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Fletcher Martin Art

American, 1904-1979

Fletcher Martin was an American painter, illustrator, muralist and educator. He is best known for his images of military life during World War II and his sometimes brutal images of boxing and other sports. Martin was born in 1904 in Palisade, Colorado, one of seven children of newspaperman Clinton Martin and his wife Josephine. The family relocated to Idaho and later Washington. By the age of 12, he was working as a printer. He dropped out of high school and held odd jobs such as lumberjack and professional boxer. He served in the U.S. Navy, 1922–26. Martin's artistic skills were largely self-taught.

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Untitled (Joe Louis knocking out Max Schmeling in 1938 rematch)
By Fletcher Martin
Located in Fairlawn, OH
Untitled (Joe Louis knocking out Max Schmeling in 1938 rematch) Pen and ink with wash on heavy wove sketchbook paper, 1938 Signed lower right: Fletcher Martin Directly related to Martin's famous painting of 1942 entitled "Lullaby", which was also used in the lithograph of the same name. (see photo) The drawing depicts the third and final knockdown of Max Schmeling in their rematch of 1938. Condition: Mat staining at the edges of the sketchbook page edges Toning to verso from previous framing. Does not affect framed presentation "It was here that Louis first used sport to bridge America's cavernous racial divide. With Hitler on the march in Europe and using Schmeling's victory over Louis as proof of “Aryan supremacy,” anti-Nazi sentiment ran high in the States. Louis had long grown accustomed to the pressures of representing his race but here the burdens were broader and deeper. Now he was shouldering the hopes of an entire nation. A few weeks before the match Louis visited the White House and U.S. President Franklin Delano Roosevelt, whose tenure lasted even longer than Louis' would, told him, “Joe, we need muscles like yours to beat Germany.” Those muscles certainly beat Schmeling on fight night...
Category

1930s American Realist Fletcher Martin Art

Materials

Ink

Little Sister, Big Sister, c.1970
By Fletcher Martin
Located in Franklin, MI
A wonderful painting in the style clearly identified with the artist.
Category

1970s American Modern Fletcher Martin Art

Materials

Canvas, Oil

original lithograph
By Fletcher Martin
Located in Henderson, NV
Medium: original lithograph. This lithograph is from the rare 1951 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1951 Spr...
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1950s Fletcher Martin Art

Materials

Lithograph

"Lunch Break” Fletcher Martin, Men Working, Bricklayers, WPA, American Scene
By Fletcher Martin
Located in New York, NY
Fletcher Martin Lunch Break, circa 1940 Signed lower right Oil on canvas 31 1/2 x 37 3/8 inches When Fletcher Martin died in 1979, the New York Times entitled his obituary “Artist o...
Category

1940s American Realist Fletcher Martin Art

Materials

Oil, Canvas

Nude with Drape
By Fletcher Martin
Located in Los Angeles, CA
Nude with Drape, c. 1937, oil on board, 24 x 17 (oval), signed lower right, provenance: Frances Lee Kent Falcone Family Trust About the Painting Fletcher Martin’s Nude with Drape ...
Category

1930s American Modern Fletcher Martin Art

Materials

Oil

"Sleigh Ride, Winter, " Fletcher Martin, Woodstock, Holiday Scene Illustration
By Fletcher Martin
Located in New York, NY
Fletcher Martin (1904 - 1979) Sleigh Ride, Woodstock, New York circa 1955 Watercolor on paper 14 x 11 inches Signed lower right Provenance: James Cox Galler...
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1950s American Realist Fletcher Martin Art

Materials

Paper, Watercolor

Quarrelling Gulls - Flock of Birds
By Fletcher Martin
Located in Miami, FL
This beautiful semi-abstract harbor scene of a flock of birds is rendered in Martin's signature style
Category

