Georgina Lara Art

The English Hunting Party late 20th century signed oil on canvas, framed framed: 21 x 25.5 inches canvas: 16 x 20 inches provenance: private collection, UK condition: very good and s...

The Huntsman English School, mid 20th century (painted in an earlier style) oil on board, framed framed: 17 x 21 inches board : 13 x 16 inches provenance: private collection, UK cond...

A 19th century portrait of a dark bay horse standing in an extensive English landscape by David Dalby of York (fl.1797-1836). Oil on canvas in a giltwood p...

As one of the first, and most important, American Impressionists, Theodore Robinson helped to introduce the French style to American artists and audiences.

Haystacks in a field in the summer sunshine. As a youth, he dedicated his spare time to drawing and sketching various views of the city and countryside surrounding Paris. Largely ...

Signed lower right: G.W. Sotter; on verso: MINER HILLARD / MILLING Co.

Exhibited: London, Royal Academy, 1800, no. 93 What was happening in British history painting in around 1800? In recent discussions of the emergence of a British School of history painting following the foundation of the Royal Academy in 1768, this is a question which is rarely posed and one which is not easily answered. Examination of surviving Royal Academy exhibition catalogues reveals a profusion of artists’ names and titles, few of which remain immediately recognizable, whilst endeavours to explain the impact of exhibition culture on painting - such as the 2001 Courtauld show Art on the Line - have tended to focus on the first and second generation of Royal Academician, rather than young or aspiring artists in the early nineteenth century. This makes the discovery and identification of the work under discussion of exceptional importance in making sense of currents in English painting around 1800. Executed by Edward Dayes...

Horse and Sulky reminiscent of Currier and Ives by George Christopher Horner (1821-1881), British artist, imported by Saltire Gallerie. Signed and da...

The Fox Hunt English artist, 20th century oil on board, framed framed: 15 x 16.5 inches board: 10 x 12 inches provenance: private collection condition: very good and sound condition ...

This wonderful 17th century Old Master religious oil painting is attributed to Dutch Golden Age artist Benjamin Gerritsz Cuyp. Painted circa 1633 it is entitled The Annunciation to t...

James Seymour (1702–1752) Feeding Time in the Stables Oil on canvas 32 x 38 inches inc. frame Provenance: Private Collection, Lambourn James Seymour (1702–1752) was an English painter, widely recognized for his equestrian art. Seymour was born in London. His father was an amateur artist and art dealer, whose other business dealings (as a banker, goldsmith, and diamond merchant) afforded young Seymour the leisure time to study art on his own, either his father's or the art at the Virtuosi Club of St. Luke - a gentleman's club his father belonged to, specializing in art. In a short time the boy was a self-taught artist, familiar with many of the prominent artists of the period. Seymour's love of art was matched only by his love of horses. He began spending time at racetracks early on, and before long found himself absorbed in the sport - drawing, painting, owning, breeding, and racing horses. His art proved popular among the prominent sporting families of the day, eventually garnering Seymour patrons in Sir William Jolliffe and Charles Seymour, 6th Duke of Somerset...

Circle of George Morland (British, 1762 – 1804) A grey horse at an encampment Oil on board Indistinctly with signature (lower left) 12.1/8 x 10in. (31 x 40.8 cm.)