Kano Tanshin

A traditional style Japanese four panel folding screen depicting a flower cart full of red and white flowers. 10198

Six-panel Kano School tiger screen by Yosenin Korenobu (1753-1808). Sumi-e ink on paper, late 18th century. Dimensions: H 169cm x W 382cm.

Stunning late 19th century Japanese Meiji period six panel byobu screen featuring a deep blue waterscape with pheasants and ducks. Made in the Kano sch...

Late Edo period 19th century Japanese six-panel landscape screen featuring a cypress tree over a flowering hibiscus with a pair of hototogisu birds. Kano school painted with ink and ...

Cherry Blossoms Kano Sanrakuki (1898-1981) Showa period, circa 1930 2-panel Japanese Screen Color, gofun and gold leaf on paper Against a backdrop of gold-leafed ground, the lichen covered trunk and branches of the life-sized cherry blossom tree reach out and beyond the confines of the pictorial surface. The overall composition has a feeling of flatness which draws emphasis to the surface and the three-dimensionality of the cherry blossoms. Painstakingly built-up layers of thickly applied shell-white gofun detail the voluminous blossoms and cover large areas of this tour-de-force of Japanese Nihonga painting. By simplifying the background, minimizing the number of colors and depicting the blossoms with such heavy relief, the artist has emphasized the stunning presence of the cherry tree. The type of tree depicted is the Yae-Zakura; a double-layered type of cherry blossom famed for its beauty and strength. When we think of Japanese cherry blossoms, the first thing that comes to mind is Somei Yoshino variety, which has a single flower with five almost white petals. This type is fragile and easily blown away by strong wind or rain. Most of the double-flowered cherry blossoms begin to bloom when the Somei-Yoshino falls, and the flowering period lasts longer than that of the Somei-Yoshino. Kano Sanrakuki originally studied painting at the Kyoto City Arts and Crafts School under the tutelage of Yamamoto Shunkyo...

Large Japanese Meiji period six-panel screen depicting a winter landscape with a Chinese sage visiting friends in a country villa. Ink and vivid color pigments on mulberry paper mounted to a gilt background. Painted in the 19th century Kano school...

Six-panel screen of the "Rinpa school", painted with inks on gold leaf. Colorful and sunny variety of flowers painted with great skill by an anonymous Japanese artist, who skilfully...

Horses Kano Tanshin Morimasa (1653-1718) Two-panel tea-ceremony Japanese screen or furosaki Ink on gold leaf, late 17th-early 18th century Measures: H 55 cm x W 182 cm The Kano school was closely aligned with the warrior class in Japan. The samurai, who lived in a closed and rigid hierarchical society established by the Shogunate, were drawn to the energy and freedom horses symbolize; Kano school artists commonly depicted the equine creatures as they are here, in unfettered and carefree family groups. China originally introduced horse paintings to Japan; the works typically focused on capturing the essence of horses in their various environments and often involved integrating human figures into the images. Kano Tanshin Morimasa (1653-1718) was the son of Kano Tanyu...

Early 19th century late Edo period Japanese four-panel screen depicting examples from the 24 paragons of filial piety. Painted in the Kano School style featuring figures in colorful,...

18th Century Kano School Pine Screen Delve into the historic brilliance with this majestic gold-leafed screen from the renowned Kano School. The grand green pine, a recurrent motif in Japanese art...

Late 17th century Kano school peony landscape screens. One of a pair of screens signed: Hogan Josen Fujiwara Chikanobu Hitsu - Kano Chikanobu (Shushin) ...

Antique Japanese Suibokuga Egrets by Kano Tokinobu, 17th century. A sumi-e ink on paper painting illustrating two egrets in reserve with no outlines contrasting with the reeds from the marsh in the background. The painting with 3 vermillion seals of the artist in the lower left corner. Japanese dry mount paper on a wood frame with thin brocade border silver leafed surround and lacquered wood outer frame. Condition: Lighter discoloration on the lower portion of the painting, other minor signs of age, wear, stains and repairs otherwise fine condition. Age: Painting Edo Period, circa 1670. Mounting circa 1985. Image: 51-1/2 in. x 20-1/2 in. (131cm x 52cm) Frame 59-1/4 in. x 25-1/4 in. (150cm x 64cm) Weight: 6 lbs. Provenance: with Honeychurch Antiques...