Jabik & Colophon Furniture

Abstract art print by Leticia Gagetti, printed on 260g high-quality paper with a matte finish that ensures vivid and saturated colors. Crafted through...

This original English 1960's small panel poster is advertising express coach services to London. This rare poster would have been displayed in travel offices and in coaches or buses ...

This classic David Hockney image was produced for the 1972 Olympics held in Munich from 26 August to 10 September. The XX Olympiad had 195 sporting events and over 7000 athletes atte...

Abstract art print by Leticia Gagetti, printed on 260g high-quality paper with a matte finish that ensures vivid and saturated colors. Crafted through giclée printing on museum-qual...

Original art poster depicting men playing petanque or boulle in Provence. Gabo is a Mexican artist living in Provence. This poster has very vivid colors,...

Original midcentury art exhibition poster from the Galerie Lovreglio in Nice, France depicting the work of Henri Maccheroni a French painter. Thi...

This original vintage poster is from the 1972 Olympic Games held in Munich, Germany. Posters were important for the marketing of this event, the XX Olympiad, which took place between...

Original midcentury J.M. Eckert landscape art poster from 1975 printed by Theiner in Nice, France. This is an original not a reprint and is signed by the artist. John Michael Ecker...

Original Barcelona Summer Olympic Poster for the XXV Games by Artist Robert Llimós. Robert Llimós was born on 19 October 1943 in Barcelona. ...

1960’s Psychedelic Pop Art Poster of King David and Son. Amazing colorful graphics of King David and his son. Attributed to artist Lee Conklin. In a ch...

Eduardo Arroyo Rodríguez (26 February 1937 – 14 October 2018) was a Spanish painter and graphic artist. He was also active as an author and set designer. Arroyo, who was born in M...

He began painting and writing in 1947 in Madrid while suffering from tuberculosis, having already been confined to his bed for five years. In his beginnings he created numerous drawings and paintings with a dreamlike surrealist character that most often represented imaginary landscapes, employing a flat smooth treatment that offers a rich palette of colors. He claimed Hans Arp and Yves Tanguy as his artistic influences. He stayed in Paris in 1952 and in 1954–1955 during which he met Benjamin Péret and associated with the Surrealists, although he soon parted with the group, joining instead the company of his friend the painter Simon Hantaï. Using the technique of scraping, he adopted a gestural style and created an abstract type of painting, still very colorful with an organic, aleatory design. The first appearances in his work of forms that will soon become archetypes of the female body or the human figure occur in the mid-1950s. Starting in 1956 Saura tackled the register of what will prove to be his greatest works: women, nudes, self-portraits, shrouds and crucifixions, which he painted on both canvas and paper. In 1957 in Madrid he founded the El Paso Group and served as its director until it broke up in 1960. During this period Saura met Michel Tapié. During the 1950s he had his first solo exhibition at the Rodolphe Stadler Gallery in Paris, where he regularly exhibited throughout his life. Stadler introduced him to Otto van de Loo in Munich and Pierre Matisse in New York City, both of whom exhibited his work and represented him, and eventually his paintings were collected by major museums. Limiting his palette to blacks, grays and browns, Saura asserted a personal style that was independent of the movements and trends of his generation. His work followed in the tradition of Velasquez and Goya. Starting in 1959 he began creating a prolific body of works in print, illustrating numerous books including Cervantes's Don Quijote, Orwell's Nineteen Eighty-Four, Nöstlinger's adaptation of Pinocchio, Kafka’s Tagebücher, Quevedo’s Three Visions, and many others. In 1960 Saura began creating sculptures made of welded metal elements which represented the human figure, characters and crucifixions. In 1967 he settled permanently in Paris, and joined the opposition to Francoist Spain. In France he participated in numerous debates and controversies in the fields of politics, aesthetics and artistic creation. He also broadened his thematic and pictorial register. Along with his Femmefauteuil (literally "Womanarmchair"), he also worked on the series "Imaginary Portraits",and Goya’s Dog...