Joseph Brisot Art

Kerry James Marshall Keeping the Culture, 2011 Silkscreen and linocut in colors with full margins and deckled edges on Arches paper with full margins and deckled edges 20-1/4 x 30-1/4 inches Hand signed, titled and numbered 79/100 by Kerry James Marshall in graphite pencil on the front Published by Africa House International, Chicago Unframed Kerry James Marshall's 2011 "Keeping the Culture" is based upon the artist's eponymous painting done the year earlier. Marshall, along with his dealer, were voted by ArtReview the top two of the 100 most influential people in the art world of 2018 - even ahead of the #MeToo movement, and ahead of figures like Jeff Koons, Larry Gagosian and Eli Broad! His paintings now sell for tens of millions of dollars - after P. Diddy paid $21 million for a painting. The present work "Keeping the Culture" is an extremely desirable work of art and exemplifies Marshall's style. For a feature profile/article written for Marshall's first retrospective - a blockbuster show entitled "MASRY" at the Museum of Contemporary Art, LA, the Museum of Contemporary Art Chicago and the Met Breuer in New York, Barbara Isenberg of the LA Times wrote: ." The New York Times called the show “smashing” and its subject “one of the great history painters of our time.” The New York Review of Books and Artforum magazine put large images from the show on their January covers. “I’ve been acutely aware that museums are behind their academic colleagues in terms of thinking of representation and people of color,” MOCA chief curator Helen Molesworth says. “I find Kerry’s paintings ravishing — they are drop dead, great paintings — and they have an extra level of reward for people who hold in their heads a history of Western painting.” Marshall is a compelling storyteller, whether on canvas or in conversation. Talking at length during a visit to MOCA, he is easygoing but eloquent, recalling his neighborhood in Birmingham, Ala., where he was born in 1955, or about growing up black there and in Los Angeles. He remembers the names of teachers who encouraged him. Asked when he first began to notice a lack of black subjects...

MARIA STELMASZCZYK (born in 1983) Studies at the Faculty of Graphic Arts and Painting Laboratory of Woodcut Techniques and Artistic Book at the Academy of Fine Arts Władysław Strzemi...

In early February, running hares can be seen locally as they compete for females. They are huge and fast as they run across the fields. they form a frequent entertainment and have in...

The first crop to ripen is usually the barley. Hares can be seen running through it as it gives good cover for them. You need a keen eye to see these fast creatures, but a glance at ...

David Shrigley (British, b. 1968) The Moon Makes Us Crazy, 2022 Medium: Linocut on paper Dimensions: 41 x 31 cm Edition of 100: Hand-signed and numbered Condition: Mint

It is the night before Lent, the season when Catholics fast and abstain from pleasure in order to bring themselves closer to God. But it is Fat Tuesday, ...

David Shrigley
 White Elephant, 2021 Linocut on 300gsm Somerset paper.
 Paper size: 44 x 57 cm hand-signed and numbered by the artist edition of 100

Nelson Dominguez (Cuban, 1947) 'La mujer del café', 2012 Woodcut 124.5 x 84.5 cm. (49 x 33.3 in.) Edition of 10 Unframed

David Shrigley Particles of Truth, 2019 Medium: Linocut on wove paper Dimensions: 76 x 56 cm Edition of 125: Hand-signed and numbered Condition: Mint

Nelson Dominguez (Cuban, 1947) 'La mujer del tabaco', 2012 Woodcut 124.5 x 84.5 cm. (49 x 33.3 in.) Edition of 10 Unframed

Linocut, signed by the author, from the series " Where we are Heading?"

Artist: Alberto Magnelli, Italian (1888 - 1971) Title: II from La Magnanerie de la Ferrage Year: 1971 Medium: Linocut on Japon, signed in pencil Edition: Pour Leon Amiel Image S...