Giacomo Cometti Furniture

Pair of lounge and comfy leather Coronado armchairs design by Afra & Tobia Scarpa for B&B Italia.

A charming primitive stump chair made in solid pine. Hand carved by an unknown Swedish cabinetmaker in 1960s. A lovely wabi sabi piece for the modern interior. This appealing chair ...

This hand-carved and blackened reclaimed oak chair, designed by Rooms Studio (from their 2018 Wild Minimalism collection), is inspired by the legacy of traditional Georgian craftsmanship. The Sculptural Chair is meticulously handcrafted of ancient wood, and features a diamond shape cut-out on the top rail, which is curved gently, cradling the back, with a round seat and circular cross stretcher. About the Design Studio: Works of Rooms Studio refers to the sculptural forms and abundant materials in juxtaposition with the feminine instincts. Born and raised in Tbilisi, Georgia, the duo behind the Rooms, Nata Janberidze and Keti Toloraia, lean towards preserving the inherited craftsmanship techniques unique to the region. Massive wood and stone objects are hand-crafted using traditional techniques to create raw and symbolic forms often rooted in the designers' childhood memories. Growing up in a culturally diverse environment, where the two worlds - Western and Eastern collide, remarkably influenced their design language. Over the years, Rooms has created eight independent collections and collaborations equally memorable and representative of the duo's perpetual mission to bring life to omitted elements of a former life. Through their series of works, Janberidze and Toloraia try to examine the boundaries between the public and private. Experiencing adolescent years in the 90s - a significant decade of cultural and societal shifts - their work is a narrative of personal experiences of womanhood. By contrasting the new feminine monumental shapes with architectural brutality, Rooms challenges the status quo and also bridges the conventional and contemporary design with a confluence of female energy. The work of Rooms Studio has concerned itself with questions of nomenclature since the Tbilisi-based design atelier was co-founded by Nata Janberidze and Keti Toloraia in 2007. Take, for instance, the studio’s name: in adopting the basic unit of interior space as the title of their practice, Janberidze and Toloraia also emphasized the emotional force of interiority and inner life in determining their creative output. The studio’s largest U.S. exhibition to date, "Distant Symphony," expands upon this impulse to focus inward. The title is again a chief concern—some of the objects included here were designed during the global pandemic, under a regime of forced isolation that made the studio’s typically collective work process untenable. The pieces shown here are the results of Rooms’ search for a way forward. The first room, an antechamber of sorts, evokes the intimate quality of a private home. Shown here are trinkets and personal effects chosen by Janberidze and Toloraia for their emotive qualities; a low background noise emphasizes the climate of urban domesticity. The ensuing gallery space features highlights of Rooms’ recent design output. Here, the subtle scent of organic materials provides a sensory indication of the atelier’s interest in dichotomies: natural and man-made, personal and collective, local and cosmopolitan.   In light of the global circumstances, Janberidze and Toloraia felt it was especially important to pursue collaborative work. Rooms invited three artists—Shotiko Aptsiauri, Salome Chigalashvili and Mariana Chkonia—to conduct a dialogue and shared design process. As such, this exhibition is a kind of polyphonic meditation on a need for solitude and desire for companionship. The practice of polyphonic singing, essential to Georgian folk culture, is reinterpreted here as a design endeavor. Chigilashvili, working with unprocessed yarn, interpreted folk motifs by adapting embroidery to the scale of furniture with expansive stitches applied to painted boards...

Classic collectible chair by famous German-Austrian cabinetmaker Michael Thonet. Bentwood frame with hooped legs. The seat is embossed with a decorative floral motif.  

Elegant pair of rattan and bamboo chairs. Made in Italy. Very good vintage condition. Great scale.

A vintage chair attributed to Fischel featuring a carved wooden frame, intricate decorative seat back and cane seat. This piece is documented in the F...

A superb pair of modern angular club armchairs. High quality handmade beech frames and sprung seats. Newly upholstered in a premium ivory, soft, pure alpaca wool fabric. Fast shipp...

A lovely pair of Art Nouveau/ Secessionist cushioned side chairs; the backs featuring butterfly padded rests. The Art Nouveau movement blossomed in Vienna, Austria at the turn of the...

This chair with its long, narrow, elongated shape was crafted from a single palm tree trunk. A wonderful palm wood texture adorns this chair. A wonderful object that is both organic ...

Design and original lounge armchair with cane and natural rattan airy structure.

This pair of late nineteenth century French opera chairs is constructed of solid walnut and features hand carved Louis XVI style knotted ribbons at ...

Outstanding Antique pair of Victorian carved walnut chairs with outstanding carved detail to the lovely shaped backs, one with carved shaped arms, carved rounded front rail standing ...