Materials
Mixed Media
H 25.2 in W 18.9 in D 0.04 in
Bianchi e Neri I (Acetates) - Alberto Burri - 1969
By Alberto Burri
Located in Roma, IT
Bianco e Nero is an print acetated artwork realized by Alberto Burri and printed by 2RC, Rome.
Hand-signed in pencil on the lower right and numbered edition 73/75 prints.
Sheet dim...
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Mixed Media
Bianchi e Neri I (Acetates) - Plate C - Alberto Burri - 1969
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Chalcography and acetate collage.
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Bianchi e neri II (Acetates) - Plate B
By Alberto Burri
Located in Roma, IT
Bianchi e Neri II (Acetates) - Plate B is a minimal original print, hand-signed in pencil on the lower right margin by Alberto Burri. Hand-numbered in pencil on the lower left.
Edition of 90 prints plus 15 artist's proofs numbered in Roman numerals, out of commerce.
This beautiful plate is embossed on zinc plate and lithographed. After this process, Burri made a collage of two-tones acetate on Fabriano Rosaspina paper. With the embossing stamp of the publisher Stamperia 2RC (Rome) on the lower left corner. Printed and published by Stamperia 2RC, Rome in 1970.
This artwork is a sheet of the "Black and white II", a series that Alberto Burri realized in 1970, using an elaborate mix of techniques, such as lithography, chalcography, and acetate collage. This six-etching portfolio...
Category
1970s Abstract Alberto Burri Art
Materials
Mixed Media
Bianchi e Neri I (Acetates) - Plate D
By Alberto Burri
Located in Roma, IT
Hand Signed. Edition of 90 prints plus 15 out of commerce Artist's Proofs in Roman Numerals.
Publisher : 2RC Gallery
The work is part of the "Black and white" folder that Alberto Bu...
Category
1960s Contemporary Alberto Burri Art
Materials
Mixed Media
Bianchi e Neri I (Acetates) - Plate F
By Alberto Burri
Located in Roma, IT
Hand Signed. Edition of 90 prints plus 15 out of commerce Artist's Proofs in Roman Numerals.
Publisher : 2RC Gallery
The work is part of the "Black and white" folder that Alberto Bu...
Category
1960s Contemporary Alberto Burri Art
Materials
Mixed Media
Alberto Burri art for sale on 1stDibs.
Find a wide variety of authentic Alberto Burri art available for sale on 1stDibs. If you’re browsing the collection of art to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of yellow, blue and other colors. You can also browse by medium to find art by Alberto Burri in mixed media, screen print, paper and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the abstract style. Not every interior allows for large Alberto Burri art, so small editions measuring 6 inches across are available. Customers who are interested in this artist might also find the work of Antonio Sanfilippo, Arnaldo Pomodoro, and Pietro Consagra. Alberto Burri art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $446 and tops out at $15,585, while the average work can sell for $6,684.