Bernard Moore Vases

Art pottery vase by listed California artist Ramona Rowley.

A very fine 18th century Dutch Delft pottery vase or jar. Of typical vasiform shape with medium and deep blue Chinoiserie landscape decoration, dot border to the top rim, and swag...

NOTE: We do not keep this in the showroom. Please let us know if you're visiting and would like to see it. Rarely does a first edition Portland vase...

An antique vase by Weller offers art pottery construction in bulbous form with dogwood flower design, maker signed on base as photographed, c1940 Measures- 5.75'' H x 7.25'' W x 7.2...

An Arts and Crafts vase by Weller offers art pottery construction with incised stylized flower, matt glaze, maker on base, c1920 Measures- 10.25''h x 3.5''w x 3.5''d. Catalogue Not...

A French earthenware confit pot with traditional green glaze. These ordinary earthenware vessels were once used daily in the French country home and have beautiful rustic glazes of g...

Beautiful brown salt glazed studio pottery vase or vessel. The piece is signed by the artist but we have not yet been able to identify them. Most cer...

A fine, large vase in black basalt, decorated with an encaustic painted figure of a youth, taken from The Hamilton vase in the British Museum. The shape is taken from the Greek Hydria...

Large Amphora blue and green eight-handled vase with red leaves. Attributed to Paul Dachsel - Riessner, Stellmacher & Kessel, Turn-Teplitz, Bohemia, ca...

A rare Bretby Art Nouveau high fired ‘flambe’ glazed art pottery vase by Henry Tooth & Co and dating from 1900-1910. This exquisite simple shaped bulbous vase stands on a narrow roun...

An antique Weller Hudson vase offers art pottery construction in cylinder form with hand painted daffodils, maker mark on base as photographed, c1920 Me...

An organic and Brutalist style vase with Medallion motif on front and verso. Bernard Rooke (born 1938) is a British artist and studio potter. Rooke has exhibited his "Brutalist" ceramics and painting both in the UK and abroad with work in many collections both public and private including the Victoria and Albert Museum, Cleveland Museum of Art, Nuffield Foundation, Röhsska Museum in Sweden and the Trondheim Kunstmuseum in Norway. Bernard Rooke attended Ipswich School of Art studying painting and lithography before going on to study at Goldsmiths College of Art. It was while studying here that he decided to take up pottery. Although unfamiliar with this craft and tradition, he found that working with clay provided new opportunities for freedom of interpretation and creativity. In 1960 Rooke set up his first pottery in Forest Hill in South London along with Alan Wallwork. It was a very small room with enough space for a small electric kiln. He was initially using mainly hand building, coiling, blocking and slabbing techniques. While researching ideas, he was supporting himself by part-time lecturing at London University, Goldsmiths College and St Mary's College. In addition, Rooke's membership of 'The Craftsman Potters' Association' enabled him to show his work in a shop in Carnaby Street in London. In 1967, both the need for a larger working space and becoming disillusioned with living in London spurred Rooke into moving out of the city and to an old mill building in Swilland in Suffolk. Rooke wanted to widen the range of work so as to become more commercial. With the birth of his son, Aaron, and much needed work to be done on the mill, it was important to be able to make a living. In 1968, the Grand Metropolitan Hotel commissioned Rooke to make 120 standard lamps, 120 table lamps as well as a 24 foot long ceramic mural and another 9 foot high, which incorporated interior lighting. The money from the commission helped to pay for much needed restoration work on the mill. By the 1970s, a gallery space was opened in the windmill and run by Susan Rooke, Bernard's wife, selling work to locals and tourists as well as to American airmen based nearby. The vision for Mill Gallery was beginning to develop and alongside this a reputation was building bringing in a good source of income. Sons Aaron and Felix were becoming more involved with the running of the pottery, giving Bernard more time to develop new ideas and designs and more time to continue with his painting. In 2004, the Rooke family decided not to sell to the public through the gallery anymore and close the pottery to concentrate more on painting and printmaking. In 2017 Bernard's lighting was featured in the Exhibition: “Glass, Light, Paint & Clay” at the Peterborough Museum and Art Gallery. The exhibition featured four artists: Bernard Rooke, John Maltby...