Kaj Gottlob Furniture

Complete living room with a pair of armchairs and a three-seater sofa, Scandinavian production of the 1960s. Structure in maple wood with seat, backrest and armrests in fabric, detai...

An extremely rare set designed by Dutch designer Rob Parry, with a very elegant shape with a combination of rosewood, chrome metal and a seat, as if suspended in this structure. This...

This adjustable wall lamp was both designed and manufactured by Fog & Mørup in Denmark during the 1950s. The lamp features a folded matté black shade and a flexible brass gooseneck. ...

Armchair model 3758 A in original red indian leather and mahogany base. Model designed in 1927 for the Danish Museum of Decorative Art, produced by Rud Rasmussen in the 1940’s. Signed with manufacturer’s label to underside: (Rud. Rasmussens Snedkerier). Kaare Klint is widely recognized as the father of Danish modern design. It is hard to overstate his influence. He developed an entirely new analytical approach to furniture design that his students at the Danish Academy of Art would emulate for years to come, yet was also inspired by historic designs from various cultures, modernizing and re-interpreting classic pieces for new generations. Literature: Kaare Klint, Harkær, pg. 28-30. Dansk Møbelkunst Gennem 40 Aar: 1927-1936, Jalk, pg. 169. Danish Chairs, Oda, pg. 22-23. Kaare Klint (1888-1954) is regarded as the founding father of Danish Modernim. As an architect, furniture designer and leading professor at the Department of Furniture Design at the Royal Danish Academy of Fine Arts, Copenhagen, Klint established the principles of modern Danish furniture by combining a profound appreciation of traditional construction techniques with a modernist emphasis on function and a rejection of ornaments. Klint’s design was always based on relentless research; he never compromised. Every piece had to fulfill its purpose, be completely clear in its construction with dimensions and proportions corresponding to the human body and display materials and craftsmanship of the highest quality. Logic, often using a mathematical system of measures, and a constructive way of thinking were the foundation of Klint’s philosophy of furniture design. Like many of his contemporaries, counting Le Corbusier and Walter Gropius, he advocated standardization and functional requirements and dismissed the use of all ornamentation. But Klint realized his vision in wood and leather, using traditional craftsmen and working methods and often finding inspiration in historical models. In this way, he charted the course for an alternative Nordic Functionalism that idealized the workshop and the collaboration between furniture architects and cabinetmakers as opposed to the factory. Kaare Klint’s first major work was a collaboration with his mentor, the architect Carl Petersen. In 1914 they were commissioned to design furniture and fixtures for Faaborg Art Museum. One of the highlights to emerge from this commission was the Faaborg chair, a light and elegant chair with clear references to classical furniture. The construction and proportions of an 18th century English Chippendale...

Kaare Klint for Rud Rasmussen. Safari chair new upholstered with Vintage aniline leather. With ottoman. Frame in solid ash. Model Safari chair, made by Rud Rasmussen.

Fog & Mørup "Tulip" Wall Light Lamps - Brass and Milk Glass, Denmark, 1950s Indulge in the timeless elegance of these exquisite "Tulip" wall light lamps in Patina, crafted by the re...

Kaare Klint pair of red chairs in mahogany, black horsehair and brass nails. Version of the chair with upholstered arms. Executed by Rud. Rasmussen,...

Kaare Klint for Rud Rasmussen. Pair of Safari chairs new upholstered with vintage aniline leather. New straps of butt hide leather. Frame in solid ash. Model Safari chair, made...

A rare walnut sofa and armchair by Sapporo for Mobil Girgi, made in the 1970's, Italy. Beautifully designed with angled front legs which extend to the sides and back, the back suppo...

A brass and fabric sconce designed and produced by Fog & Mørup, Denmark, c. 1950s. Sold with lampshade. Stated dimensions refer to the Sconce with the Shade. Dimensions of bac...

This pair of adjustable wall lights was manufactured and designed by Fog & Mørup in Denmark during the 1950s. The set features folded and pointy pastel yellow shades and a flexible f...

A two-armed brass and fabric wall light designed and produced by  Fog & Mørup, Denmark, c. 1950s. Overall Dimensions (inches): 8” H x 9.5” W x 5” D Bulb Specifications: E-14 Bulb Nu...