Eugène Feuillatre Furniture

Napoleon III inkwell gilt bronz and champleve enamel Origin France perfect condition circa 1860. The Napoleon III style had its heyday during the 1850s and 1880s. Emperor Napoleon wa...

DAUM NANCY Cameo and Enameled Art Nouveau Glass vase circa 1900 Enameled and acid etched with mottled glass. Signed: 'Daum Nancy' with the Cross of Lorraine Height: 9.3 Inches (23.5cm) Condition: Very Good condition and appearance with no issues detected. AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items...

Loetz Art Nouveau circa 1900 art glass vases with floral and decorative scroll Silver Overlay. (Pair) Larger: Corset form in iridescent gold glass decorated with scrolling silver overlay and a blank cartouche. Height: 5.25 X 2.75 Diameter Condition: Mint. Smaller: Bulbous smoke stack form in iridescent green-gold decorated with scrolling silver overlay flowers. Marked: Alvin pat 67 Height: 4.25 X 2,65 Diameter Condition: Mint AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return if the items are not as described. In 1836, Johann Eisner established a glassworks in the Southern Bohemian town of Klostermühle, today part of the Czech Republic and called Klášterský Mlýn. His heirs sold the glassworks to Martin Schmid in 1849, and two years later Schmid sold it to Frank Gerstner, attorney-at-law, and his wife Susanne. Susanne was the widow (‘Witwe’ in German) of Johann Loetz, a glassmaker about whom we know very little. Gerstner transferred sole ownership to Susanne shortly before his death in 1855, and she successfully led and expanded the company during the subsequent 20 years, manufacturing mainly crystal, overlay and painted glass. In 1879, Susanne transferred the company – now called ‘Johann Loetz Witwe’ – to Maximilian von Spaun, the son of her daughter Karoline. One year later, von Spaun hired Eduard Prochaska and the two of them modernized the factory and introduced new, patented techniques and processes. The first fruits of this collaboration were exciting innovations in Historicism glass, including Intarsia and Octopus glass and the very popular marbled (‘marmorisierte’) glass which imitated semi-precious stones like red chalcedony, onyx and malachite. Success at exhibitions in Brussels, Munich and Vienna were crowned by awards at the Paris World’s Exposition in 1889. In 1897, von Spaun first saw Tiffany Favrile glass exhibited in Bohemia and Vienna, and this convinced him that the art nouveau style was also the way to go for Loetz Witwe. The next eight years were to be the most artistically significant and profitable period in the entire history of the company. The Art Nouveau Period –The glassworks created large numbers of its own new designs of iridescent, trailing art nouveau glass, sometimes in collaboration with well-known artists and designers like Marie Kirschner and Franz Hofstötter (aka Franz Hofstätter). The zenith of Loetz art nouveau glass was epitomized by the so-called Phänomen series of designs, much of it designed by Hofstötter, which won a Grand Prix (alongside Tiffany, Gallé, Daum and Lobmeyr) at the Paris World’s Exposition in 1900. The company’s success during this period had two prime drivers – the technical expertise of Prochaska and the business acumen of von Spaun. Loetz Witwe created many of its own designs, and also supplied glass commissioned by major customers like E. Bakolowits (Vienna) and Max Emanuel...

Vintage hand painted inkwell, China inkwell, Scotland 1930, H315 Scotland 1930 Hand painted inkwell with hinged lid Lovely hand painted flowers Nice condition no crack or chips Mea...

Elegant late 19th century crystal inkwell from England. square design with lovely chamfered edges and brass collar. Wonderful for any desk or table. ink well,

A wonderful and rare early Art Nouveau Brooch Pendant in the form of a Butterfly. The magnificent Butterfly is 14 Karat Gold. It is set with a central gorgeous Old Mine Cut Diamond...

This is an Art Nouveau pendant crafted in 18K yellow gold. Circa 1910. Religious piece is showing the Virgin Mary with a halo made of colourful translucent plique-à-jour enamel. Pe...

In very good condition. Total weight is 8 grams. Totally is diamond 0.45 ct. The Diamond is has H color and vs-s1-s2 clarity. Totally is blue topaz about 7 ct. Ring size is US 6 (We ...

This is an Art Nouveau pendant depicting a lily of the valley. It is crafted in 18K yellow gold and features seed pearls. Circa 1900. Weight: 2.26g Size: 5.8x2.3cm ——— If you hav...

Hand Painted Renaissance cameo is a bezel set in a 14-karat yellow gold ring. The cameo is distinguished with brilliant colors and flicker of color, giving it a rich and unique finish. The total diameter of the ring is 13.60 mm, and the shank measures 4 mm. The ring size is 5.75 The encased bezel of the cameo is rose gold, and the ring's shank is yellow gold. The age of the cameo is early 1900s, while the shank is more modern. This one-of-a-kind ring is truly a treasure. History of the Renaissance Renaissance jewelry...

In very good condition. Total weight is 5.1 grams. Totally is diamond 0.18 ct. The diamond is has G-H color and vvs-vs clarity. Totally is emerald 1 ct. Ring size is US 8.2 (We offer...

THIS IS ONE OF THE MOST BEAUTIFUL ANTIQUE ENAMEL JEWELS WE HAVE SEEN. THE VICTORIAN - ART NOUVEAU PENDANT NECKLACE IS IN THE FORM OF A CLUSTER OF GRAPES HANGING FROM THE VINE. THE ...