Bill Scott

Signed large scale original photograph of the Mediterranean marble quarries in Carrara, Italy, iconic material source of classic Italian art and architecture, captured with a large format camera to allow epic scale print sizes with incredible image details Marmo di Carrara...

A contemporary color landscape photograph of a green oasis in New York City, a dreamy garden in Downtown Manhattan. Paradise, New York City, 2012 by Roberta Fineberg is 24" x 18" an...

Jean-Michel’s L’Arc de Triomphe Wrapped, 2021 is a contemporary experimental color photograph of the Arc de Triomphe in Paris wrapped in fabric in Paris by Christo. The art duo Chr...

View From My Window is a contemporary color photograph by Roberta Fineberg. A room with a view in Palermo, Sicily -- a city founded in 734BC. Looking out towards the hills of Palermo...

A contemporary photograph of a Greco-Roman statue in Ostia Antica, former Old Port of Rome, in a Pictorialist style, the photograph captures the spirit of Ancient Rome. In the Cities series by Roberta Fineberg, Roman God...

Bright Lights, Big City, 2018 by Roberta Fineberg is a 24" x 18" signed archival pigment print in an edition of 5. A contemporary color photograph which captures the electric energy ...

Signed large scale original photograph of the Mediterranean marble quarries in Carrara, Italy, iconic material source of classic Italian art and architec...

17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...

Rebecca Skinner’s “Forgotten Beauty” was photographed in Northern Vermont. The landscape color photo is of a vintage bus and weathered barn. The 10 x 30 inch panoramic with satin fin...

Forgotten Pool (2015), Edition of 10. 50 x 50 cm. Archival Print on Canson Baryta Fiber Rag 310gr, based on a Fuji Instant Film (not mounted). Signed on back with Certificate. Cr...

The production of sea salt is one of the oldest forms of human intervention in natural spaces. Sea salt comes from natural evaporation of seawater out of artificial created ponds. Th...

Rebecca Skinner’s “Incapacitated” is part of her "Rust to Dust" series documenting the beauty of the decaying automobile. The 20 x 30 inch color photograph is of an antique car...