(André) André Saraiva Art

Media: Hand-thrown glazed earthenware with photographic ceramic decal Number 2 in an edition of 10. Signed, titled, dated, and numbered verso: "Don Joint / Dirty Dishes...

Tête de Faune, Picasso, Unique work, 1960's, Terracotta, Tiles, Design, Sculptur Tête de faune Unique work 14.03.1961 Painted and glazed terracotta tile...

"Four Years of Frustration, Delays & Missed Appointments (The Count)" (2020) by street artist City Kitty 18.25 x 12.25 x .75" Ink, acrylic and color pencil on MTA poster...

Terracotta plaque, partially engraved, with black engobe, conceived in 1968 and executed in a numbered edition of 500. Stamped and marked Madoura Plein Feu / Empreinte Originale de P...

KAJ-FICAJA French, Artist Couple: Chantal Ficaja-Lindström (1959) & Alexander Kaj Lindström (1959), Sans titre • Pop/ Street Art • Coloured felt pens on paper ca. 40 x 50 cm • Si...

Silvia Zotta was an Argentine artist internationally well known. Her artworks are exsposed in the best Museum and Art Gallery. This fashinating artworks i...

"Shadows Speaking to Ghosts" (2022), Chris RWK street art, aerosol art, graffiti, comics, red heart, hand lettering, drips, illustration, street artist,...

Aerosol Spray Paint on Metal Sheet Size unframed: 40 x 40 cm (15,75 x 15,75 in). Size framed: 55 x 55 cm Signed BANKSY in the stencil. A very early example of the BANKSY tag. LITERATURE – Listed in the ‘Catalogue Raisonne of Banksy’s Street Art’, under No T. 574. Depicted. -Hessinks Auctions. – ‘Cider Genetics’ depicts a bull preparing to charge, his head poised menacingly. Wrapped around him is a monochrome rainbow and underneath him is the text ‘Banksy Cider Genetics’. This early stencil was used extensively by Banksy in and around the city of Bristol in 1999, and is believed to be the only survivor from that early ‘Cider Genetics’ street series. Close full details Provenance – The piece was sprayed onto a metal window shutter of the Cattle Market Tavern in Bristol and was recovered prior to the building’s demolition. This Art Work comes together with the remaining part of this metal window shutter. NOTE - The Cattle Market Tavern in Bristol was built in 1910 and was located in Temple Gate...

The bold and eclectic work of self taught artist Ephraim Wuensch is part social commentary part contemporary street art. These are mixed media reworked luxury magazine advertisements...

A pair of candlesticks in great condition - no chips or cracks - from the famous Newcomb Pottery program in New Orleans. Beautiful buff grayish-blue glaze. Newcomb mark stamped on bottom. Came from a fine St. Charles Avenue home out of the estate of Chip Flowers of New Orleans, with lots of Newcomb pottery in the collection, including a Joseph Meyer bowl we have also listed on this site. Proudly presented by Guy Lyman Fine Art, New Orleans. If you are reading this it is probably because you are already familiar with Newcomb Pottery, but here's some information from Wikipedia, and there is a wealth of information about it online should you wish to learn more: "Newcomb Pottery, also called Newcomb College Pottery, was a brand of American Arts & Crafts pottery produced from 1895 to 1940.[1] The company grew out of the pottery program at H. Sophie Newcomb Memorial College, the women's college now associated with Tulane University in New Orleans, Louisiana. The Pottery was a contemporary of Rookwood Pottery, the Saturday Evening Girls, North Dakota pottery, Teco and Grueby. Newcomb College had been founded expressly to instruct young Southern women in liberal arts.[2] The art school opened in 1886 and production of art pottery on a for-profit basis began in 1895 under the supervision of art professors William Woodward, Ellsworth Woodward, and Mary Given Sheerer.[3][4][5] Potters Among the first persons to be hired by the Woodwards to assist with the new pottery...

The Cloud Fruit necklace is a porcelain pendant on a gold vermeil mesh rope (Pendant is 3.5” x 3.25”; Chain is 19”) . It is an edition of 12, with 4 art...

The paintings of Aleix Font (Sabadell, Spain, 1984) function as a narrative between the collective and the individual world, exploring space and its interactions with concepts such a...