Eileen Braun Art

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

In the eerily beautiful Reserve, Henriksen highlights ecological peril. "Nature is threatened,” she observes. "I hope this is expressed in my image, which at first glance can be seen...

Abstract, folk art style, three dimensional wall sculpture in striped patterns of sky blue, black, white and grey "Bumble", made by Susan Stover in 2020 Cardboard, latex, acrylic, v...

This abstract geometric wall sculpture was done by fiber artist, Jin-Sook So (b. 1950, Korea). So’s work is informed by her time spent in Korea, Sweden and Japan. She uses transpar...

Nancy Genn, American (b. 1929) Marshfield 25 (1977) Handmade paper collage Hand signed verso Dimensions: 20 1/8 x 22 inches Utilizing what is now known as the 'Genn Method,' Nancy Genn created three-dimensional abstract works of handmade paper, gaining international recognition in the 1970s Nancy Genn is an American artist living and working in Berkeley, California known for works in a variety of media, including paintings, bronze sculpture, printmaking, and handmade paper rooted in the Japanese washi paper making tradition. Her work explores geometric abstraction, non-objective form, and calligraphic mark making, and features light, landscape, water, and architecture motifs. She is influenced by her extensive travels, and Asian craft, aesthetics and spiritual traditions. Nancy Genn was born in 1929 in San Francisco, California. She recognized early that she would pursue a career as an artist. Her mother, Ruth Wetmore Thompson Whitehouse, was a painter and UC Berkeley alumna who played a leadership role in the San Francisco Women Artists organization. Genn studied at San Francisco Art Institute (then California School of Fine Arts) with painter Hassel Smith, and at the Art Department at the University of California, Berkeley (1948–49) with Professors Margaret Peterson and John Haley, and fellow students Sam Francis and Sonya Rapoport. In 1949 she married Vernon “Tom” Genn, an engineer raised in Japan, with whom she had three children. Career Genn's first noted solo exhibition was in 1955 at Gump's Gallery in San Francisco. She received international recognition through her inclusion in French art critic Michel Tapié’s seminal text Morphologie Autre (1960), which cited her as one of the most important exponents of post-war informal art. In 1961, Genn began creating bronze sculptures using the lost-wax casting method. Influenced by noted sculptor and family friend Claire Falkenstein, who used open-formed structures in her work, Genn cast forms woven from long grape vine cuttings, and produced vessels, fountains, fire screens, a menorah, a lectern, and, notably, the Cowell Fountain (1966) at UC Santa Cruz. In 1963 her sculptural work was exhibited with Berkeley artists Peter Voulkos and Harold Paris in the influential exhibition Creative Casting curated by Paul J. Smith at the Museum of Contemporary Crafts, New York. Genn was one of the first American artists to express herself through handmade paper, first receiving wide recognition via exhibitions at Susan Caldwell Gallery, New York, beginning in 1977, and in traveling exhibitions with Robert Rauschenberg and Sam Francis. In 1978-1979, supported by the National Endowment for the Arts and Japan Creative Arts Fellowship, she studied papermaking in Japan, visiting local paper craftspeople, working in Shikenjo studio in Saitama Prefecture, and exhibiting her work in Tokyo. She also learned techniques from Donald Farnsworth...

This abstract geometric mixed media piece was done by fiber artist, Jin-Sook So (b. 1950, Korea). So grew up in Seoul, Korea where she received a master's degree in textile art, afte...

Based on her breathtaking golden faces chandelier made for the Tel Aviv 2020 Biennale, Dana Bloom is now offering a limited edition of framed figures. Just ...

Plastic Jesus In Case Of Emergency, 2019, (/30) Compact metal bodied fire extinguisher with gold leaf and mixed media 16 x 10 x 6 in

"Folded Form I", steel mesh, painted, electroplaited, gold and silver leaf, 12 1/4" x 12 1/4" x 12 1/4", 2004. This abstract geometric wall sculpture was done by fiber artist, Jin-S...

"Clue #3" is an abstract artwork by Stan Olthuis composed of acrylic paint on reclaimed bicycle inner tube, wrapped on torched and plain reclaimed canvas stretchers. Clue #3 measures...

Jacob Foran (US. 1983; MFA 2010) is a Seattle based ceramic artist. Born in Urbana, Illinois, Foran received a BFA from the University of Illinois Urbana-Champaign in the interdisciplinary Painting & Sculpture Program. He then obtained a second BFA in Ceramics from the Univ. of IL in 2008, where he was awarded Allie D. Hughston-Enochs Scholarship for the Outstanding Graduate in the School of Art+Design. Prior to transferring to the Univ. of Illinois School of Art, Foran received a full tuition merit scholarship from Parkland College where is obtained an AFA with an emphasis in Drawing & Painting. During these years, he developed working relationships with Cinema Gallery and Ann Nathan Gallery in Chicago. Jacob moved to Seattle in 2008 to study with artists Akio Takamori, Doug Jeck, and Jamie Walker in the University of Washington’s Ceramics Department (consistently ranked in the top five nationally according to the U.S. News and World Report). Foran received the Kottler & Noritake Scholarship from the UW and the national juried Kate Neal Kinley Fellowship (20k) in 2009. He was awarded First Prize in the national Marge Brown Kalodner Graduate Student Exhibit at the Clay Studio in Philadelphia, PA. Foran began his teaching career while a graduate student at the UW under guidance from Akio Takamori. Upon receiving his MFA he was also given the Teaching With Excellence Award from the School of Art+Art History+Design at the UW. Foran’s 2010 thesis exhibition, titled ‘Headspace,’ made reviews in major publications including Surfaces Magazine in Beijing, China, Designboom in Milan, Italy and Beautiful Decay in Los Angeles, CA. His work has also been featured in publications such as ArtSlant New York, Clay Times, Ceramics Monthly, and the Seattle Times. Museum exhibitions include ”Continuum of Excellence: Haystack Clay Selects,” at the Fuller Craft Museum in Brockton, MA, “Creating The New Northwest: Selections from the Collection of the Herb and Lucy Pruzan” at the Tacoma Art Museum, WA, the NCECA National Biennial at the Museum of Art and Craft in Louisville, KY. Major gallery exhibitions include “Games of Antiquities” at Gasser & Grunnert in New York City, SOFA New York and SOFA Chicago with Ann Nathan Gallery, and most recently “Bodies and Beings” at Abmeyer+Wood Fine Art...