John Emanuel Art

"Sad Woman/Distant Man" illustrates Holly Roberts' shift from over-painting photographs to constructing photo-based images on top of abstract paintings. By combining the precision of photography with the expression of painting, Roberts marries objectivity with subjectivity, thus paralleling the dichotomy of human experience. Like much of Roberts' contemporary work, "Sad Woman/Distant Man" is a psychoanalytic interpretation of human experience, particularly unrequited love—A woman stares longingly at a disinterested man. The couple is composed of photographs of appendages both modern and medieval in execution, alluding to the immutability of unrequited love as a motif in art and literature. The work's underlying abstract painting figuratively functions as the uninterpretable gulf between the two lovers...

The "White Inferno" series features crafted mixed media artworks, blending diverse mediums to create intense visual compositions. Incorporating collage p...

Cindy Sherman Limited Edition Offset Lithograph on 200g Profisilk paper 33 × 23 1/4 inches Edition of 200 Limited Edition Offset Lithograph on 200g Profisilk paper Hand signed in re...

Hand signed & numbered by the artist. Sheet size: 33 x 26 inches. Image size: 25 x 19.75 inches. Edition of 250. Artwork is in excellent condition. Certificate of authenticity inc...

Hand signed & numbered by the artist. AP edition. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered.

Very stylish, unique and original 1930's French fashion design, no doubt of Parisian origin. The painting, executed in gouache/ watercolor and pencil, is dated to the upper corner ...

Marina Abramović The Cleaner, 2017 Offset Lithograph poster from this European exhibition 39 2/5 × 27 3/5 inches Unframed and unsigned About The Cleaner project - courtesy of the Louisiana Museum Marina Abramović has inscribed herself in the history of art as one of the pioneers of body and performance art, and since the 1970s – with her own body and energy as her primary material – she has developed one of contemporary art’s most radical and uncompromising practices. Abramović is best known for physically and mentally demanding performance works that are often transgressive and revolve around the body, gender, energy, time, pain, presence, and identity. Her performances range from powerful, violent, and risky actions to quieter exchanges of energy and meetings with the audience. And especially in recent years, we the audience have increasingly become key players in her works. The exhibition at Louisiana comprised more than 100 works and spans more than five decades – from early concept sketches, paintings and sound works to presentations of the artist’s performances – including her collaboration with former partner Ulay. Reperformances of an early work formed part of the exhibition as well. Marina Abramović – The Cleaner was developed in dialogue with the artist and organized by Moderna Museet, Stockholm, in collaboration with Louisiana Museum of Modern Art, Henie Onstad Kunstsenter and Bundeskunsthalle, Bonn. The performance part...

Very stylish, unique and original 1930's French fashion design, no doubt of Parisian origin. The painting, executed in gouache/ watercolor and pencil, is dated to the upper corner ...

Very stylish, unique and original 1930's French fashion design, no doubt of Parisian origin. The painting, executed in gouache/ watercolor and pencil, is dated to the upper corner ...

Donald Stacy "Purple Head" c.1950s Gouache and oil pastel on paper 13.75" x 17" unframed Unsigned Came from artist's estate Donald Stacy (1925-2008) New Jersey Studied: Newark School of Fine Art The Art Students League Pratt Graphic Arts Center University of Paris 1953-54 University of Aix-en-Provence 1954-55 Faculty: Art Department of the New School Museum of Modern Art School of Visual Arts Stacy Studio Workshop Exhibitions: Grand Central Moderns George Wittenborn The New School Print Exhibitions, Chicago University of Oklahoma Honolulu Museum Monclair Museum Wisconsin State College Louisiana Art Commission Philadelphia Print...

Male nude lithograph by Trevor Southey. Charcoal gray. There was also an edition done in terra cotta. Trevor Southey was born in Rhodesia, Africa (now Zimbabwe) in 1940. His African...

Magnus Gjoen, Samuel, 2022 Archival pigment ink on cotton rag paper Sizes Available: Small : 40 x 100 cm (15.74 x 39.37 in) Limited edition of 25 Large: 70 x 170 cm (27.55 ...