Hasegawa Gasen Furniture

Wabi Sabi vase perfect for a single stem or small bouquet. Available in Golden bronze or matte white on dark clay. Vase is low and wide, and each is truly one-of-a-kind though they a...

The Dual Flow vase stands out due to its exceptional blend of classic European form and the delicate aesthetics of Japanese ikebana. Its distinctive shape allows for the creation of ...

Vintage black ceramic Japanese Ikebana vase. Unsigned. No chips or cracks. The sculptural piece is in fantastic shape.

1960s Patinated bronze vase by Carl Sorensen.

One-of-a-kind raku-fired vase. Wide and low with a small foot, and small opening. Made in our Brooklyn studio then fired in a New Jersey back yard, All dimensions are approximate...

Beautiful blazing red bronze color from Japan From Japan comes this gorgeous big heavily hand cast bronze vase with a special brilliant blazing red "murashido" finish. This eye ap...

Modernist Ikebana vase with multiple openings and a textured surface. Retains the original label on the bottom. Japan, 1950s.

Incredible pair of postmodern Ikebana vases by Studio Nova Japan. This rare and beautiful vintage piece is an original from which current styles are derive...

Modernist Ikebana vase with a textured surface. Retains the original Toyo label on the bottom. Japan, 1950s.

A set of three hand-thrown Ikebana vessels from Japan. Black glaze on a stoneware body. Retains the original label. 1960s.

Beautiful Patinated bronze Vase by Ystad Brons, Sweden, from the 1940s. Elegant patinated bronze vase with handles marked "Ystad Brons" underneath. Great condition.

A tall ceramic vase made in the tradition of Shigaraki ware by Japanese potter Takahashi Shunsai (1927-2011), the fourth heir of the famed Rakusai lineage of potters. The vase is heavily potted in the reddish sandy Shigaraki clay. It has a Classic vase form made for Ikebana display. The surface is thickly draped with natural ash glaze that deposited onto the body during the firing process in the kiln. It also features decoration of carved lines. Nuggets of feldspar were incorporated in the clay and exposed onto the surface as crystal like jewels. Substantial and archaic looking, the vase also has a strong modern appeal due to its Mingei styling. It was signed on the base with a pressed seal Shunsai as shown. The vase comes with its original wood storage box (tomobako) with bears the title and signature in Kanji and a seal. It also retains a paperwork noting the artist's biography and practice philosophy in Japanese. Born in Shigaraki, Shunsai was the second son of renowned potter Takahashi Rakusai...