Arthur Luiz Piza Art

Edge of the Woods. 1916. Drypoint. 7 7/8 x 9 3/4 (sheet 10 7/16 x 13 1/8). A rich impression in printed on Japanese paper with an oak leaf watermark. Signed and annotated '3rd state'...

Etching and aquatint in colours on Arches paper Signed by the artist in pencil, lower right on recto Image: 47.5 x 36.3 cm, Sheet: 67.5 x 52 cm, Framed: 87.9 x 71.7 cm Edition of 46 ...

ANISH KAPOOR MOIRÉ 4 Date of creation: 2015 Medium: Etching on paper Edition: 39 Size: 96 x 72.4 cm Condition: In perfect conditions, brand new Etching on paper hand signed and numbered by the artist on the back. This work belongs to a limited edition of only 39 copies. Edited by Paragon Press, UK. ABOUT THE ARTIST Anish Kapoor is an influential British sculptor and contemporary artist of Indian origin. He was born on March 12, 1954 in Bombay, India, into a family of Indian and Iraqi descent. Throughout his career, Kapoor has made a significant mark on the contemporary art world with his innovative and provocative work, which explores themes of form, color, space and perception. Kapoor moved to London in the 1970s to study at the prestigious Hornsey College of Art and later at the Chelsea School of Art Design. His initial artistic training was influenced by minimalism and conceptual art, but he soon developed his unique and distinctive style. One of the most notable characteristics of Kapoor's work is his focus on sculpture. He often works with unusual and challenging materials, such as wax, stone, steel and plaster, to create sculptures that challenge traditional notions of form and space. His works often take on organic and geometric forms, and are characterized by their highly polished finish and use of color, especially red and black. In the 1980s, Kapoor became famous for his series of shell-shaped sculptures known as "Queen Sculptures...

Farmyard. c. 1925. Etching and drypoint. 5 1/2 x 11 (sheet 10 x 15 1/4). Edition 75, #54. A rich impression with plate tone printed on cream wove paper. Signed and numbered in pencil...

c. 1932. Aquatint. 10 1/4 x 11 (sheet 12 5/8 x 15 1/2). A rich impression printed with plate tone on countermarked French wove paper. Unsigned; annotated 'Dark House (Aqua)' in Horter's hand. Another impression is in the Library of Congress. Housed in a 16 x 20-inch archival mat, suitable for framing. Earl Horter...

Amsterdam VIII is an intriguing early career aquatint dry-needle etch print by renowned French-Dutch artist Olivier Julia. It depicts a detail of an old Amsterdam house facade is bot...

Amsterdam II is an intriguing early career aquatint dry-needle etch print by renowned French-Dutch artist Olivier Julia. It depicts a detail of an old Amsterdam house facade is both ...

Amsterdam IX is an intriguing early career aquatint dry-needle etch print by renowned French-Dutch artist Olivier Julia. It depicts a detail of an old Amsterdam house facade is both ...

Amsterdam III is an intriguing early career aquatint dry-needle etch print by renowned French-Dutch artist Olivier Julia. It depicts a detail of an old Amsterdam house facade is both...

Manhattan Nocturne. 1938. Etching and drypoint. Kraeft 70. 7 1/8 x 11 7/8 (sheet 10 1/2 x 15 1/4). Edition 100. Presentation Print of the Society of American Etchers, 1938. Provenanc...

Amsterdam V is an intriguing early career aquatint dry-needle etch print by renowned French-Dutch artist Olivier Julia. It depicts a detail of an old Amsterdam house facade is both a...

Francesco Clemente (Italian b. 1952), 'This side up / Telemone #2, 1981 Medium: Intaglio hard ground etching, color aquatint, drypoint, and soft-ground etching with chine collé (ha...