Fischel Furniture

Mid-20th century Art Deco side chairs in walnut, with original sitting and futurism abstract upholstery. Very special and aesthetic effect. Excellent conditions, restored and wax-po...

Pair of chairs. Made with pine. Architectural Brut design. Solid wood and iron brace. Circa 1960, France. Very good vintage condition.

Vintage Fischel Bentwood Bistro Chairs, 1920s. Set of 6. Set of six Fischel Vienna dining chairs in bentwood with striped pattern on seat and backrest. These Art Nouveau cafe chairs ...

A vintage chair attributed to Fischel featuring a carved wooden frame, intricate decorative seat back and cane seat. This piece is documented in the F...

Rare early 20th century dentist / medical chair made in white painted wood with dark green leather upholstered seat and neck rest. The neck rest is height adjustable so it would accommodate both adults and children when in use. The seat also has a very modernist pattern made with upholsterers decor nails similar to that of German/Swedish designer Otto Schulz and what he used on his cabinets. The high back style of chair is also very much associated with the grand father of Scottish design Charles Rennie...

Warren McArthur chair, Warren McArthur Corporation, aluminum, leather, copper, rubber, USA, 1930s. Measures: 33½ H × 17 W × 21 D in Provenance: Collection of Stuart Parr Private Collection Warren McArthur Jr. was an innovator in Machine Age/ Art Deco furniture design. McArthur moved from Chicago to Los Angeles in 1929 to pursue metal furniture manufacturing; . he founded the Warren McArthur Corporation there in 1930. His furniture designs while unique were true to the Machine Age aesthetic. Machine Age design emphasized sleek forms inspired by automobiles, locomotives and airplanes. These objects were symbols of progress and modernity to the American consumer and industrial designers began constructing furniture in streamlined designs from steel, chrome and aluminum. Prior to the 1933 Chicago World’s Fair, known as the “Century of Progress Exhibition.” The fair’s tagline, “See America Streamlined,” and the abundance of metal furniture and home goods exhibited finally presented the concept of utilizing metal designs in the typical American household. The Museum of Modern Art followed suit in subsequent years with exhibitions like "Machine Art," (1934), and "Bauhaus 1919-1928" (1938), further exposing the American public to this design style. The Warren McArthur Corporation moved manufacturing to Rome, New York in 1933, just as metal furniture was gaining popularity; the company’s products were sold out of a showroom in New York City on Park Avenue. As a manufacturer, McArthur filed numerous patent designs which he utilized in advertisements to exhibit the innovations he developed. The company also proudly printed patent numbers on furniture...

Made in Czechoslovakia Made of wood, fabric Upholstery has signs of use Original condition.

Arman "Cello" Chair, circa 1990, France. Arman "Cello" chair editions Hugues Chevalier n°9/50. Signed and numbered under the seat on a brass plate. Made with ebonized beech. Circ...

A rare Fischel bentwood ebonized side chair incised gilded decoration and original cane seat. Original Fischel paper label to the underneath of the s...

Four Directoire style Italian chairs in Louis XVI fashion having new Scalamandre fabric. Each in a fine parcel gilt and paint decorated finish. The neoclassical design having carved ...

Sculptural solid oak wooden Art Deco chair, in Haagse School style. The details, materials and nearly modernist appearance of the design are matching the Haagse School style. This s...

Pair of Art Deco chairs H-214 by J. Halabala from Czech Republic around 1930 * Design: Jindrich Halabala (1903 - 1978) * Manufacturer: UP Zavody * Walnut veneer on backboard * Solid ...