John Marin Art
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"New York from the Ferry" John Marin, American Modernism Watercolor, Cityscape
By John Marin
Located in New York, NY
John Marin
New York from the Ferry, 1914
Signed and dated lower right
Watercolor and graphite on paper
11 x 12 3/4 inches
Provenance:
An American Place, New York
Kennedy Galleries, Inc., New York
Christie's, New York, March 16, 1990, Lot 278
Private Collection (acquired from the above)
Sotheby's New York, American Paintings, Drawings, & Sculpture, October 2, 2014, Lot 10
A major figure in early twentieth-century modernism, John Marin captured the colliding energies of the American urban scene and the vibrant contrasts of natural elements in the coastal landscape of Maine and other countryside locales. As one of the premier watercolorists of his era, Marin developed a light, spontaneous style ideally suited to conveying the freshness and flux of city and country experience -- his watercolors are often considered to match in strength those created by Winslow Homer in previous century. At the same time, Marin's sensitivity to mass, form, color, and line and their dynamic interchanges provided a precedent for the Abstract Expressionist movement of the late 1950s.
Marin was born in Rutherford, New Jersey, to a family of European descent. After studying mechanical drawing and mathematics for half a year at the Stevens Institute of Technology in New York, Marin worked as a draftsman for several architects. It was not until he was almost thirty years old that he began to study art. He enrolled at the Pennsylvania Academy of the Fine Arts in Philadelphia from 1899 to 1901, and at the Art Students League in New York from 1901 to 1903, where his teachers were William Merritt Chase and Frank Vincent Dumond. While Marin was attending the League, the radical ideas of Arthur Wesley Dow were being disseminated and had an impact on the direction Marin would soon take in his art.
Marin left for Europe in 1905. The next five years, which he spent abroad, were of tremendous importance to his career. He became a significant figure in the expatriate community in Paris, frequenting the Dôme, a café that served as a meeting place for artists and writers. While in Europe, Marin visited the Louvre and the Rijksmuseum in Amsterdam and, despite his claims that he had been indifferent to the Paris art world, he undoubtedly became aware of the art of Paul Cézanne and Henri Matisse. The works Marin created in Europe most strongly reflect the influence of James McNeill Whistler, especially the pastels he rendered in Venice.
In the summer of 1909, Marin met Alfred Stieglitz in Paris. In February of the next year, Marin's work was shown along with that of Alfred Maurer at Stieglitz's gallery, 291. After returning to America in the following year, Marin became one of the most consistent members of Stieglitz's inner circle, showing at all three of his galleries -- 291, The Intimate Gallery, and An American Place. After 1910, Marin developed the routine that he would follow for the rest of his life, creating paintings, drawings, and prints in New York City and surrounding areas during the winter, and in the summer, traveling to the country, where he focused on the particular characteristics of the regions that he visited. He worked mainly in watercolor until 1928, when he began also to use oil.
Marin never became purely abstract. He formulated a unique style melding influences of the art of the French Fauves, Cézanne, Matisse, and the French Cubists with a personal style of luminescent colors, agile brushwork, and a simultaneously delicate and strong handling. In city views, he used broken lines, a light touch, fluid color, and rhythmic compositions to convey what he described as the "great forces at work." He expressed the warring of the great and the small through relationships between masses. As he said, he sought to express the "pull forces" of the modern urban scene. Often portraying the new tall buildings of New York seen...
Category
1910s American Modern John Marin Art
Materials
Paper, Watercolor
Meaux Cathedral II
By John Marin
Located in Middletown, NY
Paris: Gazette de Beaux Arts, 1907. Etching with aquatint on cream wove paper, 8 7/8 x 11 1/2 inches (225 x 292 mm), narrow lefthand margin, with a full margin with a deckle edge on ...
Category
Early 20th Century English School John Marin Art
Materials
Handmade Paper, Etching, Aquatint
Woolworth Building, No. 2
By John Marin
Located in New York, NY
A superb, richly-inked impression of this extremely scarce etching and drypoint. Second state (of 2). Edition of approximately only 10. Signed in pencil by Marin. Published by Alfred...
