Henri Mars

Beautiful oil painting on canvas signed and dated 1939s. Excellent pictorial quality Italian school. Beautiful landscape of southern Italy in a summer day. Sold without frame. Attent...

powerful work “Snake in wonderland” by Ernst Vijlbrief (1938-2010). The expressive brushstrokes are typical for the style of Vijlbrief, connecting him to CoBrA and the expressive action paintings of Karel Appel. This small work is a great example of the early style of Vijlbrief and a highly collectible piece. Signed in top corner and verso signed, dated and titled. Ernst Vijlbrief, born November 25th, 1934, in Utrecht studied at the Institute for Applied Arts Education in Amsterdam and at the Academia di Porta Romana in Florence (1956-1959). In the late fifties, after moving to Amsterdam in 1958, he painted in an expressive style, similar to CoBrA. In 1961 he took part in the large exhibition “Jongere Nederlandse schilders, beeldhouwers en architekten: Liga Nieuw Beelden” in the Stedelijk Museum Amsterdam. Next to his work as an artist, Vijlbrief was an engaged board member of several artist associations, like the Beroepsvereniging van Beeldende Kunstenaars (Professional Association of Visual Artists). In 1973 he cofounded Bond van Beeldende Kunstarbeiders (BBKA) in Utrecht, with artist Bob Bonies. His work is held in collections of the Stedelijk Museum in Amsterdam, the Cobramuseum in Amstelveen, Stedelijk Museum Schiedam, The Rijksmuseum Amsterdam and The Ferens Art Gallery UK. Vijlbrief died at the age of 76 in 2010. “Snake in Wonderland”, signed front and signed & dated verso DIMENSIONS h 45 cm w 45 cm d 2 cm PERIOD 1960s / 1964 PLACE OF ORIGIN The Netherlands PROVENANCE private collection, NL MATERIALS oil on canvas in modern frame CONDITION fair original and untouched condition, with craquelé and some minor paint loss due to its age. Please note: This is a unique vintage item...

Troels Marstrand said Jacques Mars, The Kiss, Oil on canvas, Danish, circa 1970. Height: 44 cm, length: 62 cm, thickness: 3 cm. Born June 20, 1919 in Copenhagen, died in Nice ...

Large painting. Oil on canvas. "Rigueur et Decontraction" Height 130 cm, width 195 cm. Illegibly signed. Dated 30/4/88

Gabriel de Jongh (SA 1913 - 2004) Oil on Canvas, Mountain Landscape or Seascape, Repaired A vibrant and beautiful mountainous landscape signed and dated, Gabriel Cornelis de Jongh (...

Striking Calla Lily print on canvas. Signed S. Kenny ‘81. Beautiful capture of the allure of the Calla Lily with superb coloring. Natural wood frame with brass piping. Curbside to NY...

Large and powerful piece by Dutch artist Joop Vreugdenhil. A piece from his early career. Although abstract in composition, upon a closer look one can see hints or architecture Abou...

About the artist. Born in 1970, Marc Le Rest is a French born artist who turned his back to a promising career within the Holy Church to dedicate himse...

Fine nature morte painting, signed and dated '31, oil on canvas.

Mixed Media Oil and Ink on Canvas Painting Attributed to Philippe Henri Noyer, signed 'Ph Noyer' lower right, titled on the stretcher "Daphne à la fontaine" Philippe Henri Noyer wa...

Signed dated ad titled “The Irresistible Landscape”. This painting was personal to the artist as Brook was born on July 14, 1898 ad at the age of twelve was bed-ridden with Polio. This painting is a self-portrait showing the artist looking out the windows of the room he rarely was able to leave. This painting was exhibited at the Pennsylvania Academy of Fie Arts ad the Ogunquit Museum Of America Art, exhibition tags from both institutions are attached to the stretcher en verso. Born in Brooklyn, New York, Alexander Brook was a realist painter, whose works consisted mostly of still-life subjects, landscapes, and figures, often of women. He was very successful in his day, winning second prize to Picasso's first prize at the Carnegie Institute International Exhibition of Modern Painting in 1930. In New York, he studied at the Art Students League between the years of 1914-1918. It was at the Art Students League that Brook developed significant relationships with Niles Spencer, Reginald Marsh, Kenneth Hays Miller, Yasuo Kuniyoshi and, perhaps most significantly, Peggy Bacon, whom he married in 1920. Along with Kenneth Hayes Miller, Brook studied with John C. Johansen, Frank V. DuMond, George Bridgeman and Dimitri Romanofski. Within this group lay the foundations of American Realism. Brook was a member of the Society of Independent Artists, who rebelled against the strictures of the National Academy of Design. In 1938 Brook traveled to Savannah, Georgia, there he did some of his most provocative work. After two years in the South, Bacon and Brook were divorced. Brook later married the painter Gina Knee. During the years 1928 through 1939, Alexander Brook had works in over one-hundred exhibitions, fifteen of which were one man shows. By 1942, Brook had resumed teaching at the Art Students League. Demand for the artist's work kept him in significant collections, galleries, and museums, including the Downtown Gallery (New York), the National Academy of Design, the Rehn Gallery, the Larcada and the Knoedler galleries. Some feel Brook may have retreated from the art world with the rise of Abstract Expressionism, although a sketchbook that he kept from 1949 to 1951 reveals an active engagement in painting and served multi purposes--a repository for his ideas, an address book, notebook, and travel diary. Of special interest are his notes on watercolor technique. It also includes tips for using new painting tools...

Uno Vallman, oil on panel, signed and dated 1967. 37x45 cm Uno Vallman's works are included in the Swedish National Museum, The Swedish Modern Museum, and some other museums. His works are also included in the collections of Lyndon Johnson...