Empoli Barware

This is a good cut-glass or crystal decanter or wine carafe, hand blown with a waisted shape and dimple moulded decoration with its original mushroom stopper, made of heavy lead glass, and dating to Edwardian England, circa 1900. This hand blown decanter is heavy and made of clear lead glass...

Barware rectangular ice bucket in lucite and wicker with chrome frame and top in the style of Christian Dior. Made in France in the 1970s.

Italian green glass vase by Empoli, circa 1960.

Very colorful and decorative set of six Italian glass decanters. There is one white decanter, one red, two brown and two blue ones. All carafes have a ...

A set of eight green-faceted drinking glasses. This set will add a beautiful touch of green to any place setting. We recommend using this set for water or iced tea and pairing them w...

An ice blue blown glass decanter with stopper by Empoli Glass, Italy. Retains "Empoli" paper label. Measures 19.25 inches hign.

This vintage Italian Mid-Century Modern large glass genie bottle features a raised bubble pattern and a rich and mesmerizing emerald green color. Pr...

A great set of 12 mid century modern crystal glasses. The glasses are not signed, most likely made by the Belgian brand Val Saint Lambert, based on the quality, colour and carvings....

The 'Well' collection was conceived to elevate and celebrate drinking water in a vessel worthy of its importance. In collaboration with Italian crystal company Mario Cioni, Designer Corinna Warm created a unique, handcrafted, mouth blown, cut crystal water carafe...

Made by the Italian craftsmen of Empoli, Florence The carefully crafted Optical details The large, usable vase provides a solid form suitable for a few tall flowers...

Set of eight vintage whiskey rock glasses with streamline design. The barware glasses are handblown with slightly tapered forms in translucent smoked...

Elegant Mid-Century Modern vintage crystal decanter with stopper by Orrefors (Swedish, founded 1898), c. 1960's. Engraved signature to base Orrefors HM 2498 - this particular style was by Edvard Hall. Includes original red Orrefors Sweden sticker with logo. "Orrefors HM 2498" etched into base. Measures 11.5" H x 3" W x 3" D. Orrefors Glassworks was founded in 1898 on the same site where ironworks operations had been run since 1726. In the same year that the glassworks was founded, a hot shop was built for making technical, medical and household glass and stemware to make use of waste wood and labour. Glass now replaced the less profitable ironworks operations. In 1913, Consul Johan Ekman from Gothenburg became the new owner of Orrefors Glassworks. He appointed Albert Ahlin as manager of the glassworks and this marked the start of a new era. In 1914, Orrefors started manufacturing crystal products, and as well as cut crystal according to purchased patterns and samples, Orrefors made art glass using the overlay technique with etched decoration. The new management quickly saw that artists were needed in the business, so Simon Gate was employed in 1916 and was joined by Edward Hald a year later. That same year, Gate and Hald made their first tentative attempts at figure engraving. They also experimented with the new innovative graal (grail) glass technique that was developed at Orrefors by the master glassblower Knut Bergqvist. The major successes were achieved a few years later at the Gothenburg Exhibition in 1923, and in particular at the Paris Exhibition in 1925. The thin engraved glass was admired by the surrounding world, and both Orrefors and the artists themselves were awarded the Grand Prix. The successes of Simon Gate and Edward Hald in Paris in 1925 constituted the start of the long Orrefors tradition of creative design closely combined with genuine and innovative craftsmanship. Since then, new designers and skilled glassmakers have continued in the spirit of Gate and Hald. Vicke Lindstrand and Edvin Öhrström with the new glass technique called Ariel in the 1930s. Sven Palmqvist with Kraka and Ravenna in the 1940s. And in the 1950s with Fuga, which, along with Nils Landberg’s slender tulip-shaped glass “Tulpan” and Ingeborg Lundin’s apple-shaped vase “Äpplet”, are now seen as symbols of the renaissance of Swedish design. The 1960s are associated with Gunnar Cyrén’s Pop glass, and in the 1970s, Eva Englund, Olle Alberius, Lars Hellsten and Jan Johansson as well as Cyrén worked at the glassworks. Since the 1980s, designers such as Anne Nilsson, Erika Lagerbielke, Helen Krantz, Matz Borgström, Per B Sundberg, Martti Rytkönen, Lena Bergström, Ingegerd Råman, Malin Lindahl and Efva Attling...