Europa Antiques Decorative Boxes

Early 20th century lacquered vanity box circa 1910. Good quality Chinese export table top vanity box.  Hand painted in a plum and black colour scheme in a lacquered finish. Cube sh...

Ornately painted cash box with iron hardware and key, on the original stand. Interior of box measures 8"W x 4"H x 3.75"D Exceptional, small, late-renaissance, table-top, Nuremberg, iron, 'Wedding Box', strongbox or travelling safe with its original, naïve, painted decoration This is a rare and small example of these characterful, early models of transportable safes. The much larger traditional chest...

A coated canvas-covered box with nail head decoration, brass lock and brass handle.

A fine and unusual Japanese black lacquer and mother of pearl inlaid box, Momoyama Period, 16th century, Japan. The large box and cover featu...

Small rectangular ark with a flat lid, with a lock of golden metal worked (crown on two facing lions, located on a garland of great size, and all around a symmetrical composition wit...

With a domed hinged lid and bail handle over a conforming case decorated overall with figures in Renaissance dress. Bun feet. Provenance; David and P...

Rectangular case with hinged lid made decorated with fine inlays of floral and floral elements on its faces, containing a set of toiletry set composed of various elements of grooming...

A fine and extremely rare figured walnut and seaweed marquetry 'lace box', circa.... let’s break it down - Seaweed marquetry first appeared in Englis...

19th century French cobalt blue overlay on milk glass box, thousand eye pattern with brass fittings, working lock and key.

An exceptional Indo-Portuguese colonial mother-of-pearl veneered casket with silver mounts India, Gujarat, 2nd half of the 16th century, the silver mounts Goa or probably Lisbon Measures: H. 16 x W. 24.6 x D. 16.1 cm An exceptional Gujarati casket with a rectangular box and truncated pyramidal lid (with slopes on each side and a flat top) made from exotic wood, probably teak (Tectona grandis), covered with a mother-of-pearl mosaic. The tesserae, cut from the shell of the green turban sea snail (Turbo marmoratus, a marine gastropod) in the shape of fish scales, are pinned to the wooden structure with silver ball-headed nails. The casket is set on bracket feet on the corners. The masterfully engraved decoration of the silver mounts follows the most refined and erudite Mannerist repertoire of rinceaux and ferroneries dating from the mid-16th century. The high quality and refinement of the silver mounts and, likewise, the silver nails that replaced the original brass pins used to hold the mother-of-pearl tesserae in place indicate the work of a silversmith probably working in Lisbon in the second half of the 16th century. The Indian origin of this production, namely from Cambay (Khambhat) and Surat in the present state of Gujarat in north India, is, as for the last three decades, consensual and fully demonstrated, not only by documentary and literary evidence - such as descriptions, travelogues and contemporary archival documentation - but also by the survival in situ of 16th-century wooden structures covered in mother-of-pearl tesserae. A fine example is a canopy decorating the tomb (dargah) of the Sufi saint, Sheik Salim Chisti (1478-1572) in Fatehpur Sikri in Agra district in the state of Uttar Pradesh, north India. This is an artistic production, geometric in character and Islamic in nature, where usually the mother-of-pearl tesserae form complex designs of fish scales or, similar to the dishes also made using the same technique, with the thin brass sheets and pins, stylized lotus flowers. The truncated pyramidal shape corresponds, like their contemporary tortoiseshell counterparts also made in Gujarat, to a piece of furniture used in the Indian subcontinent within the Islamic world prior to the arrival of the first Portuguese. This shape, in fact, is very old and peculiar to East-Asian caskets, chests or boxes used to contain and protect Buddhist texts, the sutras. A similar chest is the famous and large reliquary chest from Lisbon cathedral that once contained the relics of the city's patron saint, Saint Vincent. Both match in shape, having the same kind of socle or pedestal and bracket feet, and in their engraved silver mountings, featuring the same type of refined, erudite decoration. Their differences lie in the silver borders that frame the entire length of the edges of the chest (both the box and the lid), pinned with silver nails, and on the lock plate, shaped like a coat of arms in the Lisbon example. Given the exceptional dimensions of the reliquary casket...

A nice little leather box . It has brass accents.

A rare antique French gilt bronze and silver Sevres porcelain casket finely painted with neoclassical figures on two round and two rectangular ...