Jurgen Peters Art

🎨 Dive into the timeless elegance of Patrick Nagel's iconic artwork with this excellent 1981 serigraph, published by Mirage Editions for Papillon Gallery in Los Angeles. Crafted wit...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you r...

Known as God's own Pop artist, Sister Mary Corita Kent went straight from high school into Catholic convent life in 1936. While serving her order and teaching art at Immaculate Heart...

"Delphinium" by Eyvind Earle. Limited edition serigraph on paper, 1975. Signed and numbered (61/250). Single estate, purchased from Circle Gallery, Ltd., Chicago. Brushed and polish...

Hand signed and numbered from edition of 90 Jakob Weder, (Switzerland, 1906-1990) Swiss color/music kinetic artist. known for his oil and tempera painting ...

Yaacov Agam, Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you ...

Blue Composition is an original contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower right margin. Numbered o...

Excellent serigraph by American Op Art artist Roy Ahlgren (1927 - 2011). This piece named "Big Sur" is signed, dated (1981) and numbered (22/150) by the artist in pencil. Overall ...

Excellent serigraph by American Op Art artist Roy Ahlgren (1927 - 2011). This piece named "Expanded Inversions" is signed, dated (1981) and numbered (18/150) by the artist in pencil. The print is unframed. The print itself is in very good condition but comes with signs of wear on the back and side of the print which will easily cover up once you have your print framed. See pictures for details. Overall size: 30" x 23" Image size: 26" x 19" Roy Ahlgren was born in 1927 in Erie, PA. He is a self-taught painter. In 1964 he began to work in op art and hard edge technique. He received more than 60 prizes, among them purchase awards from the Seattle Art Museum...

Hand signed and numbered. Edition of 100 prints. On headed paper.

An epically scaled and immaculately executed 1981 framed serigraph of “Twin Sisters” by Erté, hand-signed and numbered by the artist. A strikingly beau...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you request. sheet: 13.5 X 13.5 inches Some of these works have beautiful Hebrew calligraphy and mod imagery, animals and such that are not usually found in his work. This is a masterpiece of bold, graphic, mod design. Along with Reuven Rubin and Menashe Kadishman he is among Israel's best known artists internationally. Biographical info: The son of a rabbi, Yaacov Agam can trace his ancestry back six generations to the founder of the Chabad movement in Judaism. in 1946, he entered the Bezalel Academy of Arts and Design in Jerusalem. Studying with Mordecai Ardon, a former student at the Weimar Bauhaus. Yaakov Agam has been associated h with “abstract” artists, “hard edge” artists, and artists such as Josef Albers and Max Bill. Others find in Agam’s work an indebtedness to the masters of the Bauhaus. Agam’s approach to art, being conceptual in nature, has been likened to Marcel Duchamp’s, who expressed the need to put art “at the service of the spirit.” And, because of Agam’s employment of color and motion in his art, he has been compared to Alexander Calder, the artist who put sculpture into motion. (Motion is not an end, but a means for Agam. Calder’s mobiles are structures that are fixed, revolving at the whim of the wind. In a work by Agam, the viewer must intervene.) Agam has also been classified as an “op art” artist because he excels in playing with our visual sensitivities. Agam went to Zurich to study with Johannes Itten at the Kunstgewerbeschule. There, he met Frank Lloyd Wright and Siegfried Giedion, whose ideas on the element of time in art and architecture impressed him. In 1955, Galerie Denise René hosted a major group exhibition in connection with Vasarely's painting experiments with movement. in addition to art by Vasarely, it included works by Yaacov Agam, Pol Bury, Soto and Jean Tinguely, among others. Most Americans were first introduced to Vasarely by the groundbreaking exhibition, "The Responsive Eye," at New York's Museum of Modern Art in 1965. Josef Albers, Richard Anuszkiewicz. The show confirmed Vasarely's international reputation as the father of Op art. Agam has sought to express his ideas in a non-static form of art. In his abstract Kinetic works, which range from paintings and graphics to sculptural installations and building facades. Agam continually seeks to explore new possibilities in form and color and to involve the viewer in all aspects of the artistic process. Thus, for the past 40 years, Yaacov Agam’s pioneering ideas have impacted developments in art, (painting, monoprint, lithograph and agamograph) architecture, theatre, and public sculpture. Reflecting both his Israeli Jewish...