Category
1910s Modern John Marin Art
Materials
Drypoint, Etching
Quartier de la Maison Blanche
By John Marin
Located in New York, NY
A superb, dark impression of this extremely scarce, early etching on Japan paper. Edition of approximately only 12. Signed and titled in pencil.
Category
Early 1900s American Modern John Marin Art
Materials
Etching
New York Street Movement and Figure - Architecture
By John Marin
Located in Miami, FL
This work by John Marin depicts an image of lower Manhattan which was Marin's more iconic subject matter. The work has a stellar provenance as well.
Provenance:
Kennedy Galleries
Richard York Gallery
ACA Galleries...
Category
1920s American Modern John Marin Art
Materials
Crayon
John Marin "Clock Tower of Santa Maria Zobenigo, Venice, Italy" Etching c.1907
By John Marin
Located in San Francisco, CA
John Marin "Clock Tower of Santa Maria Zobenigo, Venice, Italy" Original Pencil Signed Etching c.1907
Rare pencil signed etching by listed American artist John Marin (1870-1953)
Pl...
Category
Early 20th Century Impressionist John Marin Art
Materials
Etching
St. Germain-Des-Pres, Paris
By John Marin
Located in New York, NY
John Marin (1870-1953), St. Germain-Des-Pres, Paris, etching, 1906. Signed in pencil lower right and titled lower left [also signed and dated in the plate]. Zigrosser 47, only state,...
Category
Early 1900s American Impressionist John Marin Art
Materials
Etching
Study for Mid-Manhattan II
By John Marin
Located in Fairlawn, OH
Study for Mid-Manhattan II
Oil and graphite on paper, mounted to board, 1932
Signed by the artist in pencil lower right
Sight size: 8 1/2 x 7 inches
One of a series of studies for th...
Category
1930s American Modern John Marin Art
Materials
Oil
CANAL BRIDGE AMSTERDAM
By John Marin
Located in Santa Monica, CA
JOHN MARIN (1872 -1953)
CANAL BRIDGE AMSTERDAM, 1906 (Zigrosser 13 i/ii)
Etching, drypoint and plate tone. A PROOF IMPRESSION of the 1st state, Annotated...
Category
Early 1900s American Impressionist John Marin Art
Materials
Etching
Brooklyn Bridge No. 6 (Swaying)
By John Marin
Located in New York, NY
John Marin (1870-1953), Brooklyn Bridge No. 6 (Swaying), 1913, Etching.
Z112. Edition c. 12 (Steiglitz); 1924, unknown but small (New Republic). Signed in pencil. Signed and dated...
Category
1910s Cubist John Marin Art
Materials
Etching
Ponte di Donna Onesta, Venice
By John Marin
Located in Missouri, MO
Very rare etching by John Marin.
"Ponte di Donna Onesta, Venice" 1907
Original Etching
Hand Signed Lower Right
Titled Lower Left
Edition: c. 30
Cat. Rais: ...
Category
Early 1900s Abstract John Marin Art
Materials
Etching
Downtown, The El
By John Marin
Located in New York, NY
John Marin (1870-1953), Downtown, The El, etching, 1921, signed in pencil lower left (also signed and dated in the plate). Reference: Zigrosser 134, only state. Published initially by Alfred Stieglitz and then included as part of the Folio of American Etchings by the magazine The New Republic in 1924, in an edition of unknown size but probably above 500. In very good condition, the full sheet, on Van Gelder wove paper, 6 3/4 x 8 3/4, the sheet 11 x 13 3/4 inches.
Provenance: Hirschl and Adler Galleries, Inc., New York, New York.
A fine bright impression.
Initially the New Republic Set, sometimes known as Six American Etchings, contained Marin’s Brooklyn Bridge No. 6 (Swaying) (Zigrosser 112). But after a small number of sets were completed, Downtown the El was substituted for Zigrosser 112 (and so the number of Downtown The Els in the set would have been a bit fewer than the others in the set). Zigrosser, who apparently had not seen a complete set at the time he created the catalogue raisonne, conjectured that the substitution might have been because the original plate was damaged. But since the printer, Peter Platt, was the most renowned artist’s printer of his time, and worked alone, it is unlikely that he would have damaged the plate; a more likely possibility is that he switched to a print that was more comparable in size to the others in the set (The Brooklyn Bridge print...
