Fernand Léger Decorative Art

Abstract Modernist oil painting by Zoute dated 1951. Oil on Masonite. I believe the subject in the painting is the artist's wife Thelma Salter. Zoute used himself and his wife almost exclusively as models. Painted in 1951. Unframed. Zoute (Born-Leon Salter, 1903-1976) was self-taught and well exhibited during his lifetime. He painted from 1940-1954 (he stopped painting at this later date due to his wife's illness and death and never painted again) A self-taught artist, he was part of the great modern wave. He exhibited with many of the most notable artists of the day such as Picasso, Braque, Klee and others at the invitation only State University of Iowa International Show 1946-1947. He had numerous one man shows at NYC galleries, Mortimer Levitt / Joseph Heller...

Painting in the style of Fernand Leger, circa 1970. Painted on canvas. In original condition, with some visible signs of previous use and age, preserving a beautiful patina. ...

This outstanding fossilised skeleton is that of the ancestral crocodile species Steneosaurus bollensis that lived during the early Jurassic period. The skeleton, complete with armoured plates, has been exquisitely preserved and recovered from the Holzmaden Oil Shale of south Germany. The crocodile was once buried in fine, muddy sediment 195 million years ago at the bottom of the Tethys Ocean, which once existed between Europe and Africa. The calm, deep water provided a rare anoxic (without oxygen) environment, which prevented the skeleton from any significant decomposition before burial. The mud has since been compressed into oil shale, leaving the immense skeleton completely in-tact. This specimen is one of the few skeletons of Steneosaurus bollensis ever to be discovered. We can deduce much about the life of this reptile from the size and perfect preservation of the piece. Similar to present-day crocodiles, we can see that the two front limbs of the Steneosaurus are much shorter than the back two. This indicates that crocodile ancestors were bipedal; indeed, we believe that crocodiles evolved from the same reptile species as the dinosaurs and airborne pterosaurs. Dinosaurs ruled the lands during the late Triassic and early Jurassic. This made terrestrial life increasingly difficult for ancestral crocodiles, as there were many predators and prey was scarce. However, the seas were rich in fish, shellfish, starfish, crabs, squid… You can even see fossil belemnite guards (bullet shells of squid-like organisms) and the beautiful spiral shells of ammonites preserved around the crocodile skeleton...

Vintage black porcelain decorative wall plate with 24k gold hand painted Greek warriors on horse chariot 1970's. Hand made in Greece decorative black and gold wall plate depicting Greek Mythology. Porcelain black glazed with 24k. gilt gold, backside indicates, "hand-made in Greece, and below that 24k Gold, and next to this is a Greek Key boxed...

Art print wall plate by Jean Cocteau: ''Es gibt immer ein Gegenüber: ohne teufel hätte gott nie die breite Masse angesprochen'' (''There is always a counterpart: without the devil, G...

