Fernando De Filippi Furniture

Machine useless2" one of a series of useless machines by Renato Volpini (Naples, December 10, 1934 - Milan, February 3, 2017) material screen printing w...

This recent artwork from the w o o d p o p studio is an example of the type of modern marquetry that w o o d p o p is becoming synonymous with. Since its inception 10 years ago - the studio has specialised in marquetry and inlay work; meticulous art-forms where pieces of wood veneer are inlaid to create decorative designs or pictures. Emma Wood, who founded the studio 10...

Etched brass artwork plaque by Bernhard Rohne for Metallic Design Studio, circa 1960s. Rohne has become famous for his work with Mastercraft, but also pr...

A large painting by Italian born artist Luigi Maria De Rubeis, circa 1970s. A note about the artist courtesy of Saatchiart: "Italian painter, had his start in 1970 by winning a conte...

1970s Elegant brass copper "Bouquet Of Flowers" wall sculpture.

Abstract charcoal drawing by Miriam Kubach, American, circa 1960s. Similar to works by Louise Bourgeois from the same era. It is executed on paper and has been professionally framed ...

1974 Mid-Century Modern abstract artwork by Jonas Gerard.

Artistic wall panel, a tribute to the artist Alfred Roller. This artwork has been manufactured always using our inlay technique in semi-textured s...

Stunning framed taxidermy alligator with great coloring and very well preserved details. Hues of the scales range from a beige color on the outer edge...

This recent artwork from the w o o d p o p studio is an example of the type of modern marquetry that w o o d p o p is becoming synonymous with. Since its inception 10 years ago - the studio has specialised in marquetry and inlay work; meticulous art-forms where pieces of wood veneer are inlaid to create decorative designs or pictures. Emma Wood, who founded the studio 10...

Mirror front silkscreen printed and collage, title presence in space 1973 Renato Volpini (Naples, 10 December 1934 - Milan, 3 February 2017).

If there is an art gene, Fernando de Ana (Talavera de la Reina, 1979) and a graduate in Fine Arts, carries it with him. Since he was born he has been surrounded by oil and pencils, spatulas and turpentine. He belongs to the third generation of a saga of artists that began at the beginning of the 19th century with his great-uncle, José Pérez, painter and first director of the Cádiz Museum of Art, and continued with his father, Juan Carlos Jiménez, also a painter and Doctor. in Fine Arts. If his ancestors delighted in light and still lifes, Fernando de Ana has also wanted to explore other more contemporary languages, working first as an illustrator - he has received several international awards - and as a cartoonist, to later soak up design and the avant-garde Dutch, a pioneer country in this field, where he combined his artistic work with that of art director for more than a decade. His work has been exhibited in Prague, Bologna, Amsterdam or London, among other cities and has been selected and awarded in different art competitions. From that transversality of influences and from that symbiosis of classic and avant-garde references, now comes his maturity as an artist. Away from his comfort zone, the artist opts for his own language in which emotions prevail over the metallic. His way of being in the world beats in his work: human relationships marked by sex, loneliness and melancholy, anxiety as a catalyst for art, obsessions spinning in a spiral, repetition of patterns, morbid agitated with tenderness infinite, the frustrated Innocence that still breathes, moving it as a motor. Fernando de Ana's work responds to a mature creative process, built over several decades exploring different formats, where material, meaning and feeling go in the same direction. 'Forbbiden carnal', his elegant series in resin and neon, has already become an exponent by combining without complexes an apparently cold material with geometric limits with the warmth and sensuality of light, in such a way that it has achieved that both elements exchange natures. The author undresses through this meticulous technique and tells us about his inner world, his contradictions and his fears, all crossed...