Category
1920s Futurist John Marin Art
Materials
Etching
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Chaim Gross (March 17, 1904 – May 5, 1991) was an American sculptor and educator.
Gross was born to a Jewish family in Austrian Galicia, in the village of Wolowa (now known as Mezhgorye, Ukraine), in the Carpathian Mountains. In 1911, his family moved to Kolomyia (which was annexed into the Ukrainian USSR in 1939 and became part of newly independent Ukraine in 1991). When World War I ended, Gross and brother Avrom-Leib went to Budapest to join their older siblings Sarah and Pinkas. Gross applied to and was accepted by the art academy in Budapest and studied under the painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna, Austria shortly before immigrating to the United States in 1921. Gross's studies continued in the United States at the Beaux-Arts Institute of Design, where he studied with Elie Nadelman and others, and at the Art Students League of New York, with Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky, at the same time as Moses Soyer and Peter Blume.
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![San Marco [Venice].](https://a.1stdibscdn.com/william-walcot-prints-works-on-paper-san-marco-venice-for-sale/a_3352/a_101504721690399029260/sanmarcoimage3_master.jpg?width=240 "ribasan")
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SOLO EXHIBITIONS
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2011 Ron Pokrasso and Colleagues: Quad Gallery, Riverside, CA
2010 Zane Bennett Gallery, Santa Fe, NM
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2007 Denise Roberge Gallery, Palm Desert, CA
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2005 Deloney Newkirk Gallery, Santa Fe, NM
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2001 Deloney Newkirk Gallery, Santa Fe, NM
2000 Deloney Newkirk Gallery, Santa Fe, NM
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1998 Patricia Carlisle Fine Art, Santa Fe, NM
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1991 Works on Paper: Wenniger Graphics, Boston, MA
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1990 Works on Paper: White Gallery, Tbilisi, Georgia, USSR
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1989 Recent Work: Riverside Art Museum, Riverside, CA
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198813Recent Prints: Wenniger Graphics, Boston, MA
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2013 Revisiting: Ten Years of the Visiting Artist Series at ASLD, Carson Gallery, Denver, CO
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2012 Mentors and Makers: Rochester Contemporary Art Center, Rochester, NY
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2010 Great Impressions- The Print Club of Rochester Turns 80: Memorial Art Gallery, Rochester, NY
123456Visual Arts Faculty, Parks Exhibition Center, Idyllwild, CA
123456September Special- Arts Exclusive Gallery, Simsbury, CT
2009 Comfort Food: Jennie Cooley Gallery, Santa Fe, NM
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2008 Process/ Image/ Print: O’Sullivan Art Gallery, Regis University, Denver, CO
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199956Craighead Green Gallery, Dallas, TX
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Late 20th Century American Modern John Marin Art
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Etching
Previously Available Items
Brooklyn Bridge, No. 6 (Swaying)
By John Marin
Located in New York, NY
A dark, richly-inked impression of this extremely scarce etching. Edition of approximately only 12. Signed in pencil. Published by Alfred Stieglitz, 291 Fifth Avenue, New York.
Cat...
Category
1910s American Modern John Marin Art
Materials
Etching
"Looking out the Window, West Point, Maine, " John Marin, Modernist Landscape
By John Marin
Located in New York, NY
John Marin
Looking out the Window, West Point, Maine, 1914
Signed and dated at lower right: Marin 14 // inscribed in Alfred Stieglitz's hand on an original label affixed to the reverse: Looking out the Window, Deer Isle— [sic] / Maine / by John Marin— / 1914
Watercolor and graphite on paper
19 1/2 x 15 3/4 inches
Provenance:
The artist
An American Place, New York, circa 1935
Dorothy Norman...
Category
1910s Modern John Marin Art
Materials
Watercolor, Graphite, Paper
Downtown, the El — early 20th-century modernism
By John Marin
Located in Myrtle Beach, SC
John Marin, 'Downtown, the El', etching, 1921, Zigrosser 134. Signed in pencil. Signed and dated in the plate, lower right. A fine, richly-inked impression, with skillfully controlle...