1950s Abstract Geometric Fletcher Martin Art

Materials

Oil

Darkness (portrait of a young woman)
By Fletcher Martin
Located in Wilton Manors, FL
Fletcher Martin (1904-1979). Darkness, 1940. Oil on canvas, 18 x 22 inches; 28.5 x 32.5 inches framed. Signed and dated lower left. Presented in a carved chestnut Heydenryk custom frame of the period. Excellent condition with no damage or conservation. Biography: Birth place: Palisade, CO Death place: Guanajuato, Mexico Addresses: NYC; Woodstock, NY, 1947 and after; Guanajuato, Mexico in 1976 Profession: Painter, lithographer, block printer, muralist, illustrator, teacher Studied: Stickney Mem. Sch. Art Exhibited: Hatfield Gal., Los Angeles, 1932 (solo); LACMA, 1935 ( Van Rensselaer Wilbur Prize), 1939 (prize), 1944; FAP, 1937 (prize); PAFA Ann., 1939-54 frequently (prize 1947); 48 States Comp., 1939 (prize); WMAA, 1940-57; AIC, 1940-45; VMFA, 1941; CI, 1942-44; MoMA, 1942; NAD, 1943, 1949 (Altman Prize); Corcoran Gal. biennials, 1943-53 (6 times); Roberson Mem. Center, Binghamton, NY, 1968 (retrospective); Eve Loring Gal., Cedarhurst, NY & Rudolph Gals., Woodstock, NY, 1970s Member: A.N.A., 1969; Woodstock AA (chmn., 1953-55); Calif. WC Soc.; Am. Artists Cong.; Fnd. of Western Art; AEA (nat. committee,1949-55). Work: MMA; WMAA; MoMA; LOC; Cranbrook Acad. Art; William Rockhill Nelson Gal., Kansas City, KS; LACMA; Denver Art Mus.; Mus. FA, Houston; SFMA; PAFA. Commissions: true fresco, WPA, Hollywood H.S., 1935; oil on canvas, U.S. Secretary Fine Art, Fed. Bldg., San Pedro, CA, 1937; oil on canvas, U.S. Secretary Fine Art, Post Office Bldg., Lamesa, TX, 1938; bas relief sculpture, U.S. Secretary Fine Art, County Court House, Bonner's Ferry, ID, 1939; oil on canvas, U.S. Secretary Fine Art, Post Office Bldg., Kellogg, ID, 1940. Comments: Preferred media: oils, watercolors, print media. Specialty: Western subjects. Illustrator: Tales of the Gold Rush, 1944; Mutiny on the Bounty, 1947; The Sea Wolf, 1961; The Jungle, 1965; Of Mice and Men...
Category

Mid-20th Century American Realist Fletcher Martin Art

Materials

Oil, Canvas

Portrait of a Black Woman, Maxine - Mid-Century WPA
By Fletcher Martin
Located in Miami, FL
A charming portrait of a Black woman with stylized hairstyle of the period - Midtown Galleries label on verso, Unframed Signed and date...
Category

1940s Art Deco Fletcher Martin Art

Materials

Oil, Canvas

Toe to Toe, Boxing Lithograph by Fletcher Martin 1942
By Fletcher Martin
Located in Long Island City, NY
Artist: Fletcher Martin (American, 1904-1979) Title: Toe to Toe Year: 1942 Medium: Lithograph, signed in pencil Edition: 250 Image Size: 12.5 x 9.5 in. (31.75 x 24.13 cm) Frame: 25 x...
Category

1940s American Modern Fletcher Martin Art

Materials

Lithograph

"Arab Children, " Portrait of Two Figures Lithograph signed by Fletcher Martin
By Fletcher Martin
Located in Milwaukee, WI
"Arab Children" is an original lithograph by Fletcher Martin. The artist signed the piece lower right. This piece features two young children--a boy and a girl--with downcast eyes in draped fabric clothes in an interior. 12" x 8" art 22" x 18" frame Fletcher Martin was an American painter, illustrator, muralist and educator. He is best known for his images of soldier life during World War II and his sometimes brutal images of boxing and other sports. His artistic skills were largely self-taught. He worked as a printer in Los Angeles in the late 1920s, and as an assistant to Mexican muralist David Alfaro Siqueiros in the early 1930s. He taught at local art schools such as Otis Art Institute. He won commissions to paint murals for the New Deal's Section of Painting and Sculpture, including Mail Transportation (1938), painted for the San Pedro Federal Building and Post Office in Los Angeles. Under the WPA he painted a mural study for the Kellogg, Idaho post office titled Mine Rescue (1939). Local industrialists objected that it depicted the dangers of mining, while officials of the Mine & Smelt Workers Union praised it. The industrialists prevailed and Martin painted an uncontroversial mural, Discovery (1941), depicting the prospector who founded the town. The rejected mural study is now in the Smithsonian American Art Museum. Perhaps his most ambitious mural, also done under the WPA, was painted for North Hollywood High School in Los Angeles. Legends of Fernandino and Gabrileno Indians (1937) depicts overlapping scenes of Native American life and ritual, and the world being carried on the backs of giants. As an artist-correspondent for Life Magazine during World War II, he made hundreds of sketches of U.S. soldier life. Fourteen of his paintings from the North African campaign were published in the December 27, 1943 issue of Life, and brought him national recognition. Among these was Boy Picking Flowers...
Category

