Diadji Diop

"Herself" by Frederick Hart is an acrylic figurative sculpture of a woman's face numbered 176/350. Hart began to equate light and spirit, the medium itself conveying the meaning, bey...

Nana Williams' "Delft Toad," created in 2024, is an exquisite resin cast sculpture painted with acrylic gouache, measuring 2.15 x 2 x 2.25 inches (5.46 x 5.08 x 5.72 cm). This unique...

"Obsidian Geode" is an original work from Paige Smith's ongoing series of geode sculptures. The piece is solid resin cast by the artist and painted. This work measures 8in x 7in x ...

Cheeky references to pop culture and the societal context. Donald Duck is cast in resin with banknotes inside. Grounded in a postmodern vernacular, Alben’s paintings and sculptures ...

"Transcendent" Dimensions: 19" x 11" x 9" Medium: Clear Acrylic Resin Edition 96/350 Frederick Hart's 1991 “Transcendent” lucite sculpture is imbued with a truly sublime presence. Female and male figures emerging from the Lucite seem to appear and disappear within the work. This ghostly effect is created through Hart’s unique process of embedment, which involves casting one acrylic work within another. It is a technique the artist patented in 1982, marking the end of a decade of constant experimentation and progression and the beginning of a period of precise refinement. Consistent with his unique poetic vision, the inner, emotional, intellectual, and spiritual forces dominate the work. Imbued with a distinct sense of grace, this piece is a testament to Hart’s remarkable technical abilities and devotion to the craft. Frederick Hart's "Transcendent" is signed by the artist and includes a gallery certificate of authenticity. It is from an edition of 350 (+ 60 AP) and the current gallery retail price for the piece is over $40,000. About Frederick Hart As one of America’s greatest representational artists, Frederick Hart left a lasting and unique mark in the world of modern sculpture. Born in Atlanta, Georgia in 1943, he studied at the University of South Carolina and after protesting alongside black students during the Civil rights movement, he moved to Washington D.C. to continue his studies at the Corcoran School of Art. Fascinated with the human figure and the classical approach, he started developing his career in 1966 as a stone carver apprentice at the National Cathedral in Washington D.C. Leaving the Cathedral in 1971, Hart started his own studio practice but had little success in the first years. In 1974, he was awarded the project by the Cathedral to create a contemporary interpretation of The Creation, an event that would change his life. Soon, Hart’s career took a turn for the better, and in the upcoming decades, he rose to national prominence, becoming a government art advisor in 1985 and receiving the prestigious Henry Hering...

Cheeky references to pop culture and the societal context. Grounded in a postmodern vernacular, Alben’s paintings and sculptures are a pastiche of art historical moments including P...

Fiberglass / Carbon Fibre Impregnated With Catalysed Polyester Resin Graphite Filled Acrylic Laquor On Filled Polyester Resin Base "Don Frost, sculptor, creator of completely unique...

Cheeky references to pop culture and the societal context. Grounded in a postmodern vernacular, Alben’s paintings and sculptures are a pastiche of art historical moments including ...

Artist: Jim Pallas (1941) Title: Red Flying Tit-Cock Year: 2012 Medium: Epoxy brass Size: 7.5 x 17 x 6 inches Condition: Excellent Inscription: Signed and dated JIM PALLAS (1941-) ...

"Hearts of Fire" by Kevin Barrett Acrylic and epoxy on carved aluminum panel Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall reliefs. ...

Artist: Jim Pallas (1941) Title: Au Natural Cluster Fuck Year: 2019 Medium: Epoxy on ceramic Size: 2.5 x 7 x 5 inches Condition: Excellent Inscription: Signed and dated JIM PALLAS (1941-) American painter, draughtsman, sculptor, and printmaker. An innovator of technological art beginning in the early 1960s, Pallas drew inspiration from his upbringing in Detroit, Michigan where he had early exposure to the automobile industry, its materials and design. He is recognized for having employed electronics and early computer technology to enable his sculptures to respond to external stimuli. Often the circuit boards specifically designed for a particular piece were, themselves, drawings. Throughout his varied career, Pallas has created sculptures and reliefs employing a variety of subjects often imbuing the objects with humor and irony, yet connecting them to everyday life and experiences. Represented by the preeminent Allan Stone Gallery in New York for more than two decades, Pallas’s work has been exhibited in and collected by institutions nationwide including the Detroit Institute of Art, and Columbia University. In legacy, Jim Pallas’s artwork is allied with other innovative masters of the 1960s and 70s including Red Grooms, Larry Rivers, Andy Warhol, Claes Oldenburg, Yaakov Agam, Nam June Paik, Frieder Nake, Leslie Mezei, Georg Nees, A. Michael Noll...

Cheeky references to pop culture and the societal context. Grounded in a postmodern vernacular, Alben’s paintings and sculptures are a pastiche of art historical moments including ...