Dutch Originals Centerpieces

Blue and white chinoiserie lobed dish. Delft, 1680-1700 Dimensions: diameter 35 cm / 13.77 in. The blue and white lobed dish is composed of nine wide lobes around a nine-fold c...

Dutch Delft blue and white plate with a 'Chinoiserie' decoration of a landscape with a fence, flowering peony and willows. Good condition: light chipping and some usual wear to the...

This blue and white Delft charger was hand painted in the Netherlands in the 18th century, circa 1780. The decoration features a traditional Dutch Delft design of scrolling vines and...

Rare early 18th century Blue Delftware platter geometrical decoration. Chinoiserie panels with artemisia leafs on the border. The reverse is undecorated. Unmarked Good quality of p...

Pair of blue and white garlic-head chinoiserie bottle vases. Delft, 1680-1690 The octagonal garlic-head vases stand on a wide, spreading foot and are painted in blue with a chinoiserie decor. An oriental landscape with buildings, a Chinese traveller with a deer, Chinese horsemen...

This exquisite dish is almost identical to a blue and white Delft dish in the Philadelphia Museum of Art Bequest collection of John W. Pepper. 1935-10-39. The dish is described in de...

Large 17th Century Delft dish Chinoiserie blue and white Delftware Charger Material: Delft, earthenware, pottery. Design: Ming Dynasty Wanli style Chinoiserie Style: Ming, William an...

At the center of this lovely hand-painted blue and white Delft dish is a traditional chinoiserie view of a garden. We see an oversized peony, a willow tree...

Blue and white lobed dish with landscape. Northern Netherlands, 1650-1680. Dimensions: diameter 21,5 cm / 8.46 in. The blue and white lobed dish is composed of sixteen small lobe...

Blue and white lobed dish with fruit still life. Northern Netherlands, 1650-1680 Dimensions: Diameter 22,9 cm / 9.01 in. The blue and white lobed dish is composed of sixteen smal...

The blue and white dish has a wide-spreading flange and is painted in the centre with two Chinese figures on a terrace by a pavilion in an oriental garden landscape. A third Chinese is visible in the background. The scene is framed in an octagon. The well and flange are divided into four wide and four narrow panels. The wide panels also feature oriental garden landscapes with one or two Chinese figures. The smaller panels are decorated with a stylised double flower. The outer rim is blue.  The Victoria & Albert Museum in London has a similar, somewhat smaller dish . Several dishes with oriental landscapes and similar panelled borders can be found in a German private collection (Hebben & Peters, pp. 76-77), but instead of stylised flowers in the border, a floral scroll is applied here. The decoration is inspired by Chinese porcelain from the transitional period at the end of the Ming and the start of the Qing dynasty. The porcelain of the last Ming emperor Chongzhen (reigned 1628-1644), the first Qing emperor...

The blue and white dish has a wide, flat flange and is painted in the centre with two Chinese figures on a terrace in an oriental garden landscape. Two pavilions are visible in the background. The scene is framed in an octagon. The well and border are divided into four wide and four narrow panels. The wide panels feature oriental landscapes with a Chinese figure. The smaller panels are decorated with trellis work. The outer rim is blue.  The decoration is inspired by Chinese porcelain from the transitional period at the end of the Ming and the start of the Qing dynasty. The porcelain of the last Ming emperor Chongzhen (reigned 1628-1644), the first Qing emperor...