Jules-Alexandre Grün Art

A modernist lithograph by American artist Stuart Davis. In this cityscape of Paris he begins to show his inclinations towards Cubism, with the slightly skewed perspective and the fla...

Alphonse Mucha worked mainly as a poster artist and became an influential figure of Art Nouveau in late 1890s, when poster illustrations were emerging as popular art form and new pri...

Alphonse Mucha worked mainly as a poster artist and became an influential figure of Art Nouveau in late 1890s, when poster illustrations were emerging as popular art form and new pri...

TOULOUSE-LAUTREC, HENRI DE (1864-1901) "FEMME AU TUB" (Woman with Tub) From the series, “Elles”, c. 1896 Wittrock 159, Adhemar 204 From the edition of 100; per Wittrock Original color crayon brush and splatter lithograph, five colors, printed on wove paper Printed without margins to deckled edge of paper Bearing Artist’s Monogram Stamp...

Steinlen, Theophile "Lait Pur Sterilise de la Vingeanne" Original lithograph, c. 1894 Rennert 12 Printed by Charles Verneau, Paris Bright Fresh Colors, RARE "The humble dairy of Q...

Example of Doric Proportion is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the governm...

Original lithograph printed in dark green ink on wove paper, with hand-coloring added A superb impression of the definitive state, from the edition issued in the book Documents Décoratifs...

Artist: Alexander Calder (1898-1976) Title: Potpourri en Ciel Year: 1975 Medium: Lithograph in colors on wove paper Edition: 90, plus proofs Size: 29...

Bold color lithograph, hand signed in pencil and numbered AP IX/X (artist’s proof 9/10), Jerusalem Print Workshop blind stamp lower right. On French Arches paper. Gabriel Cohen, Self taught, Naive painter was born in Paris in 1933, to parents from Jerusalem with a father who studied the kabbalah. Throughout World War II, the family hid from the Nazis in Paris. Images of Nazi soldiers appear in several of his paintings. In 1949, when Gabriel was 16, the family returned to Israel. They managed to save enough money to move back to the quarter where both parents were born: Ohel Moshe in Nachlaot. Gabriel served in the artillery corps and after the army, went back to live in his parents' house and earned a living polishing diamonds. The head of the polishing plant, who noticed his employee's artistic skill, allowed him to paint during work hours. He once asked Cohen if he could draw a tiger. Cohen drew him a tiger. And he did a lot of sculpting and painting on glass. He also loved to play the guitar, especially flamenco style. Critics say he is one of Israel's greatest naive-style painters. Along with Shalom of Safed, Kopel Gurwin and Natan Heber, He is renowned as one of Israel's greatest living naive-style folk art painters, recipient of the Jerusalem Prize for Art (1987), a permanent entry in encyclopedias of naive painting, who exhibited his work not only in Israel, but also in Paris, Venezuela, Denmark and Germany; the same Gabriel Cohen whose colorful , bold paintings were exhibited at the Jewish Museum in New York in 1987 alongside works by Marc Chagall; the same Gabriel Cohen about whom curator and art scholar Gideon Ofrat says, "There is no questioning his greatness." He has shown in Paris on the Rue de Rosiers in the Marais. His impressions of his journeys, mostly imaginary, yet some real, are expressed in Cohen's paintings. Huge, colorful canvases rich in precise detail and fantasy, in which he paints the Eiffel Tower and the Russian steppes or the vistas of Paris and the Tower of Babel "In my opinion, it's also because the Tower of Babel has some kind of phallic, erotic meaning, but also because of the internationalism, of the mixture and confusion of nations, which is an essential element in Gabi Cohen's work," says Gideon Ofrat. There is no superlative that has not been lavished on Cohen's work by art critics, since he began showing his paintings at age 40, All the art critics seemed to agree at once that Cohen is one of the greatest naive-style painters in Israel. Their counterparts abroad seconded this view. About a year and a half ago, Zadka organized a show for Cohen at the Jerusalem Artists' House. The Tel Aviv Museum bought a painting of Gabi's and so did the Israel Museum, and several artists bought his drawings. He is a great, great painter. There is no painter who is more of a symbolist and illustrative artist than he is. As a painter myself, I admire him." The Yom Kippur War in 1973 sparked an artistic breakthrough for Cohen; it was at that time that he began to sit on the sidewalk after his work as a diamond polisher and paint. Not long afterward, in early 1974, he did a painting he called "Moses on the Mountain." Ruth Debel, of the Debel Gallery in Ein Kerem, passed by and saw it on the street. She asked how much he wanted for it, and for the first time in his life, he realized that his work had financial value. His first show was at the Debel Gallery in 1974. The response was overwhelming. Cohen was immediately declared a genius. His paintings at the gallery were purchased and he continued to create new paintings. That same year, he was invited to take part in a group exhibition of naive artists at the Kunsthaus in Zurich, and a year later, his work was included in a traveling show of naive-style artists from Israel that was exhibited in Denmark and Germany. Soon after that he was invited to be part of group shows in Venezuela and at the Tel Aviv Museum. Cohen had four solo shows at the Debel Gallery. Awards And Prizes 1987 Jerusalem Prize for Painting and Sculpture 1999 Shoshana Ish-Shalom Prize for special contribution to art, Jerusalem He has exhibited alngside all of the Israeli great artists. including Naive Art Group exhibition Gvanim Art Gallery, Jerusalem Rubin, Rachel Roman, Yitzhak Zarembo, Leah Moscovitz, Shalom (of Safed) Steinberg, Michael Danisov, Salva Harbon, Haim Cohen, Gabriel Chanannia, Joseph (Jojo) Local Hero...

First edition, from the edition of 250 copies on Vélin d’Arches from a total edition of 270; large 4to (42.2 x 32 cm); artist’s signature stamp to limitation page, 150 lithographs after Giacometti, loose as issued in publisher's printed wrappers, glassine wrappers, cloth chemise and slipcase. Giacometti’s testament to art and modern life in his beloved Paris. For Tériade it would be a milestone, the last great publication he would see through the press. The two men [Tériade and Giacometti] had maintained a close friendship ever since the Surrealist Years. The one hundred and fifty lithographs are a profoundly interpenetrating view of Giacometti's experience of Paris. He selected the plates to be printed and determined the order of their relationship, numbering each one. The frontispiece shows a nude figure of a woman plunging forward, as though diving into space, and is immediately followed by a quantity of views of city streets, then of interiors familiar to the artist. We come upon views of his studio, of the cafes he frequented, of Annette's apartment in the rue Mazarine and Caroline's in the Avenue du Maine, strangers at cafe tables, passers by, parked automobiles, the towers of Saint-Suplice, bridges across the Seine, The Eiffel Tower. To accompany the hundred and fifty plates, a text of twenty pages was planned, but the artist never got further than a few rough drafts. True, he was a devotee of words, Paris sans fin, however, said too much to the eye to be in need of other symbols (James Lord...

Alphonse Mucha worked mainly as a poster artist and became an influential figure of Art Nouveau in late 1890s, when poster illustrations were emerging as popular art form and new pri...

Original vintage Danish poster: ODENSE, DENMARK. THE NATIVE TOWN OF HANS CHRISTIAN ANDERSEN. Great condition original. Linen backed origina...