1940s American Realist Fletcher Martin Art

Materials

Lithograph

Fletcher Martin Modernist Studio Ceramic for Stonelain - Matador
By Fletcher Martin
Located in Phoenix, AZ
Mint condition hand painted charger designed for Stonelain pottery by listed WPA artist Fletcher Martin (1904-1979), circa 1940s. Associated American Artists, who produced limited e...
Category

Mid-20th Century American Mid-Century Modern Fletcher Martin Art

Materials

Ceramic

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Fellowship Grant- 1989 California Supreme Court Mural Commission- 1998 Las Vegas Federal Courthouse Commission, G.S.A.-1998 Teaching 1989-90: San Francisco State University 1975: San Francisco Art Institute Realism Seminar 1974-76: Academy of Art College, San Francisco, CA 1973-74, 1976: California College of Arts and Crafts, Oakland, CA 1971-72: California State University, Hayward, CA One Man Exhibitions 2015: Willard Dixon Portraits College of Marin Fine Art Gallery, Kentfield 2014: SFMOMA Artists Gallery, San Francisco, CA. 2008: SFMOMA Artists Gallery, San Francisco, CA. 2005: Fischbach Gallery, NYC,NY 2005: Dolby Chadwick Gallery, San Francisco, CA 2004: Fischbach Gallery, NYC, NY. 2002: Earl McGrath Gallery, Los Angeles, CA 2002: Bolinas Museum, Bolinas, CA 2001: Hackett Freedman Gallery, San Francisco, CA 2000: Fischbach Gallery, NYC , NY 2000: Hearst Art Gallery, St. Mary’s College, Moraga, CA 1998: Hackett Freedman Gallery, SF, CA 1997: Tatistcheff/Rogers Gallery, Los Angeles, CA 1996, 1995: Contemporary Realist Gallery (now Hackett Freedman Gallery) 1994: Fischbach Gallery 1993: Contemporary Realist Gallery 1992: Fischbach Gallery 1991: Earl McGrath Gallery, 454 North, Los Angeles, CA 1990: Fischbach Gallery 1989: William Sawyer Gallery, San Francisco, CA 1988: Gallery 454 North, Los Angeles, CA 1987: Fischbach Gallery 1987: Gallery 454 North 1986: William Sawyer Gallery 1985: Fischbach Gallery 1984: Harris Gallery, Houston, Tx 1984: William Sawyer Gallery 1983, 1982: Fischbach Gallery 1981: William Sawyer Gallery 1980,1979: Tortue Gallery, Los Angeles, CA 1976, 1975: William Sawyer Gallery 1973, 1972: William Sawyer Gallery Selected Group Exhibitions 2017: SHIFT / with Elizabeth Barlow, Kim Frohsin, Erin Parrish, Irene Zweig, Andra Norris Gallery, Burlingame, CA 2015: REAL with Elizabeth Barlow Gallerie Citi, Burlingame, CA. 2014: Stillness and Activity / A father and daughter exhibition, Gallerie Citi, Burlingame, CA. 2013: Outwin Boocher Portrait Competition 2013 Exhibition” Smithsonian National Portrait Gallery, Washington, D.C. Hey Everybody / Portraits, Diablo Valley College 2012: Artistic Visions of the Golden Gate Bridge”, George Krevsky Gallery, S.F., CA. Introduction Two/ Gallerie Citi, Burlingame, CA. 2011: California: A Landscape of Dreams/ Fresno Art Museum 2010: Self Portrait Invitational/ Julie Nester Gallery, Park City UT 2009: On Beauty /I. Wolk Gallery, St. Helena, CA. 2008: At Water’s Edge / I. Wolk Gallery, St. Helena, CA. 2007: San Francisco Scenes/ George Krevsky Gallery, S.F., CA Ten Years- A Retrospective/ Dolby Chadwick Gallery, S.F., CA. 2006: Our Planet, Our Home/ SFMOMA