Kyohei Inukai

Artist François Morellet (Cholet 1926 – Cholet 2016) was a French painter, sculptor, and light artist. His early work prefigured minimal art and conceptual art, and he played a prominent role in the development of geometrical abstract art. Morellet began his artistic career - still working in his parents' business - as a autodidact painter. His work was influenced by the work of the Dutch painter Piet Mondriaan and by the French painter Pierre Dmitrienko...

1960's Japanese woodblock print titled " In front of the garden" by Japanese asian and modern & contemporary artist Tomizaburo Hasegawa. The Art work is signed, titled and dated in ...

A wonderful abstract floral silkscreen print by Japanese artist Shinjiro Nozaki. The print is pencil signed, dated ('70) and titled (in Japanese) a...

The wonderful vintage cusrom framed art work of Mexican artist Pedro Friedeberg is exemplified in this dual sided work that is a numbered and signed si...

Kumi Sugaï, o e of the most internationally acclaimed Japanese painters of the twentieth century. 1974 Limited Edition lithograph Signal A by Kumi Sugaī. Edition 90/190 signed and numbered in pencil by the artist. 56 x 76 cm. The cost of insured shipping to the United States is Euro 125. Colors may vary. Kumi Sugai (菅井 汲, Sugaī Kumi...

A stunning lithograph poster custom framed pencil signed "Razzia". Typography reads "Pret A Porter Feminin" "Paris". This large-scale graphic poster would look great hanging or leani...

Beautiful work by Franco Angeli leading exponent of the Piazza del Popolo School “Roman eagle” Dry stamp Signed lower right in pencil by the Artist. “Prova d’Artista” Artist's proo...

Materic silkscreen print “Ondate di gelo” (Frost Waves) by Mario Schifano. Signature and numbering in pencil on front side. Dry stamp of the artist on front. Edition F.C. (Not for sale) 23/30. Framed work. The artwork for sale is part of the collection 'Best Seller: 31 graphic works by Mario Schifano' edited by Edizioni Torcular Edition on handmade paper with Torcular watermark by Cartiera Magnani of Pescia Printer: Egiziano Piersantini This artwork, never before on the market, comes from a private collection and is beautified by an impressive original frame in natural wood, in almost perfect condition. The painting is also protected by glass Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Mario Schifano (Homs 1934 - 1998) was an Italian painter and filmmaker. Together with Franco Angeli and Tano Festa he represented a fundamental point of Italian and European Pop Art. Perfectly integrated in the international cultural scene of the 1960s, he was reputed to be a prolific, exuberant and drug-addicted artist. A keen student of new painting techniques, he was among the first to use computers to create works and was able to process images from the computer and transfer them onto emulsified canvases. Mario Schifano was born in Italian Libya and after the end of the war returned to Rome where, due to his restless personality, he left school early to follow in his father's footsteps who worked at the Etruscan museum of Villa Giulia as an archaeologist and restorer. Thanks to this experience, he approached art, initially producing works that were influenced by Informal Art. His first solo exhibition was at the Galleria Appia Antica in Rome in 1959. In the late 1950s, he participated in the artistic movement Scuola di Piazza del Popolo together with artists such as Francesco Lo Savio, Mimmo Rotella, Giuseppe Uncini, Giosetta Fioroni, Tano Festa and Franco Angeli. The group met at Caffè Rosati, a Roman café then frequented by Pier Paolo Pasolini, Alberto Moravia and Federico Fellini, among others, and located in Piazza del Popolo, from which they took their name. In 1960, the group's works were exhibited in a group show at Galleria La Salita. In 1961 he exhibited in a solo show at Galleria La Tartarugadi Plinio De Martiis in Rome. In the meantime, he had met, among others, his future lover Anita Pallenberg at the Caffè Rosati, with whom he made his first trip to New York in 1962, where he came into contact with Andy Warhol and Gerard Malanga at the Factory. During this period he participated in the New Realists exhibition at the Sidney Janis Gallery, a group show that included most of the young artists of Pop art and Nouveau Réalisme, including Andy Warhol and Roy Lichtenstein. He then had the opportunity to participate in the New York social scene, which led to his first experiments with LSD.[6] On his return from New York, after participating in exhibitions in Rome, Paris and Milan, he took part in the XXXII International Art Exhibition in Venice in 1964. During this period, his paintings defined as 'Anemic Landscapes', in which it is memory that evokes the representation of nature with small details or allusive inscriptions, and the reinterpretations of art history that later led to his famous pictorial works on futurism appear in embryo. In Rome, he met and frequented Marco Ferreri and Giuseppe Ungaretti to whom, already in his 80s, he offered an evening at Peyote. But one of the acquaintances of this period that most influenced him was that with Ettore Rosboch, with whom he formed a deep friendship, based on a shared passion for music. In those years, also thanks to their constant trips to London, the two became friends with the Rolling Stones, to whom they introduced Anita Pallenberg, who in 1965 began a relationship with Brian Jones, and years later became Keith Richards' partner. In 1969, the flat in Piazza in Piscinula in Rome that then belonged to Schifano was used by Ferreri as the set for the film Dillinger is Dead, on the walls of which some of the artist's paintings can be seen. In 1969, the Rolling Stones dedicated the song Monkey Man to Mario Schifano. In 1971 some of his paintings were included by Achille Bonito Oliva in the exhibition Vitalità nel negativo nell'arte italiana 1960/70. Many of his works, the so-called 'monochromes', present only one or two colours, applied on wrapping paper glued on canvas. The influence of Jasper Johns was manifested in the use of numbers or isolated letters of the alphabet, but in Schifano's way of painting analogies can be traced to the work of Robert Rauschenberg. In a painting from 1960, one can read the word 'no' painted with drips of colour in large capital letters, as in a wall graffiti. The influence of Pop art can be seen in all the artistic production of Mario Schifano, who was fascinated by new technologies, advertising, music, photography and experimentation. In particular, the artist's closest works to Pop Art are those of the 1980s. Among the most important works of this period are the Propagande, a series dedicated to advertising brands (Coca-Cola and Esso) in which we have a clear example of the conveyance of commonly used and easily recognisable images quoted in multiple ways or details of them, bicycles, flowers and nature in general (among the most famous series are the Paesaggi anemici, Vedute interrotte, L'albero della vita...

This Fortunato Depero wonderful print on paper is a multiple of 250 specimens printed by the authorization of Museum of Depero in Rovereto. This is num...

1960's Japanese woodblock print titled "the Garden" by Japanese asian and modern & contemporary artist Shijiro Nozaku born in 1923. The At work is signed and titled in pencil by the...

1982 Erte's 90th century birthday edition four framed silk scarves, signed in the weave. No's 1 and 2 have been sold. 3 and 4 are available.

Pop Art screen-print on silver metallic board featuring graphic magenta, blue, orange bullseye targets. Signed Peter Gee 1967. Professionally framed in a white wood frame with glare ...