Bruno Lucchesi Art

Organic, abstract bronze sculpture by Yulla Lipchitz of a reclined woman. About this artist: Yulla Lipchitz, née Halberstadt, was born on April 21, 1911 in Berlin, Germany. While g...

'Dabchick' is a solid Bronze sculpture with a stunning patination. Richard Smith's ability to convey so much character with such simple lines is a testament to the knowledge and love the artist has of the animals he sculpts. Richard J. Smith was born in Luton, Bedfordshire, UK in 1955. He studied illustration at Luton School of Art to a high standard and graduated with a diploma in Technical & Scientific Illustration. He was soon offered a job as a medical artist at the John Radcliffe teaching hospital in Oxford. In 1978 he was painting for galleries as a full time artist with his depictions of wildlife. He has gained an international reputation for his work and is best known for his superb paintings of fish and water. He has exhibited at prestigious galleries such as the Tryon Gallery and W. H. Patersons in London, The Sportsman's Edge Gallery in New York, The Call of Africa in Fort Lauderdale, Florida and the Everard Reed Gallery in Johannesburg, South Africa. Richard has exhibited his paintings at the Leigh Yawkey Woodson Museum in the USA and the Natural History Museum and Tring Museum in Britain. He has sold at all the major auctions houses in London, such as Christie's, Sotheby's, Bonhams and Phillips. In the latter part of 2007, Richard was commissioned to produce several fish paintings, for the Sultan of Oman. Callaghan Fine Paintings has commissioned a series of life size bronze birds. His works include British birds such as the elusive Snipe sitting atop a fence post and the beautiful Little Blue penguin...

Six Vintage Stainless Steel Sculptural Dining Chairs Sculpture Mid-Century Set Kings and Queens could feats on these sculptures, this stunning set of six dining chairs. They are art...

"YoBro!! 2" Bronze Sculpture 90" x 20" x 16" inch Edition 3/3 by Huang Yulong YoBro!!2 2015 Bronze sculpture 92 1/2 × 19 7/10 × 15 7/10 in 235 × 50 × 40 cm Edition of 3 + 2AP Wei...

"Peaches" Bronze Sculpture Edition 1/8 by Huang Yulong Figure size: 37" x 16" x 8" inch Stand size: 35" x 22" x 22" inch ABOUT THE ARTIST Huang Yulong was born in 1983 in Anhui Pr...

1961 Coty Award Plaque Kenneth Hairdresser Jacqueline Onassis Bronze Fashion Bronze on wood. The wood plaque measures 12 3/4" by 20 3/4 inches. The bronze plaque itself is 13 3/4 x 8 3/4 inches and the the bronze inscription, which reads "COTY, American Fashion Critics Special Award 1961 to KENNETH of LILY DACHE...

Charna Rickey 1923 - 2000 Mexican-American Jewish Woman artist. Signed Bronze House of Books, Architecture Bronze sculpture, signed Charna Rickey and on the front "House of the book." It depicts an open Torah. Original patina. Approx. dimensions: 7 in. H x 9 in. W x 8.5 in. D. Weight: 13.1 lbs. Modernist Judaica Sculpture Born Charna Barsky (Charna Ysabel or Isabel Rickey Barsky) in Chihuahua, Mexico, the future artist lived in Hermosillo and immigrated to Los Angeles when she was 11. She was educated at UCLA and Cal State L.A., she married furniture retailer David Rickey and explored art while raising their three daughters. Moving through phases in terra cotta, bronze, marble and aluminum, she found success later in life. Rickey became one of the original art teachers at Everywoman's Village, a pioneering learning center for women established by three housewives in Van Nuys in 1963. She also taught sculpture at the University of Judaism from 1965 to 1981. As Rickey became more successful, her sculptures were exhibited in such venues as Artspace Gallery in Woodland Hills and the Courtyard of Century Plaza Towers as part of a 1989 Sculpture Walk produced by the Los Angeles Arts Council. Her sculptures have also found their way into the private collections of such celebrities as Sharon Stone. Another of Rickey's international creations originally stood at Santa Monica College. In 1985, her 12-foot-high musical sculpture shaped like the Hebrew letter "shin" was moved to the Rubin Academy of Music and Dance at Hebrew University in Jerusalem. The free standing architectural Judaic aluminum work has strings that vibrate in the wind to produce sounds. Rickey also created art pieces for the city of Brea. They commissioned some amazing art pieces by Laddie John Dill, Walter Dusenbery, Woods Davy, Rod Kagan, Pol Bury, Niki de Saint Phalle, Magdalena Abakanowicz, Larry Bell, John Okulick...

Maxine Kim Stussy, a prolific sculptor and painter from the late 1940’s to present. Maxine led an incredibly artistic life traveling the world with h...

Esther Wertheimer ( Polish, Canadian 1926 - 2016 ) Hand signed Wertheimer Dimensions: 14.5 X 8 X 5.75 in. This semi abstract figurative bronze scul...

Untitled (Man, Woman and Child Dancing) bronze on marble plinth base. signed and numbered Gerard Koch was a French Post War & Contemporary sculptor who was born in 1926. Gérard K...

Sydney Kumalo. Features a bronze stylized female figural form sculpture fixed to a marble plinth and wood base. Bears signature on base. Measures 9 1/2...

TEMPIO BRETTON: from the catalogue MONUMENTA, 19th International Sculpture Biennale, Antwerp, Belgium. Tempio Bretton was created in homage to the celebrated English landscapist Capability Brown for the occasion of an exhibition at Bretton Hall in the Yorkshire Sculpture Park , a park in the style of the great master of English garden design. The inclusion in the English garden of a temple ruin, or "eye-catcher," (architectural folly) was used to draw the eye and mind to a focus in time and space, present the beholder with an immediate relationship to an historic past made new within his or her own surroundings, and create a depth of space never before seen in garden design. I took the idea of the temple ruin eye-catcher and reduced it to a scale at the point where architecture and sculpture merged. Tempio Bretton is not capacious enough to walk into, yet it is considerably larger than a man. One view of it presents a knot of golden columns clustered together, topped by a dome shape. The only clue from this side to the temple's non-conformity to historic principle is a sharp notch cut into the square base. Viewed from the opposite side, the cluster of columns capped by an angular top opens up as if to welcome someone in, yet the mysterious core is still impenetrable. These contradictions articulate a confrontation between past and present, and an exciting truth. The past is always at the heart of our constructions in the present. Walter Dusenbery...