Artists Gallery, S.F. CA 2005: 2005 Spring Group Show/ Earl McGrath Gallery, L.A., CA 2002: H2O’02, Paintings of Water/ Fischbach Gallery, NYC Scene in Oakland 1852-2002 Oakland Museum Oakland, CA The Garden/ Art Foundry Gallery, Sacramento, CA The Moving Still Life/ Fischbach Gallery, New York, NY Bay Area Printmakers/ works from Trillium Press, Art Foundry Gallery, Sacramento, CA California Landscape Paintings/ College of Marin Art Gallery, Kentfield, CA Bay Area Printmakers/ SF Museum of Modern Art/Artists Gallery, San Francisco, CA Visions: Northern California/ Bank of America, San Francisco, CA 2001: Opening Exhibit: Group Show, Fischbach Gallery, NY, NY 2000: Hackett Freedman Gallery Artists/ Shasta College Art Gallery, Redding, Ca 1999: Homage to the Art Institute, Artists Who Transformed American Culture, Hackett Freedman Gallery, San Francisco, CA 1999: What is Art For? What are Museums For? What are You For? curated Curated for the Oakland Museum by William T. Wiley & Mary Hull Webster, Oakland, CA 1998: Paintings of Marin County Past and Present/ The North Point Gallery, San Francisco, CA 1997: 10th Anniversary Exhibition/ Hackett Freedman Gallery, S.F., CA 1996: Rediscovering the Landscape of the Americas/ Gerald Peters Gallery, Santa Fe, NM (traveling exhibition) Contemporary American Realist Painters/ Halls Crown Center Gallery, Kansas City, MO 1996: Foundation for the Future: Celebrating 125 Years at the San Francisco Art Institute/ One Bush St., S.F., CA 1996: New Work by Selected Gallery Artists, Tatistcheff/Rogers Gallery, Los Angeles, CA Flower Paintings/ Contemporary Realist Gallery, S.F., CA 1995: Facing Eden: 100 Years of Landscape Art in the Bay Area / De Young Museum, S.F., CA Contemporary Still Life Painting/ David Klein Gallery, Birmingham, MI 1994: Still Life/ Fischbach Gallery, New York City, NY New Bay Area Painting/ Contemporary Realist Gallery, S.F., CA A Room with a View/ The North Point Gallery, S.F., CA 1993: Bay Area Painting/ Contemporary Realist Gallery, S.F., CA Vanishing Point: A Look at Contemporary Landscape Painting”, Bedford Gallery, Walnut Creek, CA Tribute/ William Sawyer Gallery, S.F., CA Revolution: Into the 2nd Century at the San Francisco Art Institute, One Market Plaza, S.F., CA Contemporary Realism: Central and Northern California Landscapes/ Monterey Museum of Art, Monterey, CA The Artist as Native: Reinventing Regionalism/ a traveling exhibition curated by Alan Gussow and Babcock Galleries, N.Y., NY 1992: A Day in the Country, California Landscape Painting / I. Wolk Gallery, St. Helena, CA West Art and the Law/ Weat Publishing Co., St. Paul, MN(traveling ex.) The New York Academy of Art, New York, NY In Support of Contemporary Bay Area Artists / One Market Plaza, S.F., CA 1991: The Landscape in 20th-Century American Art: Selections from the Metropolitan Museum of Art/ New York, NY, National Traveling Exhibit 1990: Contemporary Landscapes/ 21st Anniversary Exhibition Tortue Gallery, Los Angeles, CA. 1990: New Bay Area Painting Contemporary Realist Gallery, S.F., CA 1989: The Modern Pastoral/ Robert Scholekopf Gallery, New York, NY 1988: Images of the