Gilou Brillant Furniture

Original antique French etchings in their original gilt frames that would be awesome used in most any room of the home.

Etchings Set of 3 Modern Etchings framed. Column Architecture Italian Midcentury Modern 1960s. No further information. The frame Measures: 30.38 tall x 15.63 W x 1D The art measures:...

Vintage 1967 original etching named signed and numbered "Nocturnal Abode" #3/7 H. Valoff 1967. 1967 Original etching by Artist H. Valoff Is Framed And Ready To Hang. Nocturnal Ab...

A delightful colored etching of a "scratch pack" group including child on pony and pack of different variety of dogs in a rich landscape. Engraved from the original picture in the co...

Louis Icart (1888-1950). Etching on paper. "Départ". Approx. 1920. Visible dimensions: 42 x 30 cm. Total dimensions: 52 x 40 cm. Signed in pencil. In excellent condition.

Louis Icart (1888-1950). Etching on paper. "Arrival". Approx. 1920 Visible dimensions: 42 x 30 cm. Total dimensions: 39 x 49 cm. The frame measures: 7 cm. Signed in pencil. In e...

Carl Bloch (1834–1890). Etching on paper. "Konen med spurvene" (The Woman with the Sparrows). Dated 1886. In good condition with a minor tear at the top of the paper. See photo. Sign...

Pair of French etchings in nice wood gold frame. We have other similar set in our listing so collect them all. Art piece: 12.5" x 9"

18th century German, a hand-colored engraving of a dressage horse and rider from Description du Manège Moderne by Friedrich Wilhelm, Baron Rais d' Eisenberg (German, ca. 1700-ca. 1770). Engraved by Bernard Picart (French, 1673-1733). Titled "Le Brillant", this dressage engraving is plate XXXIII. There is a gallery label verso. The print is matted and framed under UF-3 plexiglass, which offers the maximum amount of UV protection (approx. 97%). This print was originally part of an illustrated book Baron d'Eisenberg made describing the art of the cavaliers and depicting the different breeds of horses- The full title of the book is L'Art de Monter a Cheval: ou Description du Manége Moderne, Dans sa Perfection, published in Leipzig: Arkstée et Merkus, 1747). A set of 7 framed engravings from the same book sold at Sotheby's for $9,500 (plus tax and buyers premium). Reference: The author, a German horseman and artist, spent some of his youth at the manège of Saxe-Weimar before entering into the service of the Emperor. He then spent six years in Naples as the Master of Horse of the Viceroy before returning to Vienna where he studied under M. de Regenthal, the imperial Master of Horse. He participated in the coronation of the Emperor Charles V at Frankfurt in 1711, then spent some time in England, but was back in Germany before 1753. He probably died in Tuscany where he was Director and Master of the Horse at the Academy in Pisa. Brunet II, 957; Mennessier de la Lance I, p. 438. The Baron wrote several important and lavishly illustrated books on horses: his Description du manège moderne dans sa perfection, London 1727, and Dictionnaire des termes du manège moderne, 1747, being the best well-known. He dedicated Description du Manège Moderne to King George II and to his son, His Royal Highness the Prince of Wales. Subscribers to the book included royalty and nobility from all over Europe. The engraver was Bernard Picart, born in Paris in 1673. He gained honors at the Academy of Paris at the age of sixteen. He was a master designer and engraver and worked in Paris and Amsterdam until his death in 1733. Dimensions: 9"h x 12"w (sight), 16.5"h x 19.25"w (frame) Condition: Good, some rippling to sheet, not examined out of frame. Provenance: Lombard Antiquarian Maps & Prints, Cape Elizabeth...

An emotional etching on Ingres d’Arches off-white laid paper paper titled “The Artist’s Mother with Her Hand on Her Chest” by Rembrandt Van Rijn. Created in 1631. A 20th/21st Century impression printed by Marjorie Van Dyke. From the “Millenium” edition limited to 2500 examples. In this poignant portrait, Rembrandt captures his mother’s careworn face and tender expression as she is found in contemplation, her eyes cast downward. The position of her hand upon her chest suggests the importance of her thoughts and closeness to her heart. The darkly etched dress and veil heighten the drama of the image, and the curve of the veil around and over her face creates an angelic effect, reinforced by the light behind. In 1589, Rembrandt’s mother...

Louis Icart (1888-1950). Etching on paper. "Look". Dated 1928. Visible dimensions: 46 x 35 cm. Total dimensions incl. passepartout: 67 x 49 cm. The frame measures: 2 cm. In exc...

Abstract eching on paper. Signed Garcia, numbered 26/100 in pencil along lower margin. Unframed, image size 15.75" x 16". mounted on foam core backing, wear tear to backing edges.