Erich Bolinger Furniture

Black forged steel, abstract sculpture. Composition of two abstract forms sit on a diamond shaped base. The forms are set at angles to one another to express a three dimensional rela...

1970s studio designed tubular steel sculpture.

Modern Boomerang Wooden Sculpture on Steel Pedestal by David Hymes, Contemporary A laminated plywood 'Boomerang' sculpture by David Hymes, mounted on a st...

Brutalist patinated steel sculpture. Signed and dated 1970.

Black forged steel, abstract sculpture. Composition of two abstract forms sit on a diamond shaped base. The forms are set at angles to one another to express a three dimensional rela...

Erich Oehme (1898-1970) for Meissen, Germany. Porcelain sculpture in the form of a horse's head. Blanc de Chine. Mid-20th century. Perfect condition. Marked. Fourth factory quality....

Ceramic sculpture titled ‘Head of Maestoso’, meaning head of the majestic, designed by German Sculptor Erich Oehme for Meissen. Sitting on a wooden pedesta...

Bi Sculpture on steel stand (medium) Crystal Hand carved Steel Contemporary sculpture Limited edition Crystal shapes and inclusions vary.  

For your consideration is a fantastic, abstract, stainless steel floor indoor or outdoor sculpture, signed Robert D. Hansen. In excellent condition. Dimensions: 7.5w x 9d x 28h

A stunning Contemporary Original sculpture. A chic Abstract composition forged from welded steel. A kinetic structure adds movement to any space. Acquired from a Palm Beach estate.

A beautiful modernist hand-carved solid walnut Madona virgin sculpture, circa 1960's great condition.

Ramp steel Measures: 6 x 8 x 42 in. Artist statement: I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable. The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum. Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is primitive. It exists because it is sacred. Biography: Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa Company, a fabrication shop which produced custom furniture and architectural fixtures. At Gulassa, after hours and on weekends, Scott worked on personal projects, applying the tools and techniques used in his daily work. Lacking resources to purchase stock materials, much of the steel he used came from the scrap bins at Gulassa. He also used steel found along the railways, shipyards, and industrial corridors of Seattle. The characteristics and limitations of the material helped him to define his aesthetic and his approach to sculpture. He currently lives and works in Vermont. Inspirations: David Smith, Anthony Caro, John Chamberlain, Julio Gonzalez, Richard Stankiewicz, Tony Smith...