Land/ William Sawyer Gallery, San Francisco, CA 1988: Ten Artists from the William Sawyer Gallery / Shasta College Gallery, Redding CA Works on Paper/ William Sawyer Gallery, San Francisco, CA 1987: The Contemporary American Landscape/ Swain Gallery, NJ 1986: Landscape, Seascape, Cityscape/ Contemporary Arts Center, New Orleans, LA 1985: The Bay Area Seen/ Bay Area Regionalists Show, Hall of Flowers, Golden Gate Park, San Francisco, CA Large Scale/ Harris Gallery, Houston, TX A City Collects/ Transamerica Pyramid, San Francisco, CA American Realism/ William Sawyer Gallery, San Francisco, CA 1984: San Francisco Bay Area Painting/ curated by George Neubert for the Sheldon Memorial Art Gallery, Lincoln, NE American Landscape Painting/ California State University, L.A. CA Western Landscape Painters/ The Museum of the West, Houston, TX The Urban Landscape / One Market Plaza, San Francisco, CA 1982: Collectors Gallery 16/ McNay Art Institute, San Antonio, TX Thirty Approaches to Realism/ William Sawyer Gallery, S.F., CA 1981: Views of California Past and Present/ Triton Museum, Santa Clara, CA Landscapes/ Harris Gallery, Houston, TX 110th Anniversary S.F. Art Institute Alumni Group Show/ William Sawyer Gallery, S.F., CA 1980: Realism/ Walnut Creek Civic Arts Gallery, Walnut Creek, CA 1979: Bay Area Artists Exhibition/Sale/ Oakland Museum, Oakland, CA Omnium Gatherum/ Tortue Gallery, Los Angeles, CA California Viewpoints/ Sunne Savage Gallery, Boston, MA 1978: New Work/ Mills College Art Gallery, Oakland, CA Images of the Land/ William Sawyer Gallery, S.F., CA 1977: Contemporary California Artists/ Marshall-Meyers Gallery Alternative to the Whitney Annual/ James Yu Gallery, N. Y, N.Y. San Francisco Art Festival/ ( Airport Competition Purchase Prize) 1977: Eight Young Americans/ Montclair Museum of Art, Montclair,NJ 1976: Three From California/ Francine Sedars Gallery, Seattle, WA Faculty Show/ California College of Arts and Crafts, Oakland, CA 1975: Realism in Painting and Ceramics/ Helen Euphrat Gallery, De Anza College, Cupertino, CA 1975: A Tribute to the Art Institute/ Hansen Fuller Gallery, S.F., CA California Artists/ Utah Museum of Fine Art, Salt Lake City, UT 1974: Our Land, Our Sky, Our Water/ by Alfred Frankenstein Expo 74, Spokane, WA A Sense of Place/ curated by Alan Gussow for the Joslyn Museum, Omaha, NE The Discovery Gallery, Montclair, N.J. 1973: College of Marin Gallery, Kentfield, CA California Artists/ Kaiser Center, Oakland, CA 1972: Visiting Artists/ California State University, Hayward, CA 1970: Drawing Invitational/ Emanuel Walter Gallery, San Francisco Art Institute, S.F., CA 1970: San Francisco Art Institute Centennial Exhibition, San Francisco Museum of Modern Art, S.F., CA 1967: Society for the Encouragement of Contemporary Art Annual, San Francisco Museum of Modern Art, S.F., CA 1966: California Landscape Painters/ San Francisco Art Institute, S.F. CA. Selected Collections The San Francisco Museum of Modern Art The Metropolitan Museum of Art The Oakland Museum The Utah Museum of Fine Art San Francisco Art Commission Shaklee Corporation Pacific Gas and Electric Company, San Francisco, CA