Carlo Ramous Furniture

"Composition 202.2" is a captivating cubist/abstract mixed media sculpture by Dan Schneiger, circa 2020. The sculpture is a harmonious assembly of wood, foam core, plaster, and resin...

Bronze dolphin sculpture. Bronze dolphin in a baroque Venetian sea serpent style mounted on black marble base; a very sculptural bookend. Un...

This composition bust of a classical figure has been enhanced by the modern application of shells, circa 21st century.

A free-form undulating sculpture in clear and moss green glass, by Carlo Nason for Mazzega, Murano.  

Whimsical bronze ostrich sculpture reminiscent of the designs of Giacometti. The ostrich egg, also of bronze, sits in the body of the sculpture and is n...

"Composition 202.3" is a captivating cubist/abstract mixed media sculpture by Dan Schneiger, dating from circa 2020. The sculpture is a harmonious assembly of wood, foam core, plaste...

This bronze head sculpture signed by artist O. Ramsburg can be displayed as an elegant table top art piece.

An elegant bronze sculpture of a nude female subject, signed E. Mellon.

That's Art Glass! Three unusual glass dishes for table or wall in free composition, by Vetrofuso in Murano - Sizes for everyone: cm. 29 x 29. - Interesting price - You can TRANSFORME...

Black and gray iconic mottled glaze vase by Carlo Zauli. The black potion of the glaze is composed of both matte and glossy glaze. The vase, the archetype of every ceramist, is c...

This bronze sculpture is by François Stahly made circa 1960. This piece is a small model of the larger "Foret de Tacoma" sculpture, which was named aft...

Ceramic sculpture by Carlo Zauli from the series "Sphere" done in the circa 1970s. Stoneware and very abstract. Influences of Lucio Fontana are apparent. Exhibited large scale installations during Milan Design Week 2013. Carlo Zauli is indisputably considered one of the most important sculptors of the twentieth century. After having won the main awards in ceramics in the fifties, the early sixties saw him evolve towards a markedly sculptural interpretation of his Craft. In these years he developed his own artistic language, imbued with informal atmospheres intertwined with a harmonious but disruptive "naturalness": these are the years of growing international success. From 1958, the year in which the great high-reliefs were made for the Baghdad palace and the Kuwait State Printing Office, he saw his fame grow continually, up to the end of the seventies and eighties, throughout Europe, Japan , North America, where he realizes exhibitions and placed work permanently. Carlo Zauli was born in 1926 in Faenza, where he died in 2002. Instead of ornate platters and decorative vases, his work seemed to have emerged from the earth itself, with organic curves, jagged edges, cracks and fissures that reflected the artist’s keen connection with nature. It was this passion for the natural world that made his work revered in Japan. Zauli first showed in the Japan as well in 1964 with the International Exhibition of Contemporary Ceramic Art that toured several top museums. At the beginning of 1960s, Carlo Zauli enters an artistic period in which he could be defined 'a sculptor of vases.' He subjects his vases to a progressive process of geometrical synthesis that, combined with a sort of abnormal growth, turns them into true sculptures. His studio receives frequent visits from Arnaldo and Giò Pomodoro, Giuseppe Spagnulo...