Joseph Pollet

"Bronze sculpture by Franz Bergmann, "The Sultan", Orientalist Art" Bronze sculpture "The Sultan" by Franz Bergmann, 19th century Orientalist Art. h: 6...

One of the rarest paintings from American artist Ron Blumbergs New York series, "Tug Boats", has just arrived. Ron Blumberg was classically trained at La G...

A Joseph Cuvelier (French 1833-1879) bronze equestrian model of a polo player, circa 1860, cast by H. Luppens & Cie, dark brown patina.

ANTIQUE ORIGINAL MARBLE SINK 19th Century Interesting sink from the end of the 19th century, made by copying the Kaolin sinks that appeared between ...

This cast bronze sculpture of the Venus de Milo dates to the 1860s-1880s and was cast by the F. Barbedinne foundry in Paris started in 1838 by Ferdinand Barbedienne and Achille Colla...

JOSEPH JOHANNES UPHUES German, 1850-1911 "Hercules and the Stymphalian Bird" or "The Archer" Patinated bronze signed to base in script "J. Uphues" and sealed with foundry cachet of Gladenbeck & Söhn conceived 1884, cast circa 1890-1910 Item # 301BVP23S A fluid and sinuous depiction of Hercules the moment after releasing an arrow from his bow to kill the Stymphalian birds...

Six O-Clock, c. 1942, oil on canvas, 30 x 20 inches, signed and titled several times verso of frame and stretcher (perhaps by another hand), marked “Rehn” several times on frame (for the Frank K. M. Rehn Galleries in New York City, who represented Craig at the time); Exhibited: 1) 18th Biennial Exhibition of Contemporary American Oil Paintings from March 21 to May 2, 1943 at The Corcoran Gallery of Art in Washington, D.C. #87, original price $450 (per catalog) (exhibition label verso), 2) Craig’s one-man show at the Frank K. M. Rehn Galleries, New York City, from October 26 to November 14, 1942, #10 (original price listed as $350); and 3) Exhibition of thirty paintings sponsored by the Harrisburg Art Association at the State Museum of Pennsylvania in Harrisburg in March, 1944 (concerning this exhibit, Penelope Redd of The Evening News (Harrisburg, Pennsylvania) wrote: “Other paintings that have overtones of superrealism inherent in the subjects include Tom Craig’s California nocturne, ‘Six O’Clock,’ two figures moving through the twilight . . . .” March 6, 1944, p. 13); another label verso from The Museum of Art of Toledo (Ohio): original frame: Provenance includes George Stern Gallery, Los Angeles, CA About the Painting Long before Chris Burden’s iconic installation outside of the Los Angeles County Museum of Art, Urban Light, another artist, Tom Craig, made Southern California streetlights the subject of one of his early 1940s paintings. Consisting of dozens of recycled streetlights from the 1920s and 1930s forming a classical colonnade at the museum’s entrance, Burden’s Urban Light has become a symbol of Los Angeles. For Burden, the streetlights represent what constitutes an advanced society, something “safe after dark and beautiful to behold.” It seems that Craig is playing on the same theme in Six O-Clock. Although we see two hunched figures trudging along the sidewalk at the end of a long day, the real stars of this painting are the streetlights which brighten the twilight and silhouette another iconic symbol of Los Angeles, the palm trees in the distance. Mountains in the background and the distant view of a suburban neighborhood join the streetlights and palm trees as classic subject matter for a California Scene painting, but Craig gives us a twist by depicting the scene not as a sun-drenched natural expanse. Rather, Craig uses thin layers of oil paint, mimicking the watercolor technique for which he is most famous, to show us the twinkling beauty of manmade light and the safety it affords. Although Southern California is a land of natural wonders, the interventions of humanity are already everywhere in Los Angeles and as one critic noted, the resulting painting has an air of “superrealism.” About the Artist Thomas Theodore Craig was a well-known fixture in the Southern California art scene. He was born in Upland California. Craig graduated with a degree in botany from Pomona College and studied painting at Pamona and the Chouinard Art School with Stanton MacDonald-Wright and Barse Miller among others. He became close friends with fellow artist Milford Zornes...

Mid Century figurative painting of a pensive sitting nude figure with moody, mid-century color palette in the background. Attributed to Elmer S. Albritton, unsigned (American, 1922-...

This is a wonderful pair of French bronzes, Lorenzo di' Piero de' Medici also known as Lorenzo the Magnificent, and his younger brother Giuliano. Lorenzo is the larger of the two figures measuring 8.3" in height and 3.7" wide, and 3.4" deep, Giuliano is 8" high and 2.7" wide and 3.2" deep. Both are modelled opposing, seated, and clad in armor. These bronzes are from the 19th century, but from differing parts of the century. The model of Lorenzo is late 19th century, and the quality of the casting is good but not as good as that of Giuliano who would appear to be from the mid part of the 19th century. They make a good companion pair, but did not form part of the same casting run, and have been later paired up. Both have great coloring, with a similar dark brown and green patina. Provenance: These were part of the Fulwood Collection The Fulwood Collection comes from a Grade II listed rectory in the North of England. Formerly the childhood home of Sir Douglas Bader. The rectory was acquired by the late owner approximately 15 years ago. The house was formerly split into two separate houses, and with care he lovingly refurbished it back into a single house and refurnished in a blend of the Grand Tour style with Welsh and English provincial tastes. This property contained fine furniture, works of art, paintings, ceramics and other miscellaneous items some of which have been purchased by  “The Englishman’s Antiques”

Signed Lower Left Poskas was born in Waterbury, Connecticut, a small industrial city set on the banks of the Naugatuck River. He was interested in art as a child, but on entering ...

Magnificent patinated bronze sculpture by Auguste Joseph Peiffer, 19th Century, signed. The piece features a seated maiden draped in Classical Greek attire. It is mounted on an eleg...

Bronze sculpture of the Artist Joseph Charles de Blezer. Bronze sculpture from the 19th century, Napoleon III period by Joseph Charles de Blezer (1828-1884).     h: 49cm , w: 21cm, ...