Charles-Guillaume Diehl Furniture
Charles-Guillaume Diehl founded his cabinet making and decoration firm at 19 Rue Michel-Le-Comte in 1885. His workshops produced elegant little pieces of furniture in rosewood and thuja and novelties with bronze and porcelain embellishments. It was his luxury boxes, however, (liqueur cellarettes, cigar cabinets, games boxes, cashmere cases, jewelry cases) which assured Diehl’s renown. Already rewarded with a bronze medal at the Universal Exhibition of 1855 in Paris, he exhibited a jardinière with china columns and a liqueur cabinet at the Industrial Arts Exhibition in 1861. In collaboration with the designer Jean Brandely (active from 1867 until 1873), Diehl renovated his decorative repertory and created astonishing pieces of furniture in the Grecian style, which had a dazzling success at the Universal Exhibition in Paris in 1867, where his cabinets also won a silver medal. Certain motifs were so typical of Diehl’s work that they received extensive commentary by the art critic J. Mesnard in his book “Les Merveilles de l’Exposition Universal de 1867”. He writes of a table of which “the pendant bearing hooks and the fan-shaped radiating motif which ornaments the entablature are engraved with love” and a jewelry case where “The head in fine Grecian style makes up the essential part of the fine gilt bronze ornamentation”. For this Universal Exhibition, Diehl also formed a partnership with two famous sculptors: Emile Guillemin (1841–1907), who carved the relief for a mahogany sideboard with galvanic gilt bronzes and Emmanuel Frémiet (1824–1910), who executed the low relief for a cedar medal cabinet with marquetry and silver-plated bronzes. Diehl was again rewarded with a medal of honor at the Union Central Exhibition of 1869 and a progress medal at the Universal Exhibition in Vienna in 1873. Showered with praise by the critics, Diehl is considered one of the most innovative artists of the 19th century. His final appearance was at the 1878 Universal Exhibition in Paris, where he presented outside the competition, his most recent creations, including a work table in marquetry, which with its naturalistic grasshopper motif anticipated Art Nouveau.
1860s French Greek Revival Antique Charles-Guillaume Diehl Furniture
Bronze
1860s French Greek Revival Antique Charles-Guillaume Diehl Furniture
Copper
1860s French Greek Revival Antique Charles-Guillaume Diehl Furniture
Brass, Bronze
1940s American Biedermeier Vintage Charles-Guillaume Diehl Furniture
Marble, Brass
1930s French Art Deco Vintage Charles-Guillaume Diehl Furniture
Crystal, Pewter
1940s French Mid-Century Modern Vintage Charles-Guillaume Diehl Furniture
Wood
Early 20th Century Neoclassical Charles-Guillaume Diehl Furniture
Marble
20th Century American Mid-Century Modern Charles-Guillaume Diehl Furniture
Paper
Late 19th Century French Late Victorian Antique Charles-Guillaume Diehl Furniture
Brass, Enamel
1920s English Vintage Charles-Guillaume Diehl Furniture
Paper
Early 19th Century Greek Antique Charles-Guillaume Diehl Furniture
Wood, Paint
Mid-19th Century English Gothic Revival Antique Charles-Guillaume Diehl Furniture
Oak
Late 19th Century French Late Victorian Antique Charles-Guillaume Diehl Furniture
Silver Plate
2010s American Charles-Guillaume Diehl Furniture
Linen
2010s Italian Charles-Guillaume Diehl Furniture
Leather, Wood, Cedar