Kemper Insurance Company, Long Grove, Il Morrison and Foerester, San Francisco, CA SSI Container Corporation, San Francisco, CA San Francisco International Airport Oxford Petroleum Company, Houston,TX California First Bank, San Francisco, CA United Pipeline, Houston, TX Security Pacific National Bank, S.F., CA Crocker Bank, Los Angeles, CA Visa Corporation, San Francisco, CA Atlantic Richfield Corporation Shell Oil, Houston, TX First National Bank of Seattle RREEF Corporation, San Francisco, CA Texas Heritage Society Genstar Corporation, San Francisco, CA Sohio Corporation Skidmore Owings and Merrill, N.Y.C., NY Chemical Bank, NY Swissre Corporation, NY The Insurance Company of North America First National Bank of Midland, Texas Commerce Bank AMA Headquarters, Washington, DC Hughes Tool, Houston, TX ATT, NY Morgan Stanley Dean Witter, San Francisco, CA IBM Corporation, San Jose, CA Northern Trust Company, Chicago, IL Smith Kline and French Corp., Philadelphia, PA Wells Fargo Bank, San Francisco, CA Republic National Bank Chevron Trammel Crow Company, Dallas, CA U.S. Insurance Group, N.J. Southwestern Bell Corp., MO Union Bank Pacific Bell United States Trust Company, NY The United Bank of Denver, CO Cigna Corp., Philadelphia, PA Atlantic Richfield Corp., Los Angeles, CA Show, Pittman, Pots and Trobridge, Washington, DC San Francisco Zen Center Hughes Aircraft Co. Los Angeles, CA Minnesota Mining and Manufacturing (3M), St. Paul, MN Bank of America, NY Commerce Bancshares, Inc., Kansas City,MO Robinson Humphrey/American Express, Atlanta, GA Merrill Lynch, San Francisco, CA Goldman Sachs, NY Metropolitan Life Insurance Co., NY Victoria Bank and Trust, Victoria, TX NYNEX, NY Coca Cola, U.S.A., Atlanta, GA TransAmerica Corporation Pacific Telesis Group Brobeck, Phleger, & Harrison Exxon Corporation U.S. Trust Selected Private Collections Estate of Ahmet Ertegun, New York, NY Mr. Harrison Ford, Los Angeles, CA Estate of Irving Lazarr, Los Angeles, Ca Mr. and Mrs. Leonard Holzer, New York, NY Mr. and Mrs. Peter Asher, Los Angeles, CA Mr. John Irvin, London, England Ms. Joan Didion, New York , NY Ms. Sabrina Guinness, London, Eng. Mr. and Mrs. Austin Hills, San Francisco, CA Mr. and Mrs. Peter Duchin Ms. Linda Ronstadt Ms. Faye Dunaway Mr . Peter Morton Mrs H.J. Heinze, New York, NY Mr. Rupert Lowenstein Mr. and Mrs. Robert Emery, San Francisco, CA Mr. Earl Mc Grath, New York, NY Mr. Nat Weiss, New York, NY Mr. Luca Barilla Mr. Bruce Schnietzer, New York, NY Dr. and Mrs. Robert Carroll, New York, NY Mrs. Nicholas Boyd, San Francisco, CA Mr. and Mrs. Robert Green, San Francisco, CA Mr. Chappy Morris, New York, NY Ms. Carla Kirkeby, Los Angeles, CA Mr. and Mrs. Elliot Caplow, Los Angeles, CA Mr. and Mrs. Robert Meyerowitz, New York, N.Y. Mr. and Mrs. Steven Gilsendaine Mrs. Caroline Cushing Graham, Los Angeles, CA Mr. Michael Nesmith, Los Angeles, CA Mr. Griffen Dunne, New York, N.Y. Mr. and Mrs. Paul A. Erskine, Pasadena, CA Mr. N.J. Friedman, Hillsborough, CA Mr. Harold Hollingsworth...
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21st Century and Contemporary American Realist Fletcher Martin Art