1970s VICTOR VASARELY "Live and let live love and let love". Rosenthal collectible framed German plate. Victor Vasarely Rosenthal Studio Line Limited Edition Porcelain Plate. By Vasarely born 1936. "Leben und Leben lassen, Lieben und Lieben lassen" "Live and let live - love and let love". Limited edition, signed and numbered. Plate is in good condition, size is 12". Frame is not in good condition, white became yellowish shows wear. Victor Vasarely, born as Győző Vásárhelyi on April 9, 1906, in Pécs, Hungary, was a Hungarian-French artist widely regarded as the "father of Op Art" (Optical Art). He is known for his pioneering work in geometric abstraction and the use of optical illusions to create visually captivating and dynamic artworks. Vasarely's early career involved studying medicine in Budapest, but he later decided to pursue his passion for art and enrolled in the Műhely (Workshop) academy in Hungary. He initially experimented with various styles, including Impressionism and Post-Impressionism, but his interest in geometric abstraction grew stronger over time. In the 1930s, Vasarely moved to Paris, where he continued to explore geometric patterns, lines, and shapes in his art. He believed that art should not merely imitate nature but should create its own language of forms and colors to engage the viewer's perception actively. This philosophy led to the development of Op Art, a movement that emerged in the 1960s and focused on creating optical illusions and visual effects through precise geometric patterns and colors. Vasarely's artworks often featured meticulously arranged geometric shapes, giving the impression of movement and three-dimensionality. He employed various optical tricks, such as the juxtaposition of contrasting colors and the use of repetition, to create an illusion of depth and visual dynamism. His artworks can evoke a sense of visual vibration and often challenge the viewer's perception. Throughout his career, Vasarely's influence extended beyond the art world. He believed in the democratization of art and wanted to make art accessible to a wider audience. He embraced mass production techniques, creating what he called "multiple originals" or "serigraphs" (a form of screen printing). These serigraphs allowed him to produce multiple copies of his artworks at affordable prices, making them more accessible to art enthusiasts. Vasarely's artistic legacy continues to be celebrated around the world. His work has been exhibited in numerous galleries and museums, and he remains an influential figure in the fields of Op Art and abstract geometric art. He passed away on March 15, 1997, in Paris, leaving behind a vast body of work that continues to captivate audiences and inspire artists to this day. About Rosenthal: German porcelain manufactory Rosenthal was originally founded as a ceramics-painting studio by Philipp Rosenthal Sr. (1855-1937) in 1879 at Schloss Erkersreuth in Bavaria, near the Czech border. Its first highly popular product was an ashtray inscribed with the words “Resting place for lit cigars.” In 1890, the company moved to the neighboring hamlet of Selb and, a year later, began to manufacture its own porcelain, since white porcelain was, at that time, in short supply. Rosenthal’s first complete table service was called Empire; it was exhibited along with other lines at Paris’s Exposition Universelle in 1900. With the dawn of the 20th century, Rosenthal began producing porcelain tableware and services formed and decorated in the latest styles, like the Jugendstil Botticelli (1903), the Art Nouveau Darmstadt (1905), and the all-white Maria (1916) lines. Successes with this au courant approach led the company to launch an art pottery division in 1910, dedicated to luxury tableware, vases, and other decorative objects. By the 1930s, figurines were another important Rosenthal product, most notably the Disney-licensed Mickey Mouse pieces introduced in 1931. In 1934, Philipp Rosenthal was forced to leave his company and country when his Jewish ancestry came under persecution by the Nazi regime. Despite the loss of its founder, the Rosenthal company remained the premier supplier of high-quality porcelain tableware to the Third Reich. After the war, in 1950, Philip Rosenthal Jr. (1916-2001) joined his father's company as an advertising manager. By 1958, he had become its CEO, continuing his father’s vision to produce high-quality porcelain in line with progressive tastes. Through the rest of the 20th century, Rosenthal was the most commercially successful porcelain producer in Germany. In the postwar era, Rosenthal’s most famous tableware lines have included 2000 by Raymond Loewy and Richard Latham (1954), Magic Flute by Bjørn Wiinblad (1959), Suomi by Timo Sarpaneva (1976), and Moon by Jasper Morrison (1997). The company has enjoyed many popular and critically acclaimed collaborations with designers and brands, like Salvador Dalì, Tapio Wirkkala, Walter Gropius, Andy Warhol, Ron Arad, Enzo Mari, Konstantin Grcic, and Versace. Rosenthal's product lines have encompassed more than ceramics over the years. In 1972, the company began producing furniture, under the subsidiary Rosenthal Einrichtung, in Espelkamp, Germany. Standouts from this arm of Rosenthal include Gunter Ferdinand Ris and Herbert Selldorf’s futuristic Sunball Lounge Chair (1969), Verner Panton’s Relaxer Rocking Chair (1974), Burchard Vogtherr's Vario Pillo...

Bjorn Wiinblad, Danish artist, has created this beautiful series for German art glass & porcelain makers Rosenthal for their Studio-Line art edition. Plates from 1975 with the Annunc...

A beautiful, German glazed terra cotta or Majolica landscape tile by Karlsruhe, circa 1970. This gorgeous wall art depicts a Tuscany Village. Well detailed and beautiful colors.

A beautiful decorative brass wall plate of mother-of-pearl, orange coral, and blue turquoise cabochon elements, circa 20th Century, Nepal. Plate has round hook on back for hanging. I...

Print from the Collection "Le Parroquet" representing Tavoua parrot. Collection of two: - Meunier - Tavoua Printed manually on 100% cotton engraving paper in Florence Italy. Ea...

Print from the Collection "Le Parroquet" representing Meunier parrot. Collection of two: - Meunier - Tavoua Printed manually on 100% cotton engraving paper in Florence Italy. E...

Gaetano Pesce has many exhibitions and for nearly every one, he has made a resin invitation, some quite simple, some very complex. Every one has a hole at the top so they can be disp...