Fitz and Floyd Animal Sculptures

South Arabian Alabaster Inscription Calcite Alabaster circa 1st century A.D. ‘’Consequently, neither white marble of Paros nor any other stone which men admire can be compared with the precious stones of Arabia, since their whiteness is most brilliant, their weight the heaviest, and their smoothness leaves no room for other stones to surpass them.’’ - Diodorus Siculus, Library of History, Book II, 52.9 This inscription, finely worked on an alabaster tablet, is a remarkably well preserved example of Ancient South Arabian script, with its distinct bold, angular forms, written in the Qatabanic dialect - that is, the dialect spoken by the people of the kingdom of Qataban, which ruled much of modern day Yemen from the 7th Century B.C. to the 2nd Century A.D. The text, which reads: ‘[... ...]sa?d and Ma?add?i- / (of the lineage) of Hawfa- / She entrusted Anb- / against any malfeasance (which would remove it) from its place’ - indicates that it likely served to commemorate a temple offering. The quality of the script, incised so neatly into the surface of the alabaster, tells us that this piece was commissioned by somebody of considerable wealth and prestige, employing a scribe of equally considerable expertise. South Arabia was known throughout the ancient world for its incredible wealth - so much so that the Romans termed the region ‘Arabia Felix’ - literally, ‘Happy, or Fortunate, Arabia.’ That wealth was built largely on the trade of spices and incense, in which the Kingdom of Qataban played a major part. According to Pliny the Elder, this was the sole country through which frankincense could be exported, first being collected in the city of Shabwa, on the South Arabian coast, and from there travelling by camel up to Gaza, to be shipped all across the Mediterranean - not only that, but all growers of myrrh across Arabia were required to give a quarter of their yield to the king of the Qatabanians. As such, the kingdom became exceedingly rich and powerful, and Pliny goes on to tell us that ‘The nations of the Larendani and the Catabani, and the Gebanitæ [...] occupy a great number of towns, the largest of which are Nagia, and Thomna (the capital of Qataban) with sixty-five temples, a number which fully bespeaks its size.’ Because of the nature of its exports, frankincense in particular - the ‘sweat of of the gods’ according to the Egyptian Book of the Dead, and perhaps most famous as one of the three gifts brought to the newborn Christ - being closely associated with the divine, South Arabia’s reputation in antiquity was as a mysterious, almost sacred, and - crucially - extraordinarily wealthy region, at the very edge of the known world; in the words of Herodotus: ‘’Enough of marvels, and yet the land of Arabia gives off a scent as sweet as if divine.’’ This inscription invokes the protection of god Anbay, the judge-oracle of the chief god ‘Amm, who he served as an attendant. Much of what we know of the religious life of the ancient South Arabians comes to us from early Islamic texts, describing what is known in Islamic scholarship as ‘Jahiliyyah’ - the age before the advent of Islam in Arabia. What comes across in much of these texts is that these religious practices placed a great deal of emphasis on sacred stones, perhaps linked to the brilliance of the alabaster which is local to the region, and which a great many of the cult-objects produced in this time are made from. Hisham ibn-Al-Kalbi’s Book of Idols records: ‘’The Arabs were passionately fond of worshipping idols [...] Whenever a traveller stopped at a place or station in order to rest or spend the night, he would select for himself four stones, pick out the finest among them and adopt it as his god, and use the remaining three as supports for his cooking-pot.’’ This inscription was once in the collection of the intrepid British-Australian travel...

Hunting Dog Bronze Sculpture.English Spaniel Pointer Hunting Dog.This beautifully executed cast bronze figure of the hunt canine sculpture depicts a...

As the embodiment of compassion, Guanyin is the most beloved enlightened being in China. Known as the Goddess of Mercy, she is the female bodhisattva form taken by Avalokiteśvara in eastern Buddhism. Guanyin can take many forms depending on the devotee’s needs and is often invoked to encourage fertility or alleviate suffering. This breathtaking Blanc de Chine sculpture...

A set of 4 vintage blanc de chine figures. Overall good condition with one removable hand missing from one figure. Please see photos.

Beautiful, whimsical, hand painted ceramic bowl, by Fitz & Floyd, dated 1988. Great as a centerpiece, or use as a fruit bowl.

A stunning large 16.5" Mid-Century Italian Blanc de Chine creamware glazed ceramic handmade fruit topiary in a pedestal basket. Marked "Made in Italy" ...

Chinese Qing dynasty style Blanc de chine porcelain Quan Yin or Guanyin depicted standing in a flowing robe. Constructed of Dehua porcelain fr...

A Pair Of Blanc - De - Chine Dehua  Figures Of Guanyin Early 20th century Each figure is modelled standing in flowing robes upon a lotus leaf decorated stand, holding a fl...

beautiful vintage hand painted and glazed ceramic two tiles set ,professionally mounted on wood backing , featuring hunting scene with Horse ...

Vintage Fitz and Floyd Rain Forest Monkey Majolica ceramic Teapot. Vintage Majolica Monkey Fitz and Floyd 1980s Rain Forest Teapot. Designed as ...

Vintage cast metal brass dog beagle sculpture bust bookend or paperweight. Vintage dog head bookend Cocker Spaniel Retriever art dog sculpture. Cast me...

An antique decorative dog figure. Made of metal. A nice original antique item for displaying or just to use on your table. It is in the original as foun...