Danielle Launay

"Roots of Identity" is a series of artworks that captures the essence of a nation's heritage, traditions, and legacies. It symbolizes the interconnectedness of the past, present, and...

A Stunning, huge, Original painting on canvas by Canadian artist Fahri Aldin. This One of a Kind Masterpiece measures an impressive 80 inches in height and 137 inches wide or 203 x ...

Francks Deceus’ “Mumbo Jumbo BK#1” is a 20 x 16 inch acrylic paint, color pencil, and collage painting on canvas. The main colors are pink, blue and red. The image is very playful, showing a man dressed as a superhero standing next to an entangled fire hose. The title “Mumbo Jumbo, is inspired by Ishmael Reed’s book under the same titled, where he attempted to capsulate the complexities of the African American experience. For Deceus is about capturing the complexity of his experience as an immigrant from Haiti back in the 1970s. A series of very colorful and playful works, focusing on the adventures of one figure named “Cappy”. The name is derived from Deceus family home town, Cap Haitien. Cappy is Deceus alter-ego; The images are intentionally drawn in the vein of comic strips with Cappy as the superhero. He goes out in the world and has to solve the kind of frightening experiences Deceus knew about as a Haitian immigrant, which in the paintings are ironically represented by the hose/snake snarling Cappy. Stylistically Deceus work incorporates many of the aesthetic forms of artists like Norman Lewis and Howardena...

Blurring the distinction between figure and abstract settings, Swiss artist Edith Konrad’s spectral forms—human in shape—inhabit muted abstract environments punctuated by vivid burst...

Untitled Mixed media on canvas Size 100x100 cm Andrea Stella Florence 1950 - 2019 A gifted genius born in Florence of Greek heritage, resided alternately in two cities that are t...

Original painting on canvas. Hand signed, titled and dated on verso by the artist. Custom framed as pictured. Artwork is in excellent condition. Certificate of authenticity include...

mixed media on canvas

Victor Wang's highly textured paintings involve thick layers of paint over collaged images from the Tang Dynasty. In "Let Her Go", the foreground shows a modern female figure sitting upon the side of a boat which gives the impression she is wearing wings and about to take flight. Upon closer look, there are various scenes taking place around her in the water - warriors with knives drawn, a jeep in pursuit of some unseen enemy, a cauldron boiling over. Influence by the Renaissance Masters, Titian and Rembrandt for their glazing and layering techniques respectively, the artist builds the surface using heavy paint, swirling and mixing the color on the canvas. The end result is a poetic and emotionally powerful representation of the human form. Victor Wang Let Her Go oil on canvas 48h x 60w in 121.92h x 152.40w cm VWG011 My path through life has been adventurous, exciting, and dream-like. My experience of settling into America in search of better opportunities has been both challenging and inspiring. I use the human face as a vehicle to paint human experiences - worry and wonder, sadness and pleasure - which reflect the emotional stage directly tied to my immigration experiences. I grew up amongst the sunflower fields in northern China. In my childhood years, I played under the bright, yellow sunflowers with my brothers everyday. China’s Cultural Revolution played an important part in my life. During that time, sunflowers were used as political allegories to depict how citizens of China should follow Mao who represented the sun, since sunflowers follow the sun’s movements. People eventually inferred the deception that this symbol masked. After graduating from high school, I was sent to a labor camp in the country for ‘reeducation’ during China’s Cultural Revolution. There, I was subject to grueling farm work. Often, I worked in corn and sunflower fields from sunrise to sunset. Thus, for me, sunflowers evoke both personal joy and sadness. Therefore, to deliver my complex feelings, I use sunflowers as a metaphor to connote my background and emotional stage. My incorporation of collages of figures from China’s Tang Dynasty represents my Chinese heritage and is a constant reminder of where I came from. The texture and earthiness on the canvas’s surface are inspired by the texture of the soil on the farm where I worked in China. Although I often gain great pleasure from the process of painting, it is most important to unfold expressively those feelings within myself. Wang belongs to a generation of immigrant painters from China, whose artistic background was defined by socialist realism but took advantage of their skills and broke away from that tradition to create new subjects in the U.S. “When I was a student during Cultural Revolution, Soviet realism art was among the dominant source of influence and it grabbed us like lightening...

The textural aerial ocean and beach scene paintings of Elizabeth Langreiter are a delightful escape from reality into a playful and joyful world...

Elizabeth Langreiter’s unique mixed media aerial paintings are a delightful escape from reality into a playful and joyful world. Her art often evokes t...

This haunting abstract portrait of several figures in muted earthy colours is by Fiona Ackerman. Under a gray-blue sky, a central figure, an older man stands on the earth as fragment...

Attack From Above, 2020, acrylic, oil, canvas, yarn and thread on canvas. Green, blue, pink, eagle, jet, spider-man, abstract.