Category
Early 1900s American Modern John Marin Art
Materials
Etching
"Delaware River Near Lambertville, New Jersey, " John Marin, American Modernism
By John Marin
Located in New York, NY
John Marin (1870 - 1953)
Delaware River Near Lambertville, New Jersey, No. 3, 1950
Watercolor, ink and pencil on paper
9 3/4 x 14 inches
Signed and dated lower right: Marin 50'
Prov...
Category
1950s American Modern John Marin Art
Materials
Paper, Watercolor, Gouache, Pen, Pencil
Downtown, the El
By John Marin
Located in Myrtle Beach, SC
John Marin, 'Downtown, the El', etching, 1921, Zigrosser 134. Signed in pencil. Signed and dated in the plate, lower right. A fine, richly-inked impression, with skillfully controlle...
Category
Early 1900s American Modern John Marin Art
Materials
Etching
THE LOBSTER FISHERMAN
By John Marin
Located in Portland, ME
Marin, John. LOBSTER FISHERMAN. Z.172. Etching, 1948. Edition of 125 published by Twin Editions in 1950. Signed in pencil, and titled, signed and dat...
Category
1940s John Marin Art
Materials
Etching
"The Coast, Maine, " John Marin Early American Modernism New England Seascape
By John Marin
Located in New York, NY
John Marin (1870 - 1953)
The Coast, 1914
Watercolor and pencil on paper
15 1/2 x 18 1/2 inches
Signed and dated lower right: Marin 14
Provenance:
Ferdinand Howald, Columbus, Ohio
C...
Category
1910s American Modern John Marin Art
Materials
Paper, Watercolor
"Delaware River Near Lambertville, New Jersey, " Mid-century Modern American
By John Marin
Located in New York, NY
John Marin (1870 - 1953)
Delaware River Near Lambertville, New Jersey, No. 3, 1950
Watercolor, ink and pencil on paper
9 3/4 x 14 inches
Signed and dated lower right: Marin 50'
Prov...
Category
1950s American Modern John Marin Art
Materials
Pencil, Paper, Watercolor, Gouache, Pen
Pont-Neuf, Paris
By John Marin
Located in Myrtle Beach, SC
John Marin's atmospheric evocation of the historic Pont Neuf, the oldest standing bridge across the river Seine in Paris
(the first stone was laid by Henry ...
Category
Early 1900s Post-Impressionist John Marin Art
Materials
Etching
DOWNTOWN SYNTHESIS
By John Marin
Located in Santa Monica, CA
JOHN MARIN
DOWNTOWN SYNTHESIS (Zigrosser 140)
Etching with tonal areas, 1925. Signed in pencil lower left, and titled lower right "Downtown N.Y."
Edition c. 20. RARE. Only 2 have a...
Category
1920s American Modern John Marin Art
Materials
Etching
MOVEMENT DOWNTOWN (Unknown Unique Example)
By John Marin
Located in Santa Monica, CA
JOHN MARIN (1872 – 1953)
MOVEMENT DOWNTOWN 1914, (Not in Zigrosser)
Etching, signed and titled in pencil. Signed & dated in the plate lower left. 8 3/8 x 6 5/8”, sheet, 11 ¼” x 9...
Category
1910s American Modern John Marin Art
Materials
Etching
Saint Paul’s New York City
By John Marin
Located in Fairlawn, OH
Signed lower right “Marin”
Provenance:
Estate of the artist
Kennedy Galleries, 1985
Jeffrey M. Kaplan Collection, Washington, D.C.
Illustrated: Kennedy Galleries
...
Category
1910s American Modern John Marin Art
Materials
Graphite
John Marin art for sale on 1stDibs.
Find a wide variety of authentic John Marin art available for sale on 1stDibs. You can also browse by medium to find art by John Marin in etching, aquatint, crayon and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large John Marin art, so small editions measuring 7 inches across are available. Customers who are interested in this artist might also find the work of John French Sloan, Howard Norton Cook, and Kerr Eby. John Marin art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $400 and tops out at $45,000, while the average work can sell for $7,750.