Cosulich Interiors & Antiques Abstract Sculptures

Very nice and detailed hand painted bronze moose sculpture on a black marble oval base. Th piece measures 6" wide x 4" deep x 6" high. Would mak...

Striking sculpture by Dutch artist Barbara Barry Verkaik (1929 - 1998). Intriguing and powerful sculpture in aluminum, full of movement. In the 1970s dutch design and art became more strict and minimal with designs by Gijs Bakker and Aldo van de Nieuwelaar...

A very large sculpture. Suitable for indoors as well as outdoors. A very clean abstract design, round in shape, it is wider on one side becomes t...

French mid-century modern multicolored geometric marble table sculpture. A wonderful blend of stillness and motion, the differently shaped block...

Monumental abstract organic sculpture, Italy, 1970 circa The sculpture, coming from a villa in Florence, is made of resin and shows signs of wear compatible with age. Unfortunately ...

Patinated swirling bronze sculpture.

A set of fabulous aluminum two sided monumental sculptures by the renown British Sculptor Roy Rasmussen. They were identified for us by a relative of the artist as "Ida II and Maren". They are mounted to bases by posts that can be easily set into the ground where they can be mounted outdoors. As aluminum they will not rust and can withstand the weather. Both are signed and dated 71. They are 77 inches tall as pictured. The actual rectangular pieces are 66.75 inches tall. They are 22.5 inches wide and approximately 8 inches deep. In good condition with minor imperfections and age appropriate wear and tear. From the artist's Website: Born in London, England in 1919 of Anglo Danish parentage, he was the third generation of a family of craftsmen in metal. His grandfather had originally worked with metal in Denmark, but it was an uncle in the United States who had used aluminium to produce artistic sculptural forms attracting press coverage. This was the catalyst which led him to embark on studying the techniques of exploiting that medium. Early working life had exposed him to the crafting of sheet metal and different welding techniques through the car industry at Rolls Royce and then working later in the production of artificial limbs. Initially pursuing art of a representational nature with great success, his first work was completed and exhibited in 1954. A year later he presented two new works, which were then exhibited at the Aluminium Centenary Exhibition in Britain run by the Aluminium Development Association at the Royal Festival Hall and visited by H.R.H Prince Philip. Roy Rasmussen was to earn widespread recognition from this landmark beginning. A chance spell in Egypt as a young man (due to military service during the War) had exposed him to ideas and inspirations which would be nurtured and regenerated some decades later. The mysteries and splendors of Egyptian art were enveloped and symbolized into shapes and emblematic forms, and were to remain a powerful influence in many of his works, as he turned away from purely representational or figurative sculpture. From the early 196os his works were exhibited widely: from many London West End galleries to, internationally, exhibiting at shows such as the British Council at the German Industries Fair and the English Expressionists at the Galerie Creuze in Paris. He had in the late fifties joined the artist Lyall Watson who founded and opened the Woodstock Gallery, off of Bond Street in London, and worked closely with him as a director and artist of the gallery throughout its formative years. In 1967 he left the Woodstock Gallery and moved to the newly opened John Whibley Gallery on Cork Street in Mayfair where he remained as resident artist until it closed in 1977. His association with the Free Painters and Sculptors group, where he had been an early member since the 1950s, was further sealed in 1984 when he became director of their Loggia Gallery with its sculpture garden, in Buckingham Gate, Westminster. He exhibited there throughout the many years following. After his death in 2014 the Free Painters and Sculptors set up the Roy Rasmussen Award to be presented annually, 'in recognition of one of our founding members Roy Rasmussen, a revered sculptor and historian, whose years of dedication have inspired generations of FPS artists'. SELECTED LIST OF MAJOR AND NOTABLE EXHIBITIONS Aluminium Centenary Exhibition, Royal Festival Hall 1955 Society of Portrait Artists 1957 Drian Gallery Exhibition 1957 'New Vision' Denis Bowen New Vision Gallery 1957 'Painter and Sculptor Collaborate' Woodstock Gallery 1959 Inaugural Exhibition Woodstock Gallery 1959 'Symposium' Royal Institute of British Architects 1959 'Expressionistes de Londres' Galerie Raymond Creuze, Paris 1960 'Art Alive' International Collection, Northampton 1960 Maurice...

Aluminium and hand-painted wall sculpture signed by artist.

Apolo Bust, Calacatta Bianco Marble, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. The Apolo bust is a captivating sculptural piece meticulously crafted from Cal...

The Cascata Bonsai is inspired by the Niagara falls. The materials are wood and metals, representing both the strength of life and the roots of Mother Nature. Sculptures are compos...

Stunning large aluminum cast abstract sculpture "Introspect" on black marble base by noted sculptor James C. Myford, circa 1983. #2520 The piece is in very good vintage condition with no chips or cracks and measures 11" W x 7" D x 29.5" H; the marble base measures 7" W x 7" D x 1" H. The sculpture is signed and dated by the artist on the base.   James C. Myford (1940 - 2014) Myford's interest in aluminium began in 1970 when he attended a workshop sponsored by Alcoa at the art centre in Pittsburgh. "I fell in love with aluminium as a material." Myford then began creating contemporary aluminium sculptures by using the casting process. He had the first one-man art exhibit of his works in Pittsburgh in 1972. The eighteen pieces of work produced for the show ranged from twelve inches to four feet. Several of these pieces were purchased by Pittsburgh art...

Art Deco panther sculpture mounted to marble base.