DePadova Seating

Vico Magistretti's tribute to be famous Raffles Hotel in Singapore. Dark-stained adjustable beech legs, frame in steel and wood with elastic straps, vari...

Postmodern De Padova Incisa Chair by Vico Magistretti in Burgundy Saddle Leather and C2 Traponati in yellow patchwork upholstery and burgundy saddle leather. Great colors!! Original ...

Mid-Century Modern two seat sofa - couch, patinated camel leather, walnut, De Pas, D'Urbino & Lomazzi, Padova, Italy 1970s Comfortable and gorgeous seating piece by these Italian masters. The patina of the leather is just how we like it to be. All cushions in great shape, no particular wear. The segmented walnut sides and back give it a very high-end design look. An uncommon, but superb design. Fully original and in stunning condition with minor patina from age and usage. Comfortable seating Paolo Lomazzi’s collaboration with Jonathan de Pas and Donato D’Urbino began in 1966. In the 1960s-1970s they developed a specific interest in creating furniture and temporary architecture with industrially advanced materials and technology. They designed and built a series of pneumatic structures for the Italian Pavilion at the World Exposition in Osaka, for the XIV Triennale of Milan and for Eurodomus. In 1967 they designed an inflatable armchair called Blow and since then have been working in the Industrial Design field. They planned and built Industrial and residential buildings and extended their focus to the diverse areas of Industrial products: home and office equipment, lighting, electronics, bathroom fixtures, etc. Their designs have been produced by well known companies such as: Acerbis, Alessi, Artemide, BBB Bonacina, Bellato-Pallucco, Bonacina Pierantonio, Bonaldo, Cassina-Marcatre, Driade, De Padova, Giannini, Lualdi Porte, Lumina Italia, MDF Italia, Naos, Valli & Valli, Poltronova, Quattrocchio, Robots, Scavolini, Stilnovo, Tonelli, Zanotta, Zerodisegno, Roset, Koizumi, and Santa&Cole. Since 1970 they have participated in many exhibitions, including the Triennale, the Eurodomus, “Italy: The New Domestic Landscape” at MOMA in New York in 1972, the Bio in Ljubljana and in many Compasso d’Oro and ADI travelling exhibitions. They designed interiors and objects for several prestigious institutions: the ritual lamps for the Jerusalem Museum, the SAD exhibitions in Paris (1985 and 1987), the United Nations’s booth at the XVII Triennale (1988), the fittings for “Italianische Mobel Design...