Materials

Canvas, Oil

Carmel Beach
Carmel Beach
H 18 in W 53 in D 2 in
1970's Surrealist Figurative -- "Two Nudes in Interior"
By Clayton Anderson
Located in Soquel, CA
Stark, surrealist study of two nude figures in a color saturated room by Clayton Anderson (American, 20th Century), 1970. Signed and dated by the artist, left margin. Presented in a ...
Category

1970s American Modern Fletcher Martin Art

Materials

Canvas, Oil

Mid Century Mazatlan Beach Catamaran Figurative Landscape Watercolor
By William A. Corbett
Located in Soquel, CA
Vibrant figurative seascape of a beach in Mazatlan, Mexico with several figures and a catamaran reflecting beautifully in the shallow water by William A. Corbett (American. 1914-1960). Titled "Beach- Mazatlan" on verso. Signed "William Corbett" in lower left corner. Presented in a simple wood frame, with a double mat of off-white silk and royal blue with plexiglass. Image size: 22”H x 14.75”L William A. Corbett began drawing at an early age. He constructed signs and displays for theaters and nightclubs around Pittsburg. He studied art with Vincent Nesbert at the Pittsburg Art Institute and with Robert Gwathmoy, Roy Hilton, and Robert Laper at the Carnegie Institute of Technology. He also studied painting and sculpture at the Louisville Art Center. Corbett was in the Army Engineers at Fort Knox, Kentucky where he studied, practiced, and had exhibits with army artists there from 1941-1943. He was very much interested in materials and technique, content and style in painting. His favorite Artists were El Greco, Leonardo, Rembrandt, Renoir, Burchfield, and Andrew Wyeth, Jr. He studied two years at Boston museum School with Karl Zerbe, Daivid Aronson and others. He later designed and did art work for General Outdoor Advertising Co. In 1943, he married Ruth Osborne of Louisville and they had one son, Michael. In 1951 he moved to Fort Lauderdale, Florida with his family. Exhibitions: Army Art Show--- 1st Prize in Landscape, 1942 Kentucky & southern Indiana Exhibition-- Honorable mentions for Fisherman's Curse 1949, Don Q...
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1960s American Realist Fletcher Martin Art

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Parisian Model
By Max Weber
Located in Palm Desert, CA
"Parisian Model" is an oil on canvas painting by Max Weber painted in 1908. The work is signed and dated, lower right, "Max Weber Paris 1908". The painting size is 35 1/2 x 19 5/8 inches. The framed size is 43 x 27 x 2 1/4 inches. "Parisian Model" was painted in 1908, when Weber participated in a life class in Matisse's studio in Paris and painted several nudes. Weber was influenced toward a more Cubist styler after seeing Cezanne's work in the 1906-07 Salon in Paris, and he consorted within avant-garde circles in Paris as early as 1905. After returning to the US in 1909, Weber was credited with showing American audiences Cubism based on his firsthand knowledge of the key players and the style. Several drawings of Weber's from this time are in museum collections at The Met, the Smithsonian, and MoMA and show a similar style and stocatto gesture. Parisian paintings by Max Weber are extremely rare as there are hardly any that have sold publicly. Provenance: Estate of the Artist Gerald Peters Gallery...
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Early 20th Century American Modern Fletcher Martin Art

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Parisian Model
Parisian Model
H 35.5 in W 19.62 in
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BullFight Picador Horsemen Matador. Bullfighting scene where horse is impaled
By Fletcher Martin
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Bullfighting scene where the horse is impaled by rampaging bull. The matador uses his spear but does not halt the charging beast. The whole scene is painted in tans, light browns and monochomatic grays. BullFight, Fletcher Martin (American, 1904-1979) Modern Bull Fighter, 1956 Casein on Paper mounted to board Signed and Dated upper left. Fletcher Martin 1956 Framed to 40 x 51 in silver wood frame Provenance: Taylor Graham, NYC Abby Taylor Fine Art , Greenwich, Connecticut John Heller...
Category

1950s Cubist Fletcher Martin Art

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Casein

Sun Women ( two women on a beach / one with her guitar)
By Fletcher Martin
Located in New Orleans, LA
Two women sitting on a beach, one with a guitar. This edition was published by Associated American Artists Born in Palisade, Colorado, a small western town where his father ran the newspaper, Fletcher Martin was a self-taught artist, best known for his painting of western subjects. He worked as a painter, muralist, and illustrator. Martin grew up in a family that moved to towns throughout the West. He showed an early interest in art, primarily from circus posters and amateur painters. At age 12, he began working as a printer, and after dropping out of high school, had various jobs including lumberjack and professional boxer. In Seattle, where he worked for Western Show Print, he specialized in big, gaudy outdoor posters. From 1922 to 1926, he served in the Navy and then settled in Los Angeles where he had a job with Earl Hays printers. He had a long-time interest in boxing and did many paintings of that activity. He also assisted Mexican painter Siqueiros with a large mural and created a design for a Post Office mural in Kellogg, Idaho that citizens found objectionable because it depicted a mining accident. His revised work was a frontiersman and a prospector, but he featured an ass in the prominent part of the composition over the postmaster's door. In 1938, he began a thirty-year career as visiting teacher in art schools in California including Mills College, Otis Art Institute, and Claremont College. In 1943, he traveled to North Africa as artist-correspondent for Life magazine. Holdings: Metropolitan Museum; Museum of Modern Art; Whitney Museum of American Art; Library of Congress; Rockhill Nelson Gallery in Kansas City; Los Angeles Museum; Florida Gulf Coast Art...
Category

Late 20th Century American Modern Fletcher Martin Art

Materials

Silk, Screen

Reclining Nude
By Fletcher Martin
Located in Los Angeles, CA
FLETCHER MARTIN "RECLINING NUDE" OIL ON PANEL, SIGNED AMERICAN, C.1940 15.5 X 24 INCHES Fletcher Martin 1904-1979 Born Palisade, Colorado, April 29, 1904. Learned printing trade as a boy. Joined U.S. Navy in 1922, served four years. Worked at printing trade until 1935, painting in spare time. Artist war correspondent for Life Magazine, covered African campaign, 1943; Normandie campaign, 1944. First Exhibit at Dalzell Hatfield Galleries in 1933. First museum one-man show at San Diego Fine Arts Gallery in 1934. Holdings: Metropolitan Museum; Museum of Modern Art; Whitney Museum of American Art; Library of Congress; Rockhill Nelson Gallery in Kansas City; Los Angeles Museum; Florida Gulf Coast Art...
Category

1930s Art Deco Fletcher Martin Art

Materials

Panel, Oil

IN THE SUN
By Fletcher Martin
Located in Aventura, FL
Hand signed on front by the artist. Original acrylic and oil on masonite painting. Framed. Artwork is in excellent condition. Certificate of authenticity included. All reasonable ...
Category

1960s Contemporary Fletcher Martin Art

Materials

Masonite, Oil, Acrylic

AMERICANA # 2
By Fletcher Martin
Located in Santa Monica, CA
FLETCHER MARTIN (1904 – 1979) AMERICANA #5 c. 1940 Lithograph, probably a very rare small edition. Possibly a study or detail of a mural. 13 5/8” x 10 ¾”. M...
Category

1940s American Modern Fletcher Martin Art

Materials

Lithograph

Mother and Child
By Fletcher Martin
Located in Miami, FL
Fletcher Martin was assistant to Mexican muralist David Alfaro Siqueiros in the early 193o's. This warm study of a Mexica mother playing with a child reflexes that influence in subj...
Category

1950s American Modern Fletcher Martin Art

Materials

Gouache

The Set Up
By Fletcher Martin
Located in Denver, CO
Framed dimensions are 29 x 32.5 inches. Provenance: Estate of the Artist About the Artist: Born in Palisade, Colorado, Fletcher Martin was given instruction in printmaking ...
Category

1930s American Modern Fletcher Martin Art

Materials

Lithograph

Indian Horses
By Fletcher Martin
Located in Santa Fe, NM
Signed lower left
Category

1950s Modern Fletcher Martin Art

Materials

Ink, Paper

Indian Horses
By Fletcher Martin
Located in Santa Fe, NM
Signed lower left
Category

1940s Modern Fletcher Martin Art

Materials

Paper, Ink

Los Angeles Harbor from the Roof of the Federal Building-San Pedro, circa 1935
By Fletcher Martin
Located in Denver, CO
Provenence: Estate of the Artist Ink and graphite on paper. Housed in a custom frame with all archival materials. Outer dimensions are 23 x 39.75 x 1.5 inches; image measures 13...
Category

1930s American Realist Fletcher Martin Art

Materials

Mixed Media

Fletcher Martin art for sale on 1stDibs.

Find a wide variety of authentic Fletcher Martin available for sale on 1stDibs. If you’re browsing the collection of art to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of blue and other colors. You can also browse by medium to find art by Fletcher Martin in paint, oil paint, canvas and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large Fletcher Martin, so small editions measuring 6 inches across are available. Customers who are interested in this artist might also find the work of Anthony Ackrill, Ernest Hamlin Baker, and Raymond Logan. Fletcher Martin prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $75 and tops out at $20,000, while the average work can sell